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"In the past two decades, artists, and writers have increasingly adopted the idea that science fiction can be understood as a lens through which to search for fragments of truth emerging from the past or the future, and the proliferation of science fiction in contemporary art practice and discourse reflects an increased understanding of how this narrative field continues to grow in relevance. Split into four distinct approaches, "estrangement," "futures," "posthumanism," and "ecologies," this unique collection gathers key examples of the influence of science fiction in recent cultural development: from the integration and acceleration of technological change, to global urbanization and concepts of futurity; from the boundaries of social structures and non-human life, to the threatening self-evidence of climate change. This book is the first major anthology to focus on relationships between science fiction and contemporary art, and is an essential read for all those exploring this vital genre. Artists surveyed include Denenge Akpem, Laylah Ali, Allora & Calzadilla, Pawel Althamer, Carol Bove, Lee Bul, Mark Dion, Jimmie Durham, Ellen Gallagher, Robert Gober, Eduardo Kac, Mikhail Karikis, Patrick Keiller, Karen Kilimnik, Jeff Koons, Moon Kyungwon and Jeon Joonho, Lawrence Lek, Paul McCarthy, Mariko Mori, David Musgrave, Otolith Group, Eduardo Paolozzi, Kiki Smith, Sun Ra, Suzanne Treister, Jeff Wall. Writers include Peio Aguirre, Margaret Atwood, J.G. Ballard, Tiffany E. Barber, Jean Baudrillard, Franco 'Bifo' Beradi, Rosie Braidotti, Rachel Carson, Jeffrey Deitch, Donna Haraway, Cathy Lane, Amna Malik, Tom McCarthy, Alondra Nelson, Gwyneth Shanks, Jan Tumlir, Xin Wang, Gilda Williams"--
Science fiction --- Art and literature --- History and criticism --- Art --- science fiction --- kunstfilosofie --- hedendaagse kunst --- ecology --- climate --- urbanization --- technology [general associated concept] --- philosophy of art --- alienation --- 7.049 --- Kunst en maatschappij ; utopische denkbeelden --- kunst --- kunst en literatuur --- 7.01 --- 7.039 --- eenentwintigste eeuw --- esthetica --- kunsttheorie --- utopie --- literatuur --- sciencefiction --- kunst en politiek --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- Iconografie ; verschillende onderwerpen --- Science fiction - History and criticism
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The first book to explore the fascinating career and fantasy-driven worlds created by the acclaimed Argentinean artist. Adrián Villar Rojas's works concoct imaginary realms. Usually made from clay, his colossal installations are transitory and so cannot be collected, as they disappear or decay over time. His practice confronts the public with ideas of obsolescence and extinction, but also with the possibilities of humankind and its endless imagination. This is the first book to include all of Villar Rojas' most significant projects, featured in international biennials such as Venice, Documenta, Shanghai, and others.
Art --- installations [visual works] --- public art --- fantasy [imagination] --- monumental [size or dimensions] --- site-specific works --- clay --- Villar Rojas, Adrián --- Fantasy in art --- kunst --- 7.071 VILLAR ROJAS --- dystopie --- utopie --- sciencefiction --- installaties --- beeldhouwkunst --- eenentwintigste eeuw --- Argentinië --- 7.07 --- Villar Rojas, Adrián °1980 (°Rosario, Argentinië) --- Thema's in de kunst ; apocalyps ; ondergang van de wereld --- Beeldhouwkunst ; installaties --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Villar Rojas, Adrián, --- Rojas, Adrián Villar, --- Criticism and interpretation.
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