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"What exactly is a book? This wildly inventive and thought-provoking volume asks that question of more than 30 of today's top creative visionaries, from Ed Ruscha to Miranda July, John Baldessari to Jonathan Lethem. Each traditional element of a book--from endpapers to footnotes--is assigned to a different artist or writer invited to use the space as a creative playground. The result is a collaborative group art project like no other. A ribbon bookmark by David Shrigley, page numbers by Tauba Auerbach, endnotes by Rick Moody--each contribution surprising and brilliant. This one-of-a-kind book will entrance anyone who appreciates art, literature, and the surprising possibilities that emerge when the two collide."

Books. --- Book industries and trade. --- Authorship. --- 7.05 --- Boekkunst --- Boekbanden --- Kunstenaarsboeken --- Bibliofilie ; bijzondere publicaties --- Livres d'artistes --- Artists Books --- 684.93 --- boekkunst --- kunstenaarsboeken --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Book trade --- Cultural industries --- Manufacturing industries --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- het boek, boekkunst --- Book history --- books --- artists' books [books] --- boekvormen --- boeken --- Art --- book objects --- Books --- Book industries and trade --- Authorship

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This is the first book completely dedicated to books and magazines by Belgian artists and art publishers. The focus of the study is on artists' publications from the 1950s to now, but it also covers avant-garde books and magazines of the late 19th and early 20th century.

Book history --- book history --- onderzoek in de kunsten --- artists' books [books] --- Art --- anno 2000-2009 --- anno 1900-1999 --- anno 2010-2019 --- Belgium --- kunst --- twintigste eeuw --- artists' books --- 7.036/039 --- naslagwerk --- eenentwintigste eeuw --- kunstenaarsboeken --- België --- 7.05 --- 684.93 --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- het boek, boekkunst --- Artists' books --- Art publishing --- Artists --- Art, Belgian --- Art, Belgian. --- Periodicals. --- MAD-faculty 17 --- publicaties

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The artist's magazine as a place where new ideas and forms can be imagined and created, from the eighteenth century to the twenty-first. The multiple platforms of the digital era have not diminished the role of the magazine for artists as an alternative medium and experimental space. Whether printed on paper or electronically generated, the artist's magazine continues to be a place where new ideas and forms can be imagined as well as a significant site of artistic production. Intrinsically collaborative, including readers' active engagement, the magazine is an inherently open form that generates constantly evolving relationships. It was integral to the emergence of art criticism in the Enlightenment period and to the development of artistic dialogues around notions of culture, politics, and the public from the modern era avant-gardes to the present. This collection contextualizes the current condition and potential of the artist's magazine, surveying the art worlds it has created and then superseded; the commercial media forms it has critically appropriated, intervened in, or subverted; the alternative DIY cultures it has brought into being; and the expanded fields of cultural production, exchange, and distribution it continues to engender. In addition to surveying case studies of transformational magazines from the early 1960s onwards, The Magazine includes a wide-ranging archive of key editorial statements, from eighteenth-century Weimar to twenty-first century Bangkok, Cape Town, and Delhi.

art theory --- periodicals --- Art --- anno 2000-2009 --- anno 1900-1999 --- anno 2010-2019 --- 7.05 --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- art criticism --- magazines [periodicals] --- Conceptual --- Contemporary [style of art] --- kunst --- visual culture --- 7.01 --- Kunsttheorie ; over kunsttijdschriften ; productie en impact --- Kunst ; theorie, filosofie, esthetica --- Art criticism --- Art publishing --- Conceptual art. --- History --- Periodicals --- Conceptual art --- Iconographie --- Art contemporain --- Art conceptuel --- Ecrit d'artiste --- Revue --- Presse spécialisée --- Kunst --- kunstkritiek --- kunsttheorie --- magazines --- hedendaagse kunst --- conceptueel --- visuele cultuur --- 130.2 --- 7.039 --- 766.045 --- tijdschriften --- kunsttijdschriften --- 7.038/039 --- 7.038 --- cultuurfilosofie --- twintigste eeuw --- eenentwintigste eeuw --- artists' periodicals --- Art - Periodicals --- Histoire de l'art --- Information - communication --- Art numérique

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In 2003, the Antwerp art centre deSingel, starts the project Curating the Library, initiated by Moritz Küng. A variety of individuals — writers, architects, choreographers, artists, philosophers, scientists — present their favourite books. These books are part of a steadily growing archive: Curating the Library, a mobile, mirroring sculpture designed by Richard Venlet. In 2009 Curating the Library ends. In the course of six years, 110 guest speakers have presented 1,557 books to the public.In 2016-17, at the request of Wim Lambrecht (LUCA School of Arts) and Jan de Vylder (KU Leuven, Faculty of Architecture), the book collection and the reflective sculpture move to Sint-Lucas Ghent. From January to June 2017 they become the backdrop of bustling events and lectures under the heading Reading Curating the Library.Posture Editions is invited to respond to the library and asks artist Sophie Nys to make a book to­gether. Sophie is intrigued by ‘The Life and Opinions of Tristram Shandy, Gentle­man’ by Laurence Sterne, a novel that was selected by as many as four lecturers. Sophie and Posture address a call to the students of Sint-Lucas Ghent and 75 students take part in a drawing session.The result, ‘Not to Be Fed, But to Be Famous’: a book including 75 drawings, mirrored opposite the original cover of the book chosen, with the name of the speaker who originally introduced the book in deSingel.This anthology is followed by a text from curator Sarah Demeuse in which she tries to find out how we can read Tristram Shandy today.In an attempt to reconstruct the complete story of Curating the Library, the book contains the registration of all lecturers and the books they chose, a facsimile edition of the original deSingel folder.The book ends with a survey of all lectures and performances for Reading Curating the Library.They bear witness to the variety of events that took place in Sint-Lucas Ghent.Neither in deSingel, nor in Sint-Lucas Ghent there was a librarian in the library. This strange fact inspired Sophie Nys to add an extra to Not to Be Fed.

drawing [image-making] --- Nys, Sophie --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- België --- Nys Sophie --- bibliotheken --- Curating the library --- kunst en literatuur --- 7.071 NYS --- Sterne Laurence --- tekenkunst --- Venlet Richard --- Küng Moritz --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Nys, Sophie °1974 (°Borgerhout, België) --- Belgische kunstenaars --- Art --- workshops [organizations] --- books --- artists' books [books] --- libraries [institutions] --- 7.05 --- Curating the Library ; 2016-17 ; i.s.m.LUCA Sint-Lucas) Gent --- Oud-studenten ; Sint-Lucas ; Gent ; Beeldende Kunst --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- Philosophie --- Architecture --- Ecrivain --- Scientifique --- Congrès --- Drawing --- Nys, Sophie,

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Decorative arts --- Art Nouveau --- decorative arts --- Applied arts. Arts and crafts --- toegepaste kunsten --- Wiener Werkstätte --- Europalia 87 Österreich --- Austria --- |00634/B --- 7.035.9 <436> --- 745.035.93 --- Oostenrijk --- twintigste eeuw --- kunstnijverheid --- mode --- architectuur --- textiel --- Czeschka Carl Otto --- Hoffmann Josef --- Moser Koloman --- Peche Dagobert --- Wimmer-Wisgrill Eduard Josef --- keramiek --- juwelen --- grafiek --- boekbanden --- 7.036 --- 709.04 --- 709.436 --- 7.037(436) --- 745.035.93 Jugendstil in de sierkunsten. Producten van de Wiener Werkstatte --- Jugendstil in de sierkunsten. Producten van de Wiener Werkstatte --- 7.035.9 <436> Art nouveau. Jugendstil--Oostenrijk --- Art nouveau. Jugendstil--Oostenrijk --- Arts 20th century (1900 - 1999) --- Arts Europe Austria --- Kunstgeschiedenis ; 1900 - 1950 ; Oostenrijk --- Exhibitions --- decorative arts [discipline] --- Kunstgeschiedenis --- Wenen --- 20e eeuw --- Toegepaste kunst --- Wenen (stad) --- Architecture --- architecture [discipline] --- Vienna --- Kunstnijverheid --- Grafische kunst --- Tentoonstellingscatalogi