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Art styles --- abstraction-création --- anno 1930-1939 --- Paris
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video art --- Film --- creation [doctrinal concept] --- religions [belief systems, cultures] --- Iconography --- Jankowski, Christian
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This book is a first Z33 project overview, from June 2002 to October 2004
Art --- Z33 [Hasselt] --- Design --- Art and society --- Creation (Literary, artistic, etc.) --- Art and sociology --- Society and art --- Sociology and art --- Themes, motives --- Subjects --- Social aspects --- Z33 (Hasselt, Belgium)
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Iconography --- Art --- art [discipline] --- creation [doctrinal concept] --- artists' books [books] --- kunst over kunst --- heelal (kunst) --- Filliou, Robert --- anno 1900-1999 --- anno 2000-2099 --- France
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Im Rahmen der documenta fifteen veröffentlichen ruangrupa in Indonesien zwei Ausgaben eines Magazins, majalah, das sich auf den Kerngedanken der Ausstellung bezieht - die kollektive Arbeit. Der Namensbestandteil lumbung bezeichnet die kommunale Reisscheune, in der indonesische Bauern Ernteüberschüsse lagern, um sie zu teilen. Die beiden Ausgaben Ernten und Teilen erscheinen zur Ausstellung gemeinsam in einem Band. Mit Kurzgeschichten und Reportagen von führenden Journalist*innen, Forscher*innen und Schriftsteller*innen aus Indonesien berührt majalah lumbung Themen wie Kosmologie oder Architektur, Nahrung oder gemeinsames Essen, und bildet so ein inhaltliches Fundament für die documenta fifteen. Die einzelnen Beiträge vermitteln sich über zahlreiche Illustrationen und ein attraktives Layout mit der Qualität eines Magazins.
kunst --- eenentwintigste eeuw --- kassel --- Documenta --- Ruangrupa --- postkolonialisme --- 7.039 --- Art --- community development --- natural resources --- community gardens --- food --- collective settlements --- communities [inhabited places] --- Indonesia --- ruangrupa --- Création collective (art) --- Postcolonialism --- Art and society. --- Group work in art. --- Aspect social --- Social aspects. --- oogst
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De tous les cadres qui font l'œuvre d'art, il en est un dont on parle peu et qui, pourtant, est le tout premier : l'atelier, l'espace même de la création. Cet ouvrage richement illustré invite à pénétrer au cœur des plus importants ateliers d'artistes, de Léonard de Vinci à Jeff Koons. À s'arrêter dans la maison de Rembrandt, l'atelier mis en scène de Vermeer, l'ermitage aixois de Cézanne, le jardin de Monet, ou encore le Bateau-Lavoir de Picasso, l'espace sculpté de Brancusi, la Silver Factory de Warhol et l'arène de Francis Bacon. Et à découvrir ce qui fait de chacun de ces ateliers un lieu unique, où le travail s'accomplit et se donne à voir. Un lieu tour à tour de formation et de travail, de fièvre créatrice et d'affrontement avec la matière - un lieu privé et confidentiel ou une entreprise à part entière. Témoignages de proches des artistes à l'appui, Jan Blanc et Florence Jaillet entraînent ainsi le lecteur dans les coulisses de la création, là où les œuvres prennent forme et vie.
studios [work spaces] --- Art --- Rubens, Peter Paul --- Moreau, Gustave --- Warhol, Andy --- Tintoretto --- Picasso, Pablo --- Giacometti, Alberto --- Turner, Joseph Mallord William --- Raphael --- Mondriaan, Piet --- Vermeer, Johannes --- Bacon, Francis --- Rodin, Auguste --- Pollock, Jackson --- Cézanne, Paul --- Leonardo da Vinci --- Rembrandt --- David, Jacques-Louis --- Courbet, Gustave --- Monet, Claude --- Matisse, Henri --- Koons, Jeff --- Brancusi, Constantin --- Artists' studios --- Processus de création --- Atelier d'artiste --- Création artistique --- Iconographie --- History --- Artists' studios - History - Pictorial works
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philosophy of art --- ecology --- value [economic concept] --- creativity --- Art --- Postmodernism --- Social values. --- Value. --- Creative ability. --- Creativeness --- Creativity --- Ability --- Creation (Literary, artistic, etc.) --- Standard of value --- Cost --- Economics --- Exchange --- Wealth --- Prices --- Supply and demand --- Values --- Social aspects. --- Originality (Aesthetics) --- Culture --- Cultural policy --- Postmodernisme --- Originalité (Esthétique) --- Politique culturelle --- Valeurs sociales --- Création (Arts) --- Créativité --- Valeurs (Philosophie) --- Philosophy --- Economic aspects --- Aspect social --- Philosophie --- Aspect économique --- Aesthetics of art --- Social values --- Value --- Creative ability --- Social aspects --- artistic change
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"The effects and meanings of destruction are central to the work of many of our most influential artists. Since the early 1960s, artists have employed destruction to creative ends. Here destruction changes from a negative state or passive condition to a highly productive category. The destructive subversion of media imagery aims to release us from its controlling effects. The self-destructing artwork extinguishes art's fixity as arrested form and ushers in the ephemeral and contingent 'open work. This anthology explores artworks that convey the threat of destruction an how they have disrupted the perceived integrity of built structures and institutions. Artistic acts of iconoclasm or risk to the self have raised consciousness of authoritarian oppression. More understated works explore the theme of destruction in armed conflict, media violence, and threats to the environment. These text make up the first collection to be focused systematically on destruction in modern and contemporary art." -- Publisher's description
Auto-destructive art --- destruction --- Art --- thema's in de kunst --- Contemporary [style of art] --- art theory --- Art, Modern. --- Cinematography --- Photography, Artistic --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Cinéma --- Photographie --- Whitechapel Art Gallery --- destruction [process] --- Destruction art --- kunst --- 130.2 --- 7.039 --- 7.01 --- kunst en politiek --- 7.038/039 --- 7.038 --- cultuurfilosofie --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- destructie --- geweld --- oorlog --- vernietiging --- destructiviteit --- Art, Modern --- Technique --- Beeldende kunst ; 20ste eeuw ; destructie en creatie --- Auto-Destructive Art, ADA --- Kunst ; theorie, filosofie, esthetica
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Art --- Abstract [modern European style] --- abstraction-création --- Arp, Hans --- González, Julio --- Werner, Theodor --- Gabo, Naum --- Hepworth, Barbara --- Villon, Jacques --- Gorin, Jean --- Albers, Josef --- Kupka, Frantz --- Leck, van der, Bart --- Moss, Marlow --- Baumeister, Willi --- Nicholson, Ben --- Power, John Wardell --- Schwab, Walmar --- Valmier, Georges --- Veronesi, Luigi --- Moholy-Nagy, László --- Herbin, Auguste --- Vantongerloo, Georges --- Delaunay, Sonia --- Gleizes, Albert --- Buchheister, Carl --- Cahn, Marcelle --- Henri, Florence --- Taeuber-Arp, Sophie Henriette Gertrud --- Vordemberge-Gildewart, Friedrich --- Abstraction-Création [Paris]
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Design --- Industrial design --- Design. --- Industrial design. --- Design, Industrial --- Mechanical drawing --- New products --- Creation (Literary, artistic, etc.) --- History --- Industries --- 1900-1999 --- #TS:TCON --- Rubriek serials: interieurvormgeving en design --- 72 --- Architecture --- Architecture intérieure. --- Architecture intérieure --- Environmental planning --- comprehensive plans [reports] --- architecture [discipline] --- ruimtelijke ordening --- architectuur --- Architecture intérieure --- Periodicals --- Périodiques --- Histoire
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