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Monographie trilingue de référence dédiée aux Parangolés de l'artiste brésilien Hélio Oiticica (1937-1980), capes-sculptures produites entre 1964 et 1979 unissant l'art à la vie, l'œuvre et le public, l'improvisation à l'orchestration, la révolte politique à la poésie. La recherche menée par Delmari Romero Keith et Marc Pottier plonge dans cette « œuvre anthropophage », en restitue le contexte historique et artistique, au cœur des enjeux des mouvements Dada, Fluxus, Arte Povera et du Nouveau Réalisme, qu'elle bousculent pour installer de nouvelles formes de danse, happenings et performances.

Oiticica, Hélio --- Danse --- Performance, art --- Art --- cloaks --- social stratification --- performance art --- political art --- textile art [visual works]

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Art --- chairs [furniture forms] --- tables [support furniture] --- installations [visual works] --- art [discipline] --- taste [aesthetics] --- social stratification --- Yang, Haegue

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Art --- multimedia works --- social stratification --- satire [artistic device] --- video art --- documentaries [documents] --- political art --- urbanisme --- Abidi, Bani

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Art --- social stratification --- community art --- political art --- public spaces --- interactive art --- philosophy of art --- collaboration --- Böhm, Kathrin

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Art --- art [fine art] --- social history --- social issues --- social stratification --- memorials [monuments] --- historic monuments --- social movements --- United States --- art [discipline] --- United States of America