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"The American artist and filmmaker James Benning focuses on the ambivalence that exists between technical progress and the promise of liberty in a culture still bound to its pioneering spirit. His work resonates with a critique of the information society and also an examination of recent US history: specifically of philosopher Henry David Thoreau (1817-1862) and mathematician Theodor Kaczynski (*1942). Between 1978 and 1995 the latter became know as the 'Unabomber'. All in all the publication shows the importance of this director's themes, his work so seemingly timeless, for our life today, shaped as it is by technical possibilities both positive and negative. Including texts by Diedrich Diederichsen, Tanja Vrvilo and a conversation between James Benning and Allan MacInnis."--Inside front cover.

installations [visual works] --- motion pictures [visual works] --- Art --- Benning, James --- Benning, James, --- Verenigde Staten van Amerika

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McCollum, Allan, --- McCollum, Allan --- kunst --- installaties --- schilderkunst --- Verenigde Staten --- McCollum Allan --- twintigste eeuw --- 7.071 MCCOLLUM --- Art --- paintings [visual works] --- film stills --- monochrome --- documentary photographs --- Conceptual

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Photography, Artistic --- Photography --- 77.071 WOODMAN --- CDL --- fotografie --- lichamelijkheid --- naaktfotografie --- twintigste eeuw --- Verenigde Staten --- Woodman Francesca --- Exhibitions --- Woodman, Francesca, --- Sculpture --- sculpture [visual works] --- aircraft --- Panamarenko --- Woodman, Francesca

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Sculpture --- sculpting --- Twombly, Cy --- 73.071 TWOMBLY --- beeldhouwkunst --- eenentwintigste eeuw --- kunst --- twintigste eeuw --- Twombly Cy --- Verenigde Staten --- Twombly, Cy, --- Twombly, Edwin Parker, --- Exhibitions

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The first substantial monograph on an artist whose sculptures capture the proliferation of information and objects in contemporary life. Sarah Sze (b. Boston, 1969, lives and works in New York) has developed a sculptural aesthetic that transforms space through radical shifts in scale, colonizing peripheral spaces, engaging with the history of a building, and altering the viewer's perception and experience of architecture through large, site-specific interventions. Known for her unexpected and carefully arranged combinations of materials, from cotton buds and tea bags to water bottles and ladders, light bulbs and electric fans, Sze has presented ephemeral installations that penetrate walls, suspend from ceilings and burrow into the ground. Her work exists at the intersection of sculpture, drawing and architecture where her formal interest in light, air and movement is coupled with an intuitive understanding of colour and texture. Like the scientific instruments of measurement they often reference, Sze's sculptures attempt to quantify and organize the universe, ascribing a fragile, personal system of order. Within her practice, sculpture becomes both a device for organizing and dismantling information and a mechanism to locate and dislocate oneself in time and space. Sze received a BA from Yale University in Connecticut in 1991 and an MFA from New York's School of Visual Arts in 1997. She is represented by Tanya Bonakdar in New York and Victoria Miro in London. In 2013 she represented the United States at the 55th Venice Biennale. She was the recipient of a MacArthur Fellows Program Genius Grant in 2003 and of the AICA Award for Best Project in a Public Space in 2012.

kunst --- 7.071 SZE --- assemblages --- beeldhouwkunst --- tekenkunst --- installaties --- kunst en architectuur --- eenentwintigste eeuw --- Verenigde Staten --- Sze Sarah --- 7.07 --- 73.07 --- Sze, Sarah °1969 (°Boston, Verenigde Staten) --- Multimediale installaties --- Beeldhouwkunst ; van dagelijkse gebruiksvoorwerpen --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- Sculpture --- sculpture [visual works] --- assemblages [sculpture] --- installations [visual works] --- site-specific works --- Sze, Sarah