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Texte d'une allocution prononcée en 1964 à l'occasion de l'inauguration d'une exposition de sculpture, dans laquelle le philosophe précise les relations entre l'espace d'une part et l'art, la sculpture ou l'homme d'autre part. Il décrit le mouvement par lequel l'homme aménage l'espace et met en relief le rôle singulier du corps dans la spatialisation. ©Electre 2015

Art --- Space and time --- Place (Philosophy) --- Espace et temps --- Lieu (Philosophie) --- Philosophy --- Philosophie --- space [composition concept] --- art [fine art] --- philosophy of art --- art [discipline]

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- Un-framing the modern : critical space/public possibility / Griselda Pollock##- Women's Rembrandt / Mieke Bal##- Museums and the native voice / Gerald McMaster##- Exhibiting Africa after modernism : globalization, pluralism and persistent paradigms of art and artifact / Ruth B. Phillips##- Mirroring evil, evil mirrored : timing, trauma and temporary exhibitions / Reesa Greenberg##- A place for uncertainty : towards a new kind of museum / Vera Frenkel##- The ballad of Kastriot Rexhepi : notes on gesture, medium and mediation / Mary Kelly##- Riksutställningar : Swedish traveling exhibitions / Ulla Arnell##- Reframing participation in the museum : a syncopated discussion / Janna Graham, Shadya Yasin##- "There is no such thing as a visitor" / Judith Mastai##- "Anxious dust" : history and repression in the archives of Mary Kelly / Judith Mastai##- On discourse as monument : institutional spaces and feminist problematics / Juli Carson.

Art museums --- Philosophy. --- art museums [institutions] --- philosophy --- museology --- Museology --- Philosophy --- Art --- Musées --- Philosophie

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Ce recueil de textes a pour ambition première de saluer la revue +-0 et son animateur Stéphane Rona.

philosophy of art --- periodicals --- Art --- Iconography --- Periodicals --- Périodiques --- Périodiques --- Revue --- Avant-garde --- Philosophie de l'art

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"In Where Art Belongs, Chris Kraus examines artistic enterprises of the past decade that reclaim the use of lived time as a material in the creation of visual art. In four interlinked essays, Kraus expands the argument begun in her earlier book Video Green that 'the art world is interesting only insofar as it reflects the larger world outside it.' Moving from New York to Berlin to Los Angeles to the Pueblo Nuevo barrio of Mexicali, Kraus addresses such subjects as the ubiquity of video, the legacy of the 1960s Amsterdam underground newspaper Suck, and the activities of the New York art collective Bernadette Corporation. She examines the uses of boredom, poetry, privatized prisons, community art, corporate philanthropy, vertically integrated manufacturing, and discarded utopias, revealing the surprising persistence of microcultures within the matrix"--Publisher's description.

art criticism --- Art --- essays --- Philosophie --- Sociologie de l'art --- Rapport art-architecture --- Poésie --- Perception de l'art --- Art vidéo --- Art, Modern --- Themes, motives.

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"(Curating) From A to Z offers a summary of the development of curatorial practice over the last two decades seen through the eyes of curator Jens Hoffmann. In this publication each letter of the alphabet evokes a particular word related to the world of exhibition making: From A (as in Artist) and B (as in Biennial) to R (as in Retrospective) and W (as in White cube). Employing a diarist style, the curator presents his personal curatorial alphabet with similar transparency and the same idiosyncratic character revealed in many of his exhibitions. The entries are not only stimulating and intellectually rigorous, but also emotionally engaging."--Publisher description.

Museology --- museology --- exhibition curators --- anno 1900-1999 --- anno 2000-2099 --- Curatorship --- Art --- Exposition --- Muséologie --- Musée --- Philosophie --- Exhibition techniques --- Art - Exhibition techniques