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Since 1968, Bernhard Leitner has been creating sound spaces, meaning he considers sound to be an architectural, sculptural material. His first work in this regard was a model of Soundcube, a walkable cube with a grid of 384 loudspeakers lining its six inner walls. Moving sound through individually controlled loudspeakers distributed over an area creates spaces that are entirely auditory in nature. Initial empirical studies conducted by the artist were followed by approximately 150 sound space sculptures created between the mid-1970s and the present, each a unique calibration of the relationship between the bodily perception and sound spaces as they emerge in physical space and in time. Every one of Leitner's sculptures can be experienced as an interior (visitors can walk, sit, lie down in them), and each reveals new psycho-physiological dimensions of experience. This is the first volume to comprise all of the artist's sound space investigations, sound space sculptures, and sound space installations.
Beeldhouwkunst ; installaties ; 2de h. 20ste eeuw --- Beeldende kunst ; geluid in de hedendaagse kunst --- Kunst en muziek ; 20ste eeuw ; klankkunst ; geluidskunst --- Klankkunst ; geluidskunst --- Beeldende kunst, video en geluidskunst --- Leitner, Bernhard (°1938, Feldkirch, Oostenrijk) --- 78.07 --- Musici, componisten, zangers, geluidskunstenaars --- Art --- sculpture [visual works] --- installations [visual works] --- environments [sculpture] --- interactive art --- sound art --- Leitner, Bernhard
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Illusion Brought Me Here maps out the extensive body of work of Mexican artist Mario García Torres for the first time. New essays by Sophie Berrebi, Julia Bryan-Wilson, Rulo David, Vincenzo de Bellis, Caroline Dumalin, and Tom McDonough look at the way García Torres's work addresses ideas of failure, uncertainty, and memory, and at how the counter-narratives he weaves invite us to revisit and rethink the legacies of conceptual art in the Americas and Europe. This catalogue, published on the occasion of the artist's first survey exhibition in the US and in Europe, also features a richly illustrated and annotated selection of nearly fifty works, the most comprehensive compilation of the artist's practice available in print. - "In Spanish, my native tongue, 'ilusión' has more than one meaning. It can suggest a misinterpretation of the senses, something like a deceptive appearance, or a figment of the imagination. But the word can also be used to convey a sense of hope, of favorable expectations: 'Ilusión me trajo aquí' is thus both an anticipation that something fortuitous might happen here, and a misleading view, the figment or mirage that launched a personal journey into art." (Mario García Torres)
performance --- performances --- kunst --- kunst en muziek --- muziek --- video-installaties --- installaties --- fotografie --- film --- eenentwintigste eeuw --- 7.071 GARCIA TORRES --- concept art --- conceptuele kunst --- Mexico --- García Torres Mario --- Exhibitions --- installations [visual works] --- photography [process] --- video art --- art criticism --- Conceptual --- Garcia Torres, Mario --- 7.07 --- 778.5.07 --- 78.07 --- Garcia Torres, Mario 1975 (°Monclova, Mexico) --- Avant-garde kunst en muziek --- Tentoonstellingscatalogi ; Brussel ; Wiels --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- Musici, componisten, zangers --- García Torres, Mario,
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