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"Marcel Duchamp made exhibition practice an important part of his work. Curatorial gestures and concepts that determined the staging of his works and allowed him to move away from canonical definitions of the artist; publications and photographic documentations and of his New York studios; themes, contributions and layout drafts for art magazines; his activity as a consultant, juror and staging curator for exhibitions in the contexts of American Modernism, Dada and Surrealism; the notable influence on important private collections of his time--every conceivable aspect of curating, exhibiting and collecting have gained a qualitatively new artistic dimension in Duchamp's work. While deliberately distancing himself from given structures of artistic work, he approached a concept of curatorial practice as an aesthetic medium that is today well established. According to the pointed thesis of the symposium and the publication here, he was one of the first 'artist curators' and, thus, decisively influenced the reception of his own work as well as the art historical development of exhibition practice. Duchamp gave a new conceptual direction to the multiple possibilities for perception and open perspectives of interpretation of his oeuvre, via the staging, reproduction and multiplication of his own and others' works, which subsequently defined a turn in contemporary art. Principles of exhibition practice became decisive factors in the constitution of a work. This volume compiles the contributions of a symposium at Daimler Art Collection (25./26. April 2017), and is probably the first substantial publication on this subject. It brings together eight essays by renowned authors analyzing the status of Duchamp's varied curatorial gestures"--Publisher's website.

Museology --- Art --- exhibition curators --- Duchamp, Marcel --- Artists as art museum curators --- Muséologie --- Musée --- Exposition --- Duchamp, Marcel, --- Criticism and interpretation --- Artists as art museum curators - Congresses --- Duchamp, Marcel, - 1887-1968 - Criticism and interpretation - Congresses --- Duchamp, Marcel, - 1887-1968

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Raising Frankenstein" presents compelling new writing that explores the education and formation of curators. This book offers an overview of recent thinking on curatorial pedagogy, designed to elucidate, define and build on current debates surrounding this subject. The questions posed here are timely and provocative. The five essays provide a set of cogent inquiries and analyses for all those who concern themselves today with the presentation and theorization of contemporary art. At its heart lies the single question, "Where does the curatorial profession reside?" "Raising Frankenstein" is developed from the conference "Trade Secrets: Education / Collection / History", organized by the Banff International Curatorial Institute in collaboration with Teresa Gleadowe, and held at The Banff Centre, November 12 - 14, 2008.

museology --- Museology --- exhibition curators --- Art museum curators --- Art --- Art, Modern --- Training of. --- Exhibition techniques --- Study and teaching. --- Philosophy. --- Museum curators --- Conservateurs de musée d'art --- Commissaires d'exposition --- Exhibitions --- Formation --- Techniques d'exposition --- Etude et enseignement --- Expositions --- Philosophie

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Résumé éditeur : "Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year's Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women. Arranged in thematic sections focusing on feminism, race, and sexuality, Curatorial Activism examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin's "Women Artists" at LACMA in the mid-1970s to Jean-Hubert Martin's "Carambolages" in 2016 at the Grand Palais in Paris. Profiles key exhibitions by pioneering curators including Okwui Enwezor, Linda Nochlin, Jean-Hubert Martin and Nan Goldin, with a foreword by Lucy Lippard, internationally known art critic, activist and curator, and early champion of feminist art, this volume is both an invaluable source of practical information for those who understand that institutions must be a driving force in this area and a vital source of inspiration for today's expanding new generation of curators."

kunst --- tentoonstellingen --- museologie --- activisme --- 069 --- kunst en politiek --- kunst en ethiek --- homoseksualiteit --- seksualiteit --- racisme --- feminisme --- politiek --- ethiek --- gender studies --- 7.01 --- 7.039 --- kunsttheorie --- Art and society. --- Art museum curators --- Art museums --- Artists and art museum curators. --- Race discrimination. --- Sex discrimination against women. --- Political activity. --- Curatorship. --- Exposition --- Musée --- Féminisme --- Racisme --- Sociologie de la culture --- Art --- exhibitions [events] --- discrimination --- racial discrimination --- sex discrimination --- ethics [philosophical concept] --- social ethics --- LGBT --- exhibition curators --- tentoonstellingsbouw --- Militantisme --- Expositions --- Commissaires d'exposition --- Muséologie --- Aspect social. --- Dans l'art. --- Aspect moral. --- Muséologie --- Art museum curators. --- ART / General. --- Art and Design. --- Ausstellung --- Diskriminierung --- Geschlechterforschung --- Museum --- Museumskunde --- Politische Bewegung --- Rassismus --- Sexismus --- Exhibitions --- Philosophy. --- Social aspects. --- Sex discrimination against women --- Race discrimination --- Art and morals --- 700.6 --- curator --- kunst en samenleving --- gendergelijkheid --- 493 --- etnocentrisme --- heterocentrisme --- homofobie --- lesbofobie --- beeldcultuur --- gender --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Sociaal-cultureel werk, publiekswerking --- heteronormativiteit (heterocentrisme) --- LGBTQ+

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When Attitudes Become the Norm is a collection of essays and interviews by art historian and theorist Beti Žerovc on the topic of curatorship in contemporary art. Žerovc examines curatorship in its broader social, political and economic contexts, as well as in relation to the profound changes that have taken place in the art field over the last century. She analyses the curator as a figure who appears, evolves, and participates in the institutionalisation of contemporary art and argues that with the curator institutional art-art designed to fit the art institution's space and needs-achieves its fullest expression.

kunst --- tentoonstellingen --- kunsttheorie --- curatorship --- Benjamin Walter --- Esche Charles --- kunst en politiek --- Buren Daniel --- Szeemann Harald --- Krzisnik Zoran --- Restany Pierre --- Péladan Joséphin --- 069 --- 7.01 --- 7.039 --- eenentwintigste eeuw --- museology --- Museology --- anno 2000-2099 --- Art --- Philosophy. --- Exhibition techniques. --- exhibition curators --- Art museum curators --- Interviews --- Attitudes --- museumkunde --- contemporary [generic time frame]

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This is an anthology of essays that first appeared in The Artist as Curator, a series that occupied eleven issues of Mousse from no. 41 (December 2013/January 2014) to no. 51 (December 2015/January 2016). It set out to examine what was then a profoundly influential but still under-studied phenomenon, a history that had yet to be written: the fundamental role artists have played as curators. Taking that ontologically ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. This anthology surveys seminal examples of such exhibitions from the postwar to the present, including rare documents and illustrations.

It includes an introduction and the twenty essays that first appeared in Mousse, a newly commissioned afterword by Hans Ulrich Obrist, and two additional essays that appear here for the first time, discussing twenty-two exhibitions by the Avant-Garde Argentinian Visual Artists Group; Mel Bochner; Marcel Broodthaers; Hank Bull, Shen Fan, Zhou Tiehai, Shi Yong, and Ding Yi; John Cage; Judy Chicago, Miriam Schapiro, and the CalArts Feminist Art Program; Collaborative Projects Inc. (Colab); Alice Creischer, Andreas Siekmann, and Max Jorge Hinderer; Liam Gillick and Philippe Parreno; Group Material; Richard Hamilton and Victor Pasmore; David Hammons; Martin Kippenberger; Mark Leckey; Goshka Macuga; Lucy McKenzie and Paulina Ołowska; Hélio Oiticica; Walid Raad and Akram Zaatari; Martha Rosler; Avdey Ter-Oganyan; Philippe Thomas; and Andy Warhol.

artists [visual artists] --- exhibitions [events] --- museology --- curating --- Museology --- Art --- Artists as art museum curators --- Artists and museums --- Curatorship --- History. --- Exhibition techniques. --- Techniques d'exposition --- kunst --- Avant-Garde Argentinian Visual Artists Group --- 7.038/039 --- Warhol Andy --- Thomas Philippe --- Ter-Oganyan Avdev --- Rosler Martha --- Zaatari Akram --- Raad Walid --- Oiticica Hélio --- Olowska Paulina --- McKenzie Lucy --- Macuga Goshka --- Leckey Mark --- Kippenberger Martin --- Hammons David --- Pasmore Victor --- Hamilton Richard --- Group Material --- Parreno Philippe --- Gillick Liam --- Hinderer Max Jorge --- Siekmann Andreas --- Creischer Alice --- Colab --- Collaborative Projects Inc. --- CalArts Feminist Art Program --- Schapiro Miriam --- Chicago Judy --- Cage John --- Ding Yi --- Shi Yong --- Zhou Tiehai --- Bull Hank --- Broodthaers Marcel --- Bochner Mel --- 069 --- museologie --- tentoonstellingen --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Curating --- Curatorial practice --- Museums and artists --- Display techniques --- Artists and museums. --- Artists as art museum curators. --- Curatorship. --- Kunstausstellung. --- Kunstmuseum. --- Kurator --- Künstler. --- Geschichte 1957-2015. --- Collaborative Projects Inc --- History --- Exhibition techniques --- Artistes conservateurs de musée d'art --- Artistes et musées --- Conservation --- Histoire --- Exhibitions --- Art museums --- Art museum curators --- exhibition curators --- Exposition --- Musée --- Sociologie de la culture --- MAD-faculty 17 --- musea --- hedendaagse kunstenaars --- kunsttentoonstellingen