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exhibition curators Barbara Til, Sue-an van der Zijpp --- Chapman Jake --- Groot-Brittannië --- installaties --- kunst --- twintigste eeuw --- Chapman Dinos --- oorlog --- kunst en oorlog --- 7.071 CHAPMAN --- Art --- prints [visual works] --- sculpture [visual works] --- painting [image-making] --- video art --- paper [fiber product] --- Chapman, Dinos --- Chapman, Jake
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Contemporary [style of art] --- Art --- anno 1940-1949 --- anno 1960-1969 --- anno 1950-1959 --- Europe --- kunst --- twintigste eeuw --- fifties --- 7.038 --- Metzkes Harald --- Broodthaers Marcel --- performances --- architectuur --- cybernetica --- Zero --- pop art --- Castillo Jorge --- Duitsland --- realismo --- sociaal realisme --- socialistisch realisme --- Sovjet-Unie --- Rusland --- communisme --- Picasso Pablo --- Polen --- kunst en oorlog --- oorlog --- kunst en poltiek --- sixties --- Exhibitions --- 20th century --- Art [Modern ] --- Art [European ] --- MAD-faculty 16 --- hedendaagse kunst --- tentoonstellingscatalogus
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"Publié à l'occasion de la grande rétrospective que le Centre Pompidou consacre à Anselm Kiefer, la première en France depuis plus de trente ans, cet ouvrage de référence dévoile non seulement une oeuvre immense, mais aussi les univers d'un des artistes contemporain les plus célèbres, ses champs intellectuels, ses ateliers ... Il réunit une documentation inédite, qui permet au grand public d'appréhender la force et la complexité e son travail. Les peintures d'Anselm Kiefer, ses sculptures, ou encore ses installations monumentales convoquent tout autant l'Histoire et la philosophie que la littérature et la science."--Page 4 of cover.
sculpture [visual work] --- Art --- easel paintings [paintings by form] --- Kiefer, Anselm --- kunst --- 7.071 KIEFER --- Arminius --- Varus --- schilderkunst --- installaties --- beeldhouwkunst --- Jodendom --- kunst en politiek --- Kiefer Anselm --- Duitsland --- twintigste eeuw --- eenentwintigste eeuw --- 7.07 --- 73.07 --- 75.07 --- Beeldende kunst ; schilderkunst ; 1969-2014 ; Anselm Kiefer --- Neo-Expressionisme --- Installaties --- Kunst en politiek ; kunst en oorlog --- Kiefer, Anselm °1945 (°Donaueschingen, Duitsland) --- Tentoonstellingscatalogi ; Parijs ; Centre Pompidou --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- Schilderkunst ; schilders --- Exhibitions --- sculpture [visual works] --- Kiefer, Anselm, --- Kiefer, Anselm, - 1945- - Exhibitions --- Kiefer, Anselm, - 1945 --- -kunst --- -Kiefer, Anselm, - 1945 --- -Kiefer, Anselm --- paintings [visual works] --- Art and Design. --- -Kiefer, Anselm, - 1945-
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Exhibitions --- kunst --- eenentwintigste eeuw --- Zuid-Afrika --- België --- Morris Wendy --- tekenkunst --- animatie --- tekenfilm --- kunst en politiek --- literatuur --- wereldoorlogen --- Wereldoorlog I --- kunst en literatuur --- 791.46 --- 7.071 MORRIS --- 741.07 --- 791.43.049 --- Tekenkunst ; 21ste eeuw ; Wendy Morris --- Kunst en politiek ; kunst en oorlog ; Wereldoorlog I --- Morris, Wendy °1960 (°Namibië) --- Kunst ; van vrouwen --- Kolonisatie --- Afrika ; westerse houding --- Animatiefilm --- Tentoonstellingscatalogi ; Oostende ; Mu.ZEE --- Tekenkunst ; tekenkunstenaars A - Z --- Filmkunst ; verschillende onderwerpen --- Drawing --- drawing [image-making] --- colonization --- video art --- shipwrecks --- kolonialisme --- Eerste Wereldoorlog --- Morris, Wendy --- South Africa --- #breakthecanon
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A pioneering survey of leading and emerging global artists, curators, and art practitioners on the question: can art aid in conflict resolution and therefore reduce global tensions and human suffering? Throughout the centuries, art has documented the atrocities of wars, participated in propaganda campaigns, and served as an advocate for peace and social justice around the world. The aim of this project is to explore how art can assist in creating dialogue and bridges across cultures and opposing groups. Over 100 leading and emerging architects, artists, curators, choreographers, composers, and directors of art institutions around the globe explore the potentially constructive role of the arts in conflict resolution. A summarizing chapter maps out the diverse positions and examines the variety of themes and approaches that were brought up. The book's clear multicultural positive social perspective makes the book relevant to various audiences, from art lovers to interdisciplinary global audiences of readers interested in conflict resolution, anthropology, social psychology, cultural studies, and art management.
Art and social conflict --- Art and society --- Arts and society --- Art and war --- Conflict management --- 7.049 --- 7.039 --- 7.01 --- Kunst als bemiddeling in politieke en culturele conficten --- Kunst en oorlog --- Kunst als conflictoplossing ; 21ste eeuw --- Sociaal en cultureel geëngageerde kunst --- War and art --- Art and history --- Art and state --- Conflict control --- Conflict resolution --- Dispute settlement --- Management of conflict --- Managing conflict --- Management --- Negotiation --- Problem solving --- Social conflict --- Crisis management --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social conflict and art --- Iconografie ; verschillende onderwerpen --- Kunstgeschiedenis ; 2000 - 2050 --- Kunst ; theorie, filosofie, esthetica --- Social aspects --- art [fine art] --- philosophy --- wars --- conflict [general sense] --- art [discipline]
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Lost Past places the history of the 'Great War' and the city of Ypres in a contemporary perspective. Within this context, 15 artists present their vision on the past, forgetfulness, remembrance, memory, and the need for memorialization. Curator Moritz Küng describes his selections and presents works by: * Becky Allen 5USA) * Lara Almarcegui (E) * Pierre Bismuth (F) * David Claerbout (B) * Rineke Dijkstra (NL) * Dora Garcia (E) * Felix Gonzalez-Torres (Cu/USA) * Ann Veronica Janssens (B) * Jan Kempenaers (B) * Guillaume Leblon (F) * Willem Oorebeek (NL) * Allen Ruppersberg (USA) * Gregor Schneider (D) * Yael Seggev (Isr) * Cerith Wyn Evans (UK) Art historian Mark Kremer brings the war-experience-machine to a momentary standstill, and cultural philosopher Lieven De Cauter gives a re-reading of Walter Benjamin's last text, 'On the Concept of History'
video art --- Film --- wars --- history [discipline] --- installations [visual works] --- photography [process] --- Iconography --- Art --- violence --- Photography --- music [discipline] --- memory --- Music --- motion pictures [visual works] --- Oorebeek, Willem --- Kempenaers, Jan --- Leblon, Guillaume --- Claerbout, David --- Seggev, Yael --- Almárcegui, Lara --- Evans, Cerith Wyn --- Gonzalez-Torres, Felix --- Janssens, Ann Veronica --- Garcia, Dora --- Dijkstra, Rineke --- Ruppersberg, Allen --- Schneider, Gregor --- Allen, Becky --- Bismuth, Pierre --- art [fine art] --- kunst --- Ypres --- Art contemporain --- Guerre mondiale I ; Belgique --- Hedendaagse kunst --- Wereldoorlog I ; België --- geschiedenis --- oorlogen --- oorlogsmonumenten --- hedendaagse kunst --- Wereldoorlog I --- 1918 - 2002 --- 20ste eeuw --- 21ste eeuw --- Ieper --- auteurs Lieven De Cauter, Mark Kremer, Moritz Küng ; curator Moritz Küng --- twintigste eeuw --- kunst en oorlog --- fotografie --- Benjamin Walter --- geschiedenisfilosofie --- installaties --- Allen Becky --- Almarcegui Lara --- Bismuth Pierre --- Claerbout David --- Dijkstra Rineke --- Garcia Dora --- Gonzalez-Torres Felix --- Janssens Ann Veronica --- Kempenaers Jan --- Leblon Guillaume --- Oorebeek Willem --- Ruppersberg Allen --- Schneider Gregor --- Seggev Yael --- Wyn Evans Cerith --- 7.038 --- 7.036 --- Thema's in de kunst ; 2000-2002 ; oorlog ; WO I en WO II --- Ieper ; na de oorlog ; verleden en heden --- Almarcegui, Lara --- Thema's in de kunst ; geschiedenis ; herinnering --- 7.044 --- 7.039 --- (069) --- 726.82 --- Iconografie ; historische voorstellingen --- Kunstgeschiedenis ; 2000 - 2050 --- (Musea. Collecties) --- Religieuze architectuur ; grafmonumenten --- Art, Modern --- Memorials --- music [performing arts] --- Gonzales-Torres, Felix --- commemorations [events] --- Eerste Wereldoorlog --- García, Dora --- Wereldoorlog I. --- 1918 - 2002. --- 20ste eeuw. --- 21ste eeuw. --- Ieper. --- music [performing arts genre] --- memory [psychological concept] --- art [discipline] --- memorials [monuments] --- monuments --- churchyards --- anno 1910-1919
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