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Dada --- Expressionist [style] --- Bauhaus --- Neue Sachlichkeit --- Constructivist --- Art --- anno 1910-1919 --- anno 1930-1939 --- anno 1920-1929 --- Germany --- modernisme --- moderne kunst --- Wereldoorlog I --- expressionisme --- dadaïsme --- constructivisme --- nationaal-socialisme --- geschiedenis --- entartete Kunst --- 1910 - 1937 --- 20ste eeuw --- Duitsland --- Modernism (Art) --- Art, German --- Political aspects --- Art - Political aspects --- modernisme. --- moderne kunst. --- Wereldoorlog I. --- expressionisme. --- dadaïsme. --- Bauhaus. --- constructivisme. --- nationaal-socialisme. --- geschiedenis. --- entartete Kunst. --- 1910 - 1937. --- 20ste eeuw. --- Duitsland.

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Constructivist --- wars --- Futurist --- Dada --- collages [visual works] --- art history --- art [fine art] --- Surrealist --- Art styles --- fantastic architecture --- Neue Sachlichkeit --- architecture [discipline] --- Art --- anno 1920-1929 --- Art, Modern --- Exhibitions --- Expositions --- geschiedenis --- constructivisme --- revoluties --- futurisme --- dadaïsme --- avant-garde --- Wereldoorlog I --- 1910 - 1930 --- 20ste eeuw --- Europa --- kunst --- twintigste eeuw --- geometrisch-abstracte kunst --- concrete kunst --- architectuur --- functionalisme --- Dadaisme --- schilderkunst --- beeldhouwkunst --- meubelkunst --- 7.037 --- surrealisme --- kunstgeschiedenis - constructivisme, dadaïsme, fauvisme, futurisme, kubisme, surrealisme, moderne kunst (overgang expres. naar abstr. kunst) --- Exhibitions. --- 705.8 --- stedenbouw --- Constructivisme --- neue Sachlichkeit --- Nieuwe Zakelijkheid --- kunstgeschiedenis, 20e eeuw --- revolutie, revolte, opstand --- CDL --- art [discipline] --- constructivisme. --- revolutie, revolte, opstand. --- futurisme. --- dadaïsme. --- avant-garde. --- Wereldoorlog I. --- 1910 - 1930. --- 20ste eeuw. --- Europa. --- geschiedenis. --- Constructivisme(art) --- Art concret --- Futurisme (art) --- Art contemporain --- Fonctionnalisme dans l'art --- Surrealisme(art) --- Nationalegalerie(berlin) --- Europe --- 1900-1945 --- Catalogues

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Berlewi, Henryk ; Chashnik, Ilya ; Exter, Alexandra ; Klucis, Gustav ; Kozlinsky, Vladimir ; Kulagina, Valentina ; Lebedev, Vladimir ; Lissitzky, El ; Majakovskij, Vladimir ; Malevich, Kasimir ; Moholy-Nagy, Laszlo ; Péri, László ; Pevsner, Antoine ; Popova, Liubov ; Rodchenko, Alexander ; Rozanova, Olga ; Stazewski, Henryk ; Stenberg, Vladimir ; Tatlin, Vladimir ; Udaltsova, Nadezhda

avant-garde --- Art styles --- Constructivist --- anno 1920-1929 --- Russian Federation --- Art, Russian --- Art, Soviet --- Constructivism (Art) --- Art russe --- Art soviétique --- Constructivisme (Art) --- Exhibitions. --- Expositions --- Rusland --- Russia --- Art soviétique --- stijlen in Westerse kunst

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Naum Gabo (1890–1977), whose eventful life took him from his native Russia to Berlin, Paris, London, and finally the United States, achieved renown as one of the most inventive and controversial figures in twentieth-century sculpture. This book is the first comprehensive account of Gabo’s life, career, and artistic theory and practice. Martin Hammer and Christina Lodder explore in detail the evolution of the artist’s work and his aesthetic concerns, creative processes, assimilation of such new materials as plastic, and approach to public sculpture. The authors also examine his response to the scientific and political revolutions of his age and trace the origins and development of Gabo’s utopian conviction that Constructivist art was profoundly in tune with modernity, social progress, and advances in science and technology. Drawing on Gabo’s extensive and largely unpublished archives of letters, diaries, notebooks, models, and sketchbooks, Hammer and Lodder discuss the sculptor’s work in the context of his relations with other avant-garde artists, architects, and critics, including his brother Antoine Pevsner. They also situate his aesthetic theory and practice within the Constructivist movement and the wider tradition of twentieth-century art, and they examine Gabo’s accomplishments in each of the diverse milieus in which he worked. Martin Hammer is senior lecturer in the Department of Fine Art at the University of Edinburgh. Christina Lodder is professor, School of Art History, University of St. Andrews. She is the author of Russian Constructivism, published by Yale University Press.

avant-garde --- constructivisme --- Gabo, Naum --- Kinetic [style] --- fountains --- mobiles --- Constructivist --- plastic [organic material] --- Pevsner, Antoine --- Gabo, Naum, --- sculpting --- Sculpture --- art [fine art] --- outdoor sculpture --- Art styles --- Iconography --- Art --- anno 1930-1939 --- anno 1900-1999 --- anno 2000-2099 --- anno 1920-1929 --- Russia --- United States --- Art contemporain --- Criticism and interpretation --- Sculptors --- Architects --- Artists --- Sculpteurs --- Architectes --- Artistes --- Gabo, Naum, - 1890-1977 - Criticism and interpretation --- avant-garde. --- constructivisme. --- Gabo, Naum. --- art [discipline] --- Kinetic Art --- plastic [material] --- United States of America --- Gabo, Naum, - 1890-1977

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abstracte kunst --- Abstract [fine arts style] --- Peeters, Jozef --- Painting --- Graphic arts --- art [fine art] --- graphic arts --- painting [image-making] --- Art --- anno 1900-1999 --- Belgium --- Het Overzicht (1921-1925) --- De Driehoek (1925-1926) --- avant-garde --- Exposition --- Oostende --- Jozef Peeters 1895-1960 (° Antwerpen, B.) --- Jozef Peeters °1895-1960 (°Antwerpen) --- Schilderkunst ; 20ste eeuw ; Jozef Peeters --- Abstracte schilderkunst ; Constructivisme --- Belgische kunstenaars --- Geometrische abstractie --- Tentoonstellingscatalogi ; PMMK Prov. Mus. voor Moderne Kunst Oostende --- 75.07 --- (069) --- Peeters Jozef --- geometrische abstractie --- abstracte schilderkunst --- abstractie --- constructivisme --- België --- twintigste eeuw --- schilderkunst --- 75.071 PEETERS --- kunst --- Schilderkunst ; schilders --- (Musea. Collecties) --- Exhibitions --- Het Overzicht (1921-1925). --- De Driehoek (1925-1926). --- avant-garde. --- Peeters, Jozef. --- Abstract [modern European style] --- art [discipline]