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Arseny Zhilyaev's Avant-Garde Museology presents a collection of crucial essays documenting the wildly encompassing progressivism of this period, by figures such as Nikolai Fedorov, Aleksandr Rodchenko, Kazimir Malevich, Alexander Bogdanov, Andrey Platonov and many others-several of which are translated from the Russian for the first time. While the first question for any progressive curatorial practice and museology concerns how the errant futures stored in the museum can be played back, for the authors in this compendium, the more urgent question becomes: How might the contents of the museum be reanimated so as to transcend even the social and physical limits imposed on humankind?
Museology --- museology --- Muséologie --- Avant-garde (esthétique) --- Artistes et musées --- Muséologie --- Avant-garde (esthétique) --- Artistes et musées
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Art --- art [fine art] --- anno 1900-1999 --- France --- Art criticism --- Aesthetics, Modern --- Art, Modern --- Modernism (Art) --- Critique d'art --- Esthétique moderne --- Modernisme (Art) --- History --- Histoire --- Esthétique --- --Art --- --XXe s., --- Critique --- --Art criticism --- Esthétique moderne --- art [discipline] --- XXe s., 1901-2000
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What is the place of materiality - the expression or condition of a physical substance - in our visual age of rapidly changing materials and media? How is it fashioned in the arts or manifested in technology? This book deftly explores these questions, seeking to understand materiality in the contemporary world. What is the place of materiality - the expression or condition of a physical substance - in our visual age of rapidly changing materials and media? How is it fashioned in the arts or manifested in technology? In Surface, cultural critic and theorist Giuliana Bruno deftly explores these questions, seeking to understand materiality in the contemporary world. Arguing that materiality is not a question of the materials themselves but rather the substance of material relations, Bruno investigates the space of those relations, examining how they appear on the surface of different media - for example, on movie, television, or computer screens or on the skin of buildings and people. The object of visual studies, she insists, goes well beyond the image, and she contends that the contact between people and objects occurs on the surface. Through this tangible contact, we apprehend the art object and space of art. As such, Bruno threads through the surfaces of images, emphasizing the actual fabrics of the visual - the surface condition, the textural manifestation, the support of a work, and the way in which it is sited, whether on a canvas, a wall, or a screen. In performing these critical operations on the surface, she articulates it as a site in which different forms of mediation and transformation can take place. Surveying object relations across art, architecture, fashion, design, film, and new media, Surface is a magisterial account of contemporary visual culture.
philosophy of art --- motion pictures [visual works] --- light art --- projections [visual works] --- Aesthetics --- video recordings --- new media art --- aesthetics --- Architecture et arts --- Arts --- Aesthetics. --- Mass media and the arts. --- Esthétique --- Philosophy. --- Philosophie --- kunstfilosofie --- esthetica --- Architecture --- Esthétique --- Architecture et arts. --- Esthétique. --- video recordings [physical artifacts]
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Ce livre revisite de fond en comble le genre de la nature morte comme lieu idéal du dialogue entre le vivant et le non-vivant, entre nous et les choses, entre présent et passé. Il invite à repenser l'histoire et la géographie de la représentation des choses : il remonte à la Préhistoire et ouvre des frontières sur d’autres contrées que l’Europe et les États-Unis. Il établit des correspondances entre les arts contemporains et les arts anciens en montrant de quelle manière les choses représentées par les artistes sont un bon observatoire des sensibilités. Cet essai est aussi une histoire de la tension entre l’abondance et son contraire, entre l’être et l’avoir depuis que l’on accumule des vivres, des outils, des armes, des proies, des vêtements, des parures, des choses désirables. Il est fondé sur l'observation des œuvres d'art des peintres, sculpteurs, photographes et cinéastes (anonymes, Piraïkos, Mu Qi, Aertsen, Spoerri, Gupta, Tati, Tarkovski...) et sur la pensée des savants (Philostrate, Marx, Weber, Sterling, Barthes, Latour, Appadurai…). Il et est traversé par l’esprit des poètes et des écrivains (Montaigne, Deubel, Baudelaire, Hugo, Michaux, Ponge, Perec…)
Art --- sculpture [visual works] --- installations [visual works] --- photography [process] --- motion pictures [visual works] --- easel paintings [paintings by form] --- still lifes --- Still-life painting --- Philosophy --- Philosophy. --- History --- History. --- Nature morte. --- Représentation (esthétique) --- Esthétique --- Histoire. --- kunst --- 75.049 --- 7.01 --- esthetica --- 7.049 --- fotografietheorie --- fotografie --- filmtheorie --- film --- beeldhouwkunst --- schilderkunst --- stillevenschilderkunst --- stillevens --- kunsttheorie --- Painting --- Still-life in art --- mimesis --- philosophy of art --- paintings [visual works]
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2012 marque le cinquantième anniversaire du premier Festival Fluxus qui se déroula à Wiesbaden, RFA. Autour de la figure tutélaire et controversée qu'était George Maciunas, des artistes d'origine et de pratique diverses essayèrent de bousculer les lignes de démarcation entre arts visuels et arts vivants, entre art et vie, entre éthique et esthétique. Le Musée d'Art Moderne de Saint-Etienne Métropole, fort des donations Vicky Rémy et François et Ninon Robelin, riches en oeuvres Fluxus, fait la tentative de rendre compte de la complexité et de la " nébulosité " d'un courant, d'un mouvement, puisant ses énergies tant dans la musique novatrice de John Cage, la philosophie Zen, le gag, que le positionnement idéologique. Fiat Flux, la nébuleuse Fluxus 1962-1978 oscille entre rigueur historique et aléas d'un parcours où se côtoient l'art du presque-rien, le document, l'installation spectaculaire ; où voisinent imprimés, films, objets et sons. Fiat Flux, la nébuleuse Fluxus 1962-1978 ne se veut pas apologétique de Fluxus. Au contraire, elle montre une diversité d'approches de la part d'artistes dont la relation avec Fluxus et son mentor se décline depuis la plus grande adhésion jusqu'à sa remise en cause conflictuelle en passant par le passage-éclair. Exposer Fluxus pour un Musée, c'est à la fois faire le travail raisonné du compte-rendu de ce qui fut considéré comme une des avant-gardes artistiques au XXP siècle tout en prenant conscience du risque que Fluxus puisse encore échapper à une nomenclature préétablie. " Fluxus se donnait pour but le voyage. Hélas ! C'est devenu un art ". Willem de Ridder.
art [fine art] --- Fluxus --- Art --- Fluxus (Group of artists) --- Art, Modern --- Avant-garde (Aesthetics) --- Fluxus (Groupe d'artistes) --- Avant-garde (Esthétique) --- 20e siècle --- Avant-garde (Esthétique) --- art [discipline]
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A groundbreaking, radical new study of the transformative cultural, aesthetic, & political shifts initiated by black contemporary artists inc. Arthur Jafa, Deanna Lawson, Dawoud Bey, etc. who are dismantling the white gaze and demanding that we see-and see blackness in particular-anew.
Aesthetics, Black --- Arts, Black --- Arts and society --- 7.039 --- Dawoud Bey --- Roy DeCarava --- Oklahoma Grayson --- Kahlil Joseph --- Deana Lawson --- Simone Leigh --- Jenn Nkira --- Donald Rodney --- Luke Willis Thompson --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Black arts --- Negro arts --- Black aesthetics --- History --- Kunstgeschiedenis ; 2000 - 2050 --- Social aspects --- Aesthetics --- gender [sociological concept] --- #breakthecanon --- Art --- sculpture [visual works] --- photography [process] --- video art --- African diaspora --- Bey, Dawoud --- Leigh, Simone --- Thompson, Luke Willis --- Okpokwasili, Okwui --- Jafa, Arthur --- Joseph, Kahlil --- Nkiru, Jenn --- Artistes noirs --- Esthétique --- dekolonisatie --- Artists, Black --- Black people in art. --- Esthétique noire --- Arts noirs --- Arts et société --- Personnes noires dans l'art. --- Arts, Black. --- Arts and society. --- Aesthetics, Black. --- Artists, Black. --- Art and Design. --- Histoire --- 2000-2099. --- United States. --- Aesthetics. --- African American. --- African Americans. --- Art. --- Black or African American. --- Esthetics. --- Esthétique noire. --- Esthétique. --- Noirs américains.
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Drawing --- Painting --- Iconography --- photography [process] --- textile materials --- drawing [image-making] --- Photography --- painting [image-making] --- Applied arts. Arts and crafts --- Albers, Anni --- Albers, Josef --- anno 1900-1999 --- United States --- Germany --- Avant-Garde (Aesthetics) --- Avant-Garde (Esthetica) --- Avant-Garde (Esthétique) --- Albers, Josef & Anni --- Albers, Jozef --- Europa --- Amerika --- Art collections --- Indian art --- Private collections --- Albers, Jozef. --- Albers, Anni. --- Europa. --- Amerika. --- kunstenaarspaar --- United States of America
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Iconography --- repetition (process) --- Art --- Mangold, Robert Peter --- Zaugg, Remy --- Johns, Jasper --- Pistoletto, Michelangelo --- Tàpies, Antonio --- Richter, Gerhard --- McCollum, Allan --- Warhol, Andy --- Rauschenberg, Robert --- Levine, Sherrie --- Martin, Agnes --- Art & Language --- anno 1900-1999 --- Art, Modern --- Repetition (Aesthetics) --- Répétition (Esthétique) --- Exhibitions. --- Expositions --- repetition [process] --- Répétition (Esthétique) --- Tàpies, Antoni
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sculpting --- Sculpture --- philosophy of art --- art [fine art] --- Art --- Sculpture. --- Aesthetics. --- Esthétique --- Spirituality in art --- Aesthetics --- Philosophy --- Philosophie --- Esthétique --- Philosophie. --- 73.01 --- 73.046.3 --- 73.01 Esthetica van de beeldhouwkunst. Theorie van de beeldhouwkunst --- Esthetica van de beeldhouwkunst. Theorie van de beeldhouwkunst --- 73.046.3 Religieuze beeldhouwkunst --- Religieuze beeldhouwkunst --- Sculpture - Philosophy --- art [discipline] --- Esthétisme
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History --- Modernist --- philosophy of art --- art history --- art [fine art] --- Art styles --- Iconography --- Art --- anno 1900-1999 --- Filosofie van het postmodernisme --- Modernism (Art) --- Modernisme (Art) --- Modernisme (Kunst) --- Philosophie postmoderniste --- Postmodernism --- Postmodernisme --- Postmodernisme (esthétique) --- Postmodernisme (filosofie) --- Postmodernisme (philosophie) --- Art, Modern --- Postmodernism. --- Modernism (Art). --- Art [Modern ] --- 20th century --- art [discipline] --- kunstsociologie
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