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The work's of New York based artist Kara Walker (b. 1969) have been featured prominently in exhibitions around the world since the mid-1990s. Walker is renowned for her candid explorations of race, gender, sexuality and violence, from drawings, prints, murals, shadow puppets, cut-paper silhouettes, and projections to large-scale sculptural installations, often referencing the history of slavery and the antebellum American South. Now, Walker is creating the latest Hyundai Commission in Tate Modern's Turbine Hall. Documenting the work's creation, this book includes images of the work in process as well as the final installation. Walker introduces a personal selection of archival images and artworks that have influenced her during the genesis of this work. Essays by curator Clara Kim and a specially commissioned piece by the celebrated writer Zadie Smith offer fresh and intriguing insights into Walker's life and career.https://www.copyrightbookshop.be/shop/kara-walker-fons-americanus-hyundai-commission/
Western ArtUnited States;Installation Art;SculptureAfrican-American;Women ArtistsWalker, Kara --- Art --- sculpture [visual works] --- statues --- racial discrimination --- slavery --- fountains --- site-specific works --- African diaspora --- Walker, Kara --- Sculpture, American --- Women sculptors --- Social aspects. --- Attitudes. --- Walker, Kara Elizabeth. --- #breakthecanon --- Beeldhouwkunst --- Silhouet --- Schilderkunst --- African American sculpture --- 7.07 --- Walker, Kara °1969 (°Stockton, California, Verenigde Staten) --- Vrouwelijke kunstenaars --- Black Art --- Black Feminism --- Afro-American sculpture --- Sculpture, African American --- African American art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Walker, Kara Elizabeth --- Slavernij --- Interbellum
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"Chakaia Booker: The Observance" is the first comprehensive monograph on this important yet understudied American artist. Illuminating more than three decades of Booker’s practice, the publication explores her signature form – monumental works made of rubber – while showcasing her innovations across mediums including photography, painting, and prints. The book features some of Booker’s most topical works. With new photography of the wide-ranging exhibition at ICA Miami, historic images, and newly commissioned scholarship, it illuminates key themes in the artist’s practice. With special attention to Booker’s totemic and anthropomorphic assemblages fabricated from cast-off tyres, the publication engages the artist’s ongoing expression of ecological and technological concerns, examinations of racial and economic disparities and interest in the symbolism of the automobile in American culture.
Art --- photographs --- assemblages [sculpture] --- bronzes [visual works] --- installations [visual works] --- ecology --- racial discrimination --- black [color] --- easel paintings [paintings by form] --- recycling --- tires --- rubber [material] --- Booker, Chakaia --- Black Feminism --- Kunst, ecologie, posthumanisme --- Beeldhouwkunst ; installaties ; 20ste en 21ste eeuw --- Textielkunst ; hergebruik van restanten textiel ; textielafval --- Beeldende kunst ; Verenigde Staten ; 21ste eeuw --- Beeldende kunst ; Verenigde Staten ; 2de h. 20ste eeuw --- Booker, Chakaia °1953 (°Newark, New Jersey) --- 73.07 --- Beeldhouwkunst ; beeldhouwers A - Z --- paintings [visual works]
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