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Venues de très loin, certaines images ont durablement façonné notre imaginaire : celles de l'exilé, du réfugié ou encore du migrant, participent de cette structuration et font ainsi partie de notre patrimoine mental. Leur diffusion fut assurée par les contes et les légendes, par les chants, les prières et les comptines mais aussi par des représentations visuelles qui, au fil du temps, en ont précisé les contours. Les religions ont fourni les récits nécessaires pour que s'édifie une puissante iconographie de l'exil. Adam et Ève chassés du Paradis, La Fuite en Égypte, L'Exode, sont autant d'exemples que Duccio, Giotto, Masaccio ou Fra Angelico… vont peindre sur les murs des églises ou des monastères. Dans la folle accélération qui caractérise les temps modernes, émerge une iconographie considérable de la fuite, de l'errance et de l'exclusion, provoquées par les guerres, les régimes de terreur ou la pénurie. Les peintres et les photographes, de Marc Chagall à Robert Capa, s'emparent du sujet et accueillent dans leurs œuvres ces « rayés de l'histoire » au destin aussi incertain qu'éprouvant. Les vidéos et les installations de nombreux artistes contemporains interrogent très opportunément aujourd'hui un phénomène qui ne cesse de prendre de l'ampleur. Mona Hatoum, Francis Alÿs, Kimsooja, Adrian Paci, Mohamed Bourouissa, Barthélémy Toguo, Zineb Sedira… et bien d'autres encore, produisent des œuvres riches de sens dans lesquelles les notions de frontières et d'identité font l'objet d'un traitement qui peut fluctuer entre le documentaire et le récit fictionnel et poétique.

Exile (Punishment) in art --- Exiles in art --- Refugees in art --- Emigration and immigration in art --- Art --- art [fine art] --- exile [sociological concept] --- refugees --- art [discipline] --- maatschappij

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Iconography --- Art --- Sculpture --- Graphic arts --- outdoor sculpture --- art [discipline] --- sociology --- emigration --- immigration --- humor --- public spaces --- sculpting --- graphic arts --- kunstsociologie --- human figures [visual works] --- Metzel, Olaf --- anno 1900-1999 --- anno 2000-2099 --- Germany --- Turkey

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Art, Soviet --- Dissenters, Artistic --- Dissident art --- Art of the Soviet Union --- Soviet art --- Non-social-realist art --- Soviet unofficial art --- Artistic dissenters --- Dissident artists --- Artists --- Dissenters --- Freedom and art --- Biography --- Art --- art [fine art] --- emigration --- Neizvestny, Ernst Iosifovich --- Boelatov, Erik --- Charitonov, Aleksander --- Belenok, Pjotr --- Birger, Boris Georgijewitsch --- Bitt, Galina --- Brui, William --- Infante, Francisco --- Jakovlev, Vladimir --- Kalinin, Vjatsjeslav --- Kaloegin, Alexander --- Kandaurov, Otari --- Koelbak, Viktor --- Krasnopevtsev, Dimitri --- Kropivnitskaia, Valentina --- Kropivnitsky, Lev --- Machov, Aleksander --- Masterkova, Lydia --- Nemoechin, Vladimir --- Nussberg, Lev --- Plavinski, Dimitri --- Prokofiev, Oleg --- Rabin, Aleksander --- Rabin, Oscar --- Roechin, Jevgeni --- Shapiro, Valentina --- Sitnikov, Vasilii --- Sjemjakin, Michail --- Steinberg, Eduard --- Sveshnikov, Boris --- Tselkov, Oleg --- Varazi, Avtandil --- Vechtomov, Nikolaj --- Kabakov, Ilija Iosefovich --- Weisberg, Vladimir --- Yankilevsky, Vladimir --- Zelenin, Edouard --- Zjarkich, Joeri --- Zjoetovski, Boris --- Zverev, Anatolii --- Russia --- Veisberg, Vladimir --- Koulbak, Viktor --- art [discipline] --- kunstmanifest --- kunst en politiek

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Iconography --- Art --- art [discipline] --- psychology --- emigration --- dictatorships --- Islam --- art theory --- identity --- kunstsociologie --- kunst en politiek --- Daou, Annabel --- Abouon, Arwa --- Afnan, Maliheh --- Ghoussein, al, Tarek --- Samra, al, Faisal --- Shammarey, al, Mohammed --- Ali, Wijdan [Princess] --- Alkadhi, Ayad --- Aly, Doa --- Anvari, Haleh --- Darsi, Hassan --- Dehkordi, Afshin --- Esid, Osama --- Essaydi, Lalla --- Fathi, Golnaz --- Fatmi, Mounir --- Ghadirian, Shadi --- Golshiri, Barbad --- Haeri, Neda Dana --- Hassanzadeh, Khosrow --- Hiary, Hilda --- Kenawy, Amal --- Ketabchi, Afshan --- Lemseffer, Ahlam --- Mahdaoui, Nja --- Moshiri, Farhad --- Muraywid, Laila --- Radboy, Babak --- Rahbar, Sara --- Rechmaoui, Marwan --- Sarkissian, Hrair --- Sasportas, Yehudit --- Shahbazi, Shirana --- Shahroudy Farmanfarmaian, Monir --- Shawa, Laila --- Tanavoli, Parviz --- Aliabadi, Shirin --- Hatoum, Mona --- Neshat, Shirin --- Karavan, Dani --- Houshiary, Shirazeh --- Amer, Ghada --- Barrada, Yto --- Abdul, Lida --- anno 1900-1999 --- anno 2000-2099 --- Middle East --- Kuwait --- Iran --- Iraq --- Syria --- Lebanon --- Israel --- Jordan --- Palestine --- Afghanistan --- Tunisia --- Libya --- Egypt --- Morocco --- Saudi-Arabia

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"The Landing Strip is a photographic series by artist Kader Attia that documents the lives of a group of Algerian Transgender sex workers living in Paris in the late 1990s and early 2000s. Focusing on the group’s shared intimacy, and taken of over a period of roughly two years, Attia sought to capture and present the real lives of those in the community.The title of the series is the name given by the women to the Boulevard on which they work. This long straight road, which separates the centre of Paris from its suburbs, resembles an airport runway. Featuring more than 140 illustrations that trace the events from day into night, and an essay by Tarek El-Ariss, Associate Professor and chair of Middle Eastern Studies at Dartmouth University, this book is an honest and personal insight into the lives and relationships of a group on the periphery of society."

Art --- documentary photography --- prostitutes --- transgenderism --- Attia, Kader --- Paris --- Algeria --- Portrait photography --- Transgender women --- Algerians --- Prostitutes --- 761.2 fotografen afzonderlijk --- fotografie --- portretfotografie --- reportagefotografie (documentaire fotografie) --- gender --- transsexualiteit (transseksualiteit) --- Frankrijk --- Parijs (Paris) --- Call girls --- Female prostitutes --- Girls, Call --- Harlots --- Hookers (Prostitutes) --- Hustlers (Prostitutes) --- Street prostitutes --- Streetwalkers --- Strumpets --- Tarts (Prostitutes) --- Trollops (Prostitutes) --- Whores (Prostitutes) --- Women prostitutes --- Sex workers --- Ethnology --- M to Fs (Transgender women) --- M2Fs (Transgender women) --- Male-to-female transgender people --- MTFs (Transgender women) --- Trans females --- Trans women --- Transfemales --- Transfeminine people --- Transfeminine spectrum people --- Transgender females --- Transwomen --- Transgender people --- Women --- Attia, Kader, --- France --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- Emigration and immigration --- Exhibitions --- #breakthecanon --- 77.092.07 --- Thema's in de kunst ; ras ; gender ; geslacht --- Fotografen A - Z --- Identiteit (Zelfbeeld Zelfkennis) --- LGBTQ+ (lesbian, gay, bisexual, transgender, queer and others) --- LGBT (lesbian, gay, bisexual, transgender) --- transgender --- androgynie --- travestie --- genderexpressie