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Excavations (Archaeology) --- Fouilles (Archéologie) --- Exhibitions --- Expositions --- Montbéliard (France) --- Antiquities --- Antiquités --- Painting --- painting [image-making] --- Klemensiewicz, Piotr --- anno 1900-1999 --- France
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sculpting --- Sculpture --- Painting --- sociology --- communism --- art [fine art] --- Iconography --- painting [image-making] --- Art --- dictatorships --- anno 1900-1999 --- anno 2000-2099 --- North Korea --- Arts --- Art and state --- Arts and society --- Socialist realism in art --- Art, Korean --- K9800.05 --- K9808.90 --- K9800.15 --- K9139.50 --- K9110.15 --- Korea: Art and antiquities -- North Korea --- Korea: Art and antiquities -- history -- North Korea (1945- ) --- Korea: Art and antiquities -- policy, legislation, guidelines, codes of behavior -- North Korea --- Korea: History -- historiography, theory and philosophy -- North Korea --- Korea: Archaeology and antiquities -- policy, legislation, guidelines, codes of behavior -- North Korea --- Art and society --- Art and revolutions --- Communism and art --- Socialism and art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Korea [North ] --- Arts - Korea (North) --- Art and state - Korea (North) --- Arts and society - Korea (North) --- Socialist realism in art - Korea (North) --- Art, Korean - Korea (North) --- K9139.90 --- art [discipline] --- kunst en politiek
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Art styles --- Iconography --- Art --- Sculpture --- assemblages [sculpture] --- installations [visual works] --- environmental art --- sculpting --- kunst over kunst --- Spasova, Maja --- Tolaas, Sissel --- Torstensson, Susanne --- Wretman, Fredrik --- Gustav III´s Museum of Antiquities [Stockholm] --- anno 1900-1999 --- anno 2000-2099 --- Sweden
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Art, Primitive. --- African cultural or regional styles --- Oceanic --- ethnic art --- Art, West African --- Art ouest-africain --- African by cultural or regional designation --- Amerindian [culture] --- Pre-Columbian [American] --- Art --- Latin America --- Oceania with Australia --- Africa --- North America --- Art, Primitive --- Indian art --- Art, Pacific Island --- Art primitif --- Art indien d'Amérique --- Art océanien --- America --- Amérique --- Antiquities --- Antiquités
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Ethnological museums and collections --- Museums and community --- Indigenous peoples --- Intercultural communication. --- Communication in ethnology. --- Museums --- Anthropologie sociale et culturelle --- Relations musée-collectivité --- Autochtones --- Communication interculturelle --- Communication en ethnologie --- Musées --- Antiquities --- Collection and preservation --- Social aspects. --- Musées et collections --- Antiquités --- Collections et conservation --- Aspect social --- Relations musée-collectivité --- Musées --- Musées et collections --- Antiquités --- Collection and preservation. --- Museology --- museology --- museum administration --- cultural diffusion --- collaboration --- globalization --- copyright --- ownership --- oral histories [document genres] --- citizen participation --- cultural property --- oral histories [literary works]
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"In a study that combines archival research, a firm grounding in the historical context, biographical analysis, and sustained attention to specific works of art, Amy Lyford provides an account of Isamu Noguchi's work between 1930 and 1950 and situates him among other artists who found it necessary to negotiate the issues of race and national identity. In particular, Lyford explores Noguchi's sense of his art as a form of social activism and a means of struggling against stereotypes of race, ethnicity, and national identity. Ultimately, the aesthetics and rhetoric of American modernism in this period both energized Noguchi's artistic production and constrained his public reputation"--
Modernism (Art) --- Art and society --- J6008.80 --- J2284.80 --- J4000.80 --- History --- Japan: Art and antiquities -- history -- Gendai (1926- ), Shōwa period, 20th century --- Japan: Genealogy and biography -- biographies -- Gendai, modern (1926- ), Shōwa, 20th century --- Japan: Social history, history of civilization -- Gendai (1926- ), Shōwa period, 20th century --- Noguchi, Isamu, --- ノグチイサム, --- 野口イサム, --- 野口勇, --- Criticism and interpretation. --- Art --- sculpture [visual works] --- public art --- ethnicity --- race [group of people] --- identity --- Noguchi, Isamu --- anno 1930-1939 --- anno 1940-1949
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History of Japanese Art after 1945 surveys the development of art in Japan since WWII. The original Japanese work, which has become essential reading for those with an interest in modern and contemporary Japanese art and is a foundational resource for students and researchers, spans a period of 150 years, from the 1850s to the 2010s. Each chapter is dedicated to a specific period and written by a specialist. The English edition first discusses the formation and evolution of Japanese contemporary art from 1945 to the late 1970s, subsequently deals with the rise of the fine-art museum from the late 1970s to the 1990s, and concludes with an overview of contemporary Japanese art dating from the 1990s to the 2010s. These three parts are preceded by a new introduction that contextualizes both the original Japanese and the English editions and introduces the reader to the emergence of the concept of art (bijutsu) in modern Japan. This English-language edition provides valuable reading material that offers a deeper insight into contemporary Japanese art.
Art, Japanese --- Art and state --- Art --- Arts --- Politics and art --- State and art --- Art and society --- Cultural policy --- Education and state --- Monoha (Group of artists) --- History --- Government policy --- J6008.90 --- Japan: Art and antiquities -- history -- postwar Shōwa (1945- ), Heisei period (1989- ), contemporary --- Art, Japanese / 20th century --- Art, Japanese / 21st century --- Art and state / Japan / History / 20th century --- Art and state / Japan / History / 21st century --- art [discipline] --- art museums [institutions] --- anno 1900-1999 --- anno 2000-2009 --- Japan
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This volume originates from an international conference (Oxford University, 2007). Texts address plaster casts and related themes from antiquity to the present day, and from Egypt to America, Mexico and New Zealand. They are of interest to classical archaeologists, art historians, the history of collecting, curators, conservators, collectors and artists. Articles explore the functions, status and reception of plaster casts in artists' workshops and in private and public collections, as well as hands-on issues, such as the making, trading, display and conservation of plaster casts. Case-studies on artists' use of material and technique include ancient Roman copyists, Renaissance sculptors and painters, Dutch 17th-century workshops, Canova, Boccioni and others. A second theme is the role of plaster casts in the history of collecting from the Renaissance to the present day.Several papers address the dissemination of visual ideas, models and ideals through the medium. Papers on modern and contemporary art illuminate the changing uses and semantic values of plaster casts in this period. Amongst the types of casts discussed are artists' models and final works as well as casts after antiquities, including sculpture, architecture and gems (dactyliothecae). The volume demonstrates the richness of the field, both in terms of the material itself and modern scholarship concerned with it. Conceived as a handbook for students, academics, curators and collectors, the text will form a standard work on the role of plaster casts in the history of Western sculpture.
Antiquities --- Cultural property --- Plaster casts --- Sculpture, Ancient --- Art, Ancient --- Archaeology --- Collection and preservation --- Protection --- Conservation and restoration --- Methodology --- Sculpture --- Antiquités --- Biens culturels --- Plâtres --- Sculpture antique --- Art antique --- Archéologie --- Congresses. --- Congresses --- Collections et conservation --- Congrès --- Conservation et restauration --- Méthodologie --- Ancient sculpture --- Casting --- Casts --- Models (Clay, plaster, etc.) --- Plaster craft --- Beeldhouwkunst --- beeldhouwwerken [beeldmateriaal] --- afgietsels --- restauratie [procédé] --- milieubeheer --- tentoonstellen --- beeldhouwen --- architectural models --- gietbaar pleister --- sculpture [visual works] --- casts [sculpture] --- restoration [process] --- conservation [discipline] --- exhibiting --- sculpting --- casting plaster --- Geschichte --- Moulage. --- Plaster cast. --- Sculpture.
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Sculpture --- art history --- sculpture [visual work] --- Classical --- Greco-Roman --- History of civilization --- Rome --- Greece --- Sculpture, Classical --- Sculpture, Greek --- Art objects --- Sculpture antique --- Sculpture grecque --- Objets d'art --- Reproduction --- Exhibitions. --- Copying --- Social aspects --- Exhibitions --- Copie --- Expositions --- Aspect social --- klassieke oudheid --- beeldhouwkunst --- kopieën --- Amelung, Walther --- Griekenland --- Europa --- Japan --- 73.032.6 --- Griekse en Romeinse beeldhouwkunst ; en hun kopieën --- Beeldhouwkunst ; Klassieke Oudheid ; reproducties op groot en klein formaat --- Tentoonstellingscatalogi ; Milaan ; Fondazione Prada --- Greek sculpture --- Classical sculpture --- Classical antiquities --- Beeldhouwkunst ; Oud-Griekse beeldhouwkunst --- sculpture [visual works] --- reproductions --- copying --- reproductions [derivative objects] --- klassieke oudheid (historisch tijdvak) --- kunst (kopie, kopiëren) --- kunst (+ kopie, kopiëren) --- klassieke oudheid (historisch tijdvak). --- sculptuur. --- kunst (+ kopie, kopiëren). --- Amelung, Walther. --- Griekenland. --- Rome. --- Europa. --- Japan. --- sculptuur
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Nature protection --- Conservation. Restoration --- Environmental planning --- Architecture --- Physical geography --- architecture [discipline] --- historic preservation --- monuments --- architectural heritage --- bouwkundig erfgoed --- landschapszorg --- landschappen --- architectuur --- monumentenzorg --- monumenten --- Flanders --- Belgium --- 72 --- 72 Architectuur. Bouwkunst --- Architectuur. Bouwkunst --- 72 Architecture --- 05 <493> --- #gsdbLOV --- #TS:WMAG --- #GBSG:ts --- #TS:KOMA --- #C91TS --- 581 Monumentenbescherming, cultureel erfgoed --- Rubriek serials: architectuur, stedenbouw en bouw --- Rubriek serials: kunst en cultuur --- 72.025 --- 008 --- Vlaanderen --- monument --- landschapbescherming --- restauratie --- archeologie --- 700.2 --- 700.3 --- Landschapszorg--Vlaanderen --- Monumentenzorg--Vlaanderen --- 05 <493> Tijdschriften. Periodieken. Serials--België --- Tijdschriften. Periodieken. Serials--België --- Monumentenzorg --- Landschapszorg --- Erfgoed --- (zie ook: monument) --- (zie ook: monumentenzorg) --- Architectuur --- City planning --- Landschappen. --- Monumenten. --- Monuments --- Conservation and restoration --- Tijdschriften. --- erfgoed --- Patrimoine artistique --- Conservation des monuments --- Paysage --- Revue, histoire --- Design --- Aménagement du territoire --- Engineering --- City planning. --- Conservation and restoration. --- Belgium. --- Landscapes --- History --- Antiquities
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