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Writings on human life and the refugee crisis by the most important political artist of our time Ai Weiwei (b. 1957) is widely known as an artist across media: sculpture, installation, photography, performance, and architecture. He is also one of the world's most important artist-activists and a powerful documentary filmmaker. His work and art call attention to attacks on democracy and free speech, abuses of human rights, and human displacement--often on an epic, international scale.This collection of quotations demonstrates the range of Ai Weiwei's thinking on humanity and mass migration, issues that have occupied him for decades. Selected from articles, interviews, and conversations, Ai Weiwei's words speak to the profound urgency of the global refugee crisis, the resilience and vulnerability of the human condition, and the role of art in providing a voice for the voiceless.Select quotations from the book:"This problem has such a long history, a human history. We are all refugees somehow, somewhere, and at some moment." "Allowing borders to determine your thinking is incompatible with the modern era." "Art is about aesthetics, about morals, about our beliefs in humanity. Without that there is simply no art." "I don't care what all people think. My work belongs to the people who have no voice."
Dissenters, Artistic --- Refugees --- Art --- Artistic dissenters --- Dissident artists --- Artists --- Dissenters --- Freedom and art --- Art and politics --- Politics and art --- Displaced persons --- Persons --- Aliens --- Deportees --- Exiles --- Social conditions --- Political aspects --- Ai, Weiwei --- Ai, Wei Wei --- Wei Wei, Ai --- 艾未未 --- Weiwei, Ai, --- social issues --- migration [function] --- humanism --- political art --- texts [documents] --- refugees --- Ai Weiwei --- mensenrechten --- ai, wei wei
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Art, Soviet --- Dissenters, Artistic --- Dissident art --- Art of the Soviet Union --- Soviet art --- Non-social-realist art --- Soviet unofficial art --- Artistic dissenters --- Dissident artists --- Artists --- Dissenters --- Freedom and art --- Biography --- Art --- art [fine art] --- emigration --- Neizvestny, Ernst Iosifovich --- Boelatov, Erik --- Charitonov, Aleksander --- Belenok, Pjotr --- Birger, Boris Georgijewitsch --- Bitt, Galina --- Brui, William --- Infante, Francisco --- Jakovlev, Vladimir --- Kalinin, Vjatsjeslav --- Kaloegin, Alexander --- Kandaurov, Otari --- Koelbak, Viktor --- Krasnopevtsev, Dimitri --- Kropivnitskaia, Valentina --- Kropivnitsky, Lev --- Machov, Aleksander --- Masterkova, Lydia --- Nemoechin, Vladimir --- Nussberg, Lev --- Plavinski, Dimitri --- Prokofiev, Oleg --- Rabin, Aleksander --- Rabin, Oscar --- Roechin, Jevgeni --- Shapiro, Valentina --- Sitnikov, Vasilii --- Sjemjakin, Michail --- Steinberg, Eduard --- Sveshnikov, Boris --- Tselkov, Oleg --- Varazi, Avtandil --- Vechtomov, Nikolaj --- Kabakov, Ilija Iosefovich --- Weisberg, Vladimir --- Yankilevsky, Vladimir --- Zelenin, Edouard --- Zjarkich, Joeri --- Zjoetovski, Boris --- Zverev, Anatolii --- Russia --- Veisberg, Vladimir --- Koulbak, Viktor --- art [discipline] --- kunstmanifest --- kunst en politiek
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Art --- art market --- feminism --- authorship --- dissident art --- performance art --- political art --- artistic change --- artists' collectives --- pseudonyms --- Smith, Bob and Roberta --- Chetwynd, Spartacus --- LuckyPDF [London] --- Art & Language --- Guerrilla Girls [New York City, N.Y.] --- Dissenters, Artistic. --- Artists --- Identity (Philosophical concept) in art. --- Authorship. --- Artists. --- 1900-2099 --- Guerrilla Girls [New York, N.Y.]
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Interest in Chinese contemporary art increased dramatically in the West shortly after the 1989 Tiananmen Square protests. Sparked by political sympathy and the mediatized response to the event, Western curators, critics, and art historians were quick to view the new art as an expression of dissident resistance to the Chinese regime. In this book, Marie Leduc proposes that this attribution of political dissidence is not only the result of latent Cold War perceptions about China, but also indicative of the art world's demand for artistically and politically provocative work - a demand that mirrors the valorization of free expression in liberal democracies. Focusing on nine Chinese artists-Wang Du, Wang Keping, Huang Yong Ping, Yang Jiechang, Chen Zhen, Yan Pei-Ming, Shen Yuan, Ru Xiaofan, and Du Zhenjun-who migrated to Paris in and around 1989, Leduc explores how their work was recognized before and after the Tiananmen Square incident. Drawing on personal interviews with the artists and curators, and through an analysis of important exhibitions, events, reviews, and curatorial texts, she demonstrates how these and other Chinese artists have been celebrated both for their artistic dissidence - their formal innovations and introduction of new media and concepts - and for their political dissidence - how their work challenges political values in both China and the West.
Art, Chinese --- Dissident art --- Art and society --- S02/0300 --- S17/1950 --- Art --- Art and sociology --- Society and art --- Sociology and art --- Art, Dissident --- Art, Nonconformist --- Art, Unofficial --- Nonconformist art --- Unofficial art --- Dissenters, Artistic --- Freedom and art --- Chinese art --- Appreciation --- Collectors and collecting --- China: General works--Chinese culture and the World and vice-versa --- China: Art and archaeology--Post-modern and contemporary art --- Social aspects --- dissident art --- political art --- Chen, Zhen --- Huang, Yong Ping --- Shen Yuan --- Wang Du --- Wang Keping --- Yan Pei-Ming --- Yang Jiechang --- Zhenjun, Du --- Fan, Ru Xiao --- Western world --- China
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assemblages [sculpture] --- installations [visual works] --- laser printing --- digital prints --- apartheid --- Iconography --- Art --- aids (kunst) --- violence --- Williamson, Sue --- South Africa --- Capetown --- Women artists --- Dissident art --- Art, South African --- Political aspects --- kunst --- Zuid-Afrika --- Williamson Sue --- aprtheid --- Aids --- video --- installaties --- twintigste eeuw --- kunst en politiek --- 7.071 WILLIAMSON --- Exhibitions --- Artists, Women --- Women as artists --- Artists --- Art, Dissident --- Art, Nonconformist --- Art, Unofficial --- Nonconformist art --- Unofficial art --- Dissenters, Artistic --- Freedom and art --- South African art --- Williamson, Susan Mary --- Art dissident --- Art sud-africain --- Dissident art. --- Femmes artistes --- Women artists. --- Aspect politique --- Political aspects. --- Williamson, Sue. --- 1900-1999. --- South Africa. --- Women artists - South Africa - Exhibitions --- Dissident art - South Africa - Exhibitions --- Art, South African - 20th century - Political aspects - Exhibitions --- Williamson, Sue - Exhibitions --- kunstsociologie --- onderdrukking (kunst)
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