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Art styles --- Constructivist --- anno 1930-1939 --- Great Britain --- Constructivism (Art) --- Art, British

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Art, Modern --- Histoire de l'art --- --Grande-Bretagne --- --1900-1990, --- Art anglais --- --Nash, Paul --- Pasmore, Victor --- King, Philip --- Chadwick, Lynn --- Skeaping, John Rattenbury --- Flanagan, Barry --- Nicholson, Ben --- Epstein, Jacob --- Underwood, Leon --- Armitage, Kenneth --- Butler, Reginald --- Gilbert and George --- Meadows, Bernard --- Turnbull, William --- Hamilton, Richard --- Art britannique --- -British art --- -Art, British --- Skeaping, John --- Art, British --- Art --- art [fine art] --- Nash, Paul --- Caro, Anthony --- Gabo, Naum --- Kapoor, Anish --- Long, Richard --- Cragg, Tony --- Hepworth, Barbara --- Moore, Henry --- anno 1900-1999 --- Great Britain --- Systems Group (Group of artists) --- Young British Artists (Group of artists) --- --Art --- Beeldhouwkunst (Engelse). 20e eeuw. --- Peinture anglaise. 20e s. --- Sculpture anglaise. 20e s. --- Schilderkunst (Engelse). 20e eeuw. --- --Art, British --- King, Phillip --- --Beeldhouwkunst (Engelse). 20e eeuw. --- Art, Modern - 20th century - Great Britain --- Grande-Bretagne --- art [discipline]

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Claude Cahun and Gillian Wearing came from different backgrounds and were living in different times - about a century apart. Cahun, along with her contemporaries André Breton and Man Ray, belonged to the French Surrealist movement although her work was rarely exhibited during her lifetime. Together with her female partner, the artist and stage designer Marcel Moore, Cahun was imprisoned in German-occupied Jersey during the Second World War as a result of her role in the French Resistance. Wearing trained at Goldsmiths and became part of the Young British Artist movement, winning the Turner Prize in 1997. She has exhibited extensively in the UK, including at the Whitechapel Gallery, and overseas, most recently at the IVAM in Valencia. Despite their different backgrounds, obvious parallels can be drawn between the artists : they share a fascination with identity and gender, which is played out through performance, and both use masquerade and backdrops to create elaborate mis-en-scène. Wearing has referenced Cahun overtly in the past: Me as Cahun Holding a Mask on My Face is a reconstruction of Cahun's self-portrait of 1927, and forms the starting point of this exhibition. In this book, Sarah Howgate, who has worked closely with Wearing, examines the self­-portrait work of both artists, investigating how the cultural, historical, political and personal context affects their interpretation of similar themes. The book includes reproductions of over 100 key works, presented in thematic sections including Artistic Evolution, Performance, Masquerade and Momento Mori, accompanied by a commentary. The last section features new work s by Wearing: a 'collaboration' (of sorts) with Cahun. The book also includes a revealing interview with Wearing by Howgate and an illuminating essay on Cahun by writer and curator Dawn Ades. "This beautifully illustrated book draws together for the first time the work of French artist and writer Claude Cahun (1894-1954) and British contemporary artist Gillian Wearing (b. 1963) Although they were born almost a century apart, their work shares similar themes - gender, identity, masquerade, and performance. In 2015, Sarah Howgate traveled with Wearing to the island of Jersey, in the English Channel, where Cahun lived and worked until her death, and where her archive is housed, In examining Cahun's photographs, Wearing was struck by the remarkable parallels with her own explorations of the self-image through photography. Cahun was a contemporary of André Breton and Man Ray, but her work was rarely exhibited during her lifetime. Wearing, who has exhibited extensively and is a recipient of Britain's prestigious Turner Prize, was no stranger to Cahun's work when she made the trip to Jersey -- her 2012 self-portrait, 'Me as Cahun holding a mask of my face', is a reconstruction of Cahun's iconic 'Self-portrait' made in 1927. In this book, Howgate examines the work of both artists, investigating how their cultural, historical, political, and personal contexts have affected their interpretations of similar themes."

kunst --- twintigste eeuw --- eenentwintigste eeuw --- 77.071 CAHUN --- 7.071 CAHUN --- 77.071 WEARING --- 7.071 WEARING --- portretfotografie --- portret --- surrealisme --- lichamelijkheid --- gender studies --- performances --- identiteit --- Frankrijk --- fotografie --- Wearing Gillian --- Cahun Claude --- Groot-Brittannië --- Exhibitions --- performance art --- self-portraits --- identity --- photographs --- life masks --- masks [costume] --- Photography --- Art --- Wearing, Gillian --- Cahun, Claude --- Art and Design. --- Art, British --- Art, British. --- Art, French --- Art, French. --- Art, Modern --- Art, Modern. --- Influence (Literary, artistic, etc.). --- Photography. --- Selbstbildnis. --- Self-portraits --- Self-portraits. --- Cahun, Claude, --- Wearing, Gillian, --- Influence. --- 1900-2099. --- Great Britain. --- 761.2 fotografen afzonderlijk --- sexualiteit --- cultuurgeschiedenis --- gender --- transsexualiteit (transseksualiteit) --- androgynie --- seksualiteit --- Performance --- Masque --- Cahun, Claude, 1894-1954

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Mit 'Parrot Problems' liegt der Katalog zur ersten institutionellen Einzelausstellung der britischen Künstlerin in Deutschland vor. Gleich einem Künstlerbuch, hat Helen Marten vierzig Seiten des Katalogs mit Collagen gestaltet. In klugen wie präzisen Essays widmen sich Diedrich Diederichsen und Johanna Burton dem Werk der "Künstlerin der Stunde", die mittels Manipulation, Abstraktion und Verrückung erkennbare Dinge neu zusammensetzt und auf diese Weise den Schleier aus Gewohnheit, der sich über die Dichte und Komplexität unseres materiellen Alltags legt, durchbricht. Der Katalog enthält zahlreiche Abbildungen.

Art --- printouts --- sculpture [visual works] --- found objects --- installations [visual works] --- language [general communication] --- easel paintings [paintings by form] --- Marten, Helen --- Installations (Art) --- Art, British --- kunst --- 7.071 MARTEN --- Marten Helen --- eenentwintigste eeuw --- installaties --- collages --- keramiek --- collage --- kunstenaarsboeken --- artists' books --- tekenkunst --- Groot-Brittannië --- British art --- Installation art --- Art, Modern --- Environment (Art) --- Marten, Helen, --- Exhibitions --- paintings [visual works]

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"Compiled in close collaboration with the artist and unprecedented in its scope, this definitive book collects ten years of Tracey Emin's drawings, paintings, sculptures, appliqués and embroideries, neons, video stills, and installations. A multimedia artist whose intensely personal work blurs the boundaries between art and life, Emin remains one of the most highly publicized contemporary British artists and continues to stir as much controversy as she has acclaim. Moving chronologically through a prolific decade of work--from major public installations to recent reflective paintings and sculptures--this book shows a coherent vision that defies the idiosyncrasies of Emin's evolution as an artist. The same mixture of anger, hope, curiosity, and vulnerability that informs her delicate drawings and handwritten neon works can be felt in the darker tones of recent monoprints and the weight of later bronze pieces. Written by Jonathan Jones, whose text places Emin's work in a broad art-historical context and sees this recent decade of her artwork as an entry point to examining her full career, this is a beautiful monograph on one of the world's most influential living artists"--Provided by publisher.

appliqué [visual works] --- installations [visual works] --- Young British Art --- drawing [image-making] --- sculpture [visual works] --- video art --- painting [image-making] --- embroidery [visual works] --- Art --- neon sculpture --- Emin, Tracey --- anno 2000-2009 --- anno 2010-2019 --- kunst --- 7.071 EMIN --- Emin Tracey --- Groot-Brittannië --- film --- installaties --- schilderkunst --- tekenkunst --- lichamelijkheid --- videokunst --- video --- Emin, Tracey, --- Themes, motives. --- Multimedia (Art) --- Art, British --- Installation-art --- Multimédia --- Corps, thème --- Croquis --- Dessin --- Themes, motives --- appliqué [textile visual works] --- Corps humain, thème --- Emin, Tracey Karima, --- 7.07 --- Emin, Tracey °1963 (°Londen, Groot-Brittannië) --- Vrouwelijke kunstenaars --- Beeld en woord ; beeld en tekst --- Neon --- Kunst en woord --- Gender Studies --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Multimedia (Art) - Great Britain - 21st century - Catalogs --- Art, British - 21st century - Catalogs --- Emin, Tracey, - 1963- - Catalogs --- Emin, Tracey, - 1963- - Themes, motives --- Emin, Tracey, - 1963 --- -Emin, Tracey, - 1963 --- -Art --- -Installation-art --- -Emin, Tracey, - 1963-