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crime --- Iconography --- scripts [writing] --- eroticism --- Turk, Gavin --- Wojnarowicz, David --- Peress, Gilles --- Kruger, Barbara --- Araki, Nobuyoshi --- Holzer, Jenny --- Sherman, Cindy --- McCarthy, Paul --- Del Favero, Dennis --- Williams, Sue --- Baldessari, John --- Pettibon, Raymond --- Witkin, Joel-Peter --- Goldin, Nan --- Serrano, Andres --- Gonzalez-Torres, Felix --- Oursler, Tony --- Acconci, Vito --- Clark, Larry --- Hirst, Jasmine --- Mapplethorpe, Robert --- Gerz, Jochen --- anno 1900-1999 --- seksualiteit --- misdaad --- geweld --- Favero, Del, Dennis --- Gonzales-Torres, Felix --- kracht, geweld --- seksualiteit. --- misdaad. --- kracht, geweld. --- crime [social issue]
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Today political protest often takes the form of spontaneous, noninstitutional, mass action. Mass protests during the Arab Spring showed that established systems of power - in that case, the reciprocal support among Arab dictators and Western democracies - can be interrupted, at least for a short moment in history. These new activist movements often use online media to spread their message. Mass demonstrations from Tahrir Square in Cairo to Taksim Square in Istanbul show the power of networked communication to fuel "performative democracy" - at the center of which stands the global citizen. Art is emerging as a public space in which the individual can claim the promises of constitutional and state democracy. Activism may be the first new art form of the twenty-first century. global aCtIVISm (the capitalized letters form the Latin word civis, emphasizing the power of citizens) describes and documents politically inspired art - global art practices that draw attention to grievances and demand the transformation of existing conditions through actions, demonstrations, and performances in public space. Essays by leading thinkers -- including Noam Chomsky, Antonio Negri, Peter Sloterdijk, and Slavoj Žižek - consider the emerging role of the citizen in the new performative democracy. The essays are followed by images of art objects, illustrations, documents, and other material (first shown in an exhibition at ZKM Center for Art and Media, Karlsruhe) as well as case studies by artists and activists.
#SBIB:324H73 --- #SBIB:324H74 --- Politieke verandering: oppositie en minderheid, protest, politiek geweld --- Politieke verandering: sociale bewegingen --- Art militant --- Art et politique --- 21e siècle --- MAD-faculty 16 --- kunst en maatschappij --- Political philosophy. Social philosophy --- Art --- protesting --- maatschappijkritiek --- sociale strijd --- protest --- sociale bewegingen --- political art --- art [fine art] --- social stratification --- globalization --- minorities --- social conflict --- globalism --- activists --- actiegroepen --- anno 2000-2099 --- art [discipline] --- mass media --- kunst en politiek --- Art et société. --- Mouvements contestataires --- Protest movements in mass media --- Protest movements --- Dans les médias. --- Exhibitions.
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Essays explore contemporary artists' engagement with destruction, and how it has disrupted the perceived integrity of built structures and institutions. The effects and meanings of destruction are central to the work of many of our most influential artists. Since the early 1960s, artists have employed destruction to creative ends. Here destruction changes from a negative state or passive condition to a highly productive category. The destructive subversion of media imagery aims to release us from its controlling effects. The self-destructing artwork extinguishes art's fixity as arrested form and ushers in the ephemeral and contingent "open work." This anthology explores artworks that convey the threat of destruction an how they have disrupted the perceived integrity of built structures and institutions. Artistic acts of iconoclasm or risk to the self have raised consciousness of authoritarian oppression. More understated works explore the theme of destruction in armed conflict, media violence, and threats to the environment. These text make up the first collection to be focused systematically on destruction in modern and contemporary art. Artists surveyed include Ai Weiwei, John Baldessari, Monica Bonvicini, Alexander Brener, Stuart Brisley, Douglas Gordon, Huang Yong Ping, Enrique Jezik, Milan Knizak, Paul McCarthy, Piero Manzoni, Gordon Matta-Clark, Gustav Metzger, Otto Mühl, Yoko Ono, Raphael Montañez Ortiz, Petr Pavlensky, William Pope.L, Walid Raad, Arnulf Rainer, Robert Rauschenberg, Carolee Schneemann, Song Dong, Jean Tinguely, Wolf Vostell. Writers include Alain Badiou, Walter Benjamin, Horst Bredekamp, Carolyn Christov-Bakargiev, Medina Cuauthémoc, Dario Gamboni, Richard Galpin, Caleb Kelly, Bruno Latour, Sven Lütticken, Antonio Negri, Sophie O'Brien, Kristine Stiles, Jennifer Walden.
Auto-destructive art --- destruction --- Art --- thema's in de kunst --- Contemporary [style of art] --- art theory --- Art, Modern. --- Cinematography --- Photography, Artistic --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Cinéma --- Photographie --- Whitechapel Art Gallery --- destruction [process] --- Destruction art --- kunst --- 130.2 --- 7.039 --- 7.01 --- kunst en politiek --- 7.038/039 --- 7.038 --- cultuurfilosofie --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- destructie --- geweld --- oorlog --- vernietiging --- destructiviteit --- Art, Modern --- Technique --- Beeldende kunst ; 20ste eeuw ; destructie en creatie --- Auto-Destructive Art, ADA --- Kunst ; theorie, filosofie, esthetica --- Art éphémère
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Timely and wide-ranging, this volume explores in-depth the theme of destruction in international contemporary art. While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction as a means of responding to their historical moment and as a strategy for inciting spectacle and catharsis, as a form of rebellion and protest, or as an essential part of re-creation and restoration. Including works by such diverse artists as Jean Tinguely, Andy Warhol, Bruce Conner, Yoko Ono, Gordon Matta-Clark, Pipilotti Rist, Yoshitomo Nara, and Laurel Nakadate, the book reaches beyond art to enable a broader understanding of culture and society in the aftermath of World War II, under the looming fear of annihilation in the atomic age, and in the age of terrorism and other disasters, real and imagined.
sculpting --- violence --- Auto-destructive art --- photography [process] --- destruction --- video recordings --- painting [image-making] --- Art --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- destructie --- Superflex --- The Otolith group --- Jankowski Christian --- Grimonprez Johan --- Gaillard Cyprien --- Ant farm --- Aitken Doug --- Wool Christopher --- Warhol Andy --- Wall Jeff --- Varian Elayne H. --- Tinguely Jean --- Sola Joe --- Ruscha Ed --- Ruff Thomas --- Rist Pipilotti --- Rauschenberg Robert --- Montañez Ortize Raphael --- Ono Yoko --- Odermatt Arnold --- Nara Yoshitomo --- Nakadate Laurel --- Muñoz Juan --- Metzger Gustav --- McQueen Steve --- Matta-Clark Gordon --- Marclay Christian --- Langsdorf Martyl --- Landy Michael --- Klein Yves --- Johnson Larry --- Hersey John --- Hatoum Mona --- Gersht Ori --- Gordon Douglas --- Friedman Dara --- Lichtner Marvin --- Farrell Barry --- Edgerton Harold --- Durant Sam --- Demand Thomas --- Delahaye Luc --- Crawford Ralston --- Conner Bruce --- Chapman Dinos --- Chapman Jake --- Celmins Vija --- Cantor Mircea --- Burden Chris --- Bonestell Chesley --- Beshty Walead --- Baldessari John --- 7.038/039 --- Arden Roy --- Weiwei Ai --- oorlog --- geweld --- Exhibitions --- Anger in art --- Art and society --- Art, Modern --- Anger in art. --- Art and society. --- Themes, motives --- Themes, motives. --- 1900-2099. --- destruction [process] --- Varian Elayne H --- video recordings [physical artifacts]
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