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video art --- Film --- Iconography --- Art --- Sculpture --- public art --- Internet --- light art --- computer art [visual works] --- sculpting --- Peljhan, Marko --- Riskin, Seth --- Garrin, Paul --- Supreme Particles --- Sermon, Paul --- Matoba, Hiroshi --- Zapp, Andrea --- Hershman, Lynn --- Roppelt, Thomas --- Geisler, Kirsten --- Gunther, Ingo --- da Rimini, Francesca --- Rokeby, David --- Plewe, Daniela Alina --- Deseriis, Marco --- Knowbotic Research --- anno 1900-1999 --- Arts, German --- -Site-specific art --- -Steden ; vormgeving ; analyse --- Kunst ; in en op openbare plaatsen --- Kunst ; interstedelijke netwerken ; Duitsland ; Ruhrgebied --- 711.4(C) --- (069) --- Site art --- Site-specific arts --- Arts, Modern --- German arts --- Stedenbouw. Ruimtelijke ordening ; vormgeving en analyse van de stad --- (Musea. Collecties) --- Site-specific art --- Steden ; vormgeving ; analyse --- Knowbotiq [Zurich] --- Rimini, da, Francesca --- kunst en technologie

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Art --- Environmental planning --- Architecture --- comprehensive plans [reports] --- architecture [discipline] --- public art --- suburbs --- United States --- Art, American --- Suburban life in art --- Suburbs in art --- 711.4(A) --- 711.4(C) --- Stedenbouw ; denken over ; 21ste eeuw --- Steden ; vormgeving ; analyse ; 21ste eeuw --- Tentoonstellingscatalogi ; Minneapolis ; Walker Art Center --- Thema's in de kunst ; buitenwijken --- Stedenbouw. Ruimtelijke ordening ; denken over de stedenbouw --- Stedenbouw. Ruimtelijke ordening ; vormgeving en analyse van de stad --- Exhibitions --- United States of America

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Is art criticism losing ground, because of the Internet and art blogs? Do people still consider the authoritative art critic (in newspapers, magazines) as their most important source to filter what they want to see, read and listen to? Most recent discussions revolve around the question ‘what is art criticism?’; this book explores the question: ‘Where is art criticism?’ It looks at new ways and new spaces where art critics may interact with the public, works of art, artists and scholars. This book suggests that criticism has shifted to different places and different stages: a ‘displacement’, not only with regard to media (from journalism to blogs, catalogues, and such) but also a displacement in the geographical and institutional sense.

art criticism --- Aesthetics of art --- Philosophy and psychology of culture --- Mass communications --- Art criticism --- Critique d'art --- Art, Modern --- Art criticism. --- 7.01 --- Kunstkritiek, hedendaagse --- Kunst ; theorie, filosofie, esthetica --- Analyse de l'art --- Profession artistique --- Presse spécialisée --- Mass media --- Communication --- Art contemporain --- Internet --- Sociologie de la communication --- mass media --- massacommunicatie --- cultuurfilosofie

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L'art a, de manière très spectaculaire, dépeint et décrit depuis deux siècles et demi les forces qui dépassent (et déclassent) l'être humain. Non plus les forces invisibles du divin mais les soulèvements de la nature, l'immensité du temps et de l'espace, les conséquences incontrôlables des avancées scientifiques sur le vivant.Oui, de nombreux artistes - et parmi les plus géniaux, de Turner à Pierre Huyghe et de Claude Monet à Stanley Kubrick - ont montré comment l'homme a senti lui échapper son sentiment de centralité dans le cosmos ; ils ont représenté cette crise essentielle en relativisant sa présence d'une part et en exprimant, d'autre part, les mystères enchantés ou les menaces cauchemardesque de l'univers dans lequel il se meut.Aussi ce livre, qui privilégie la peinture mais fraie aussi du côté de la sculpture ou du cinéma, donne-t-il à voir et comprendre des paysages édéniques et vierges, des beautés végétales et animales, la furie mortifère des éléments, le fantasme d'une civilisation complètement mécanisée, le saut dans l'abstraction, l'âme des choses ou encore l'anticipation de l'Apocalypse...En suivant un parcours chronologique de 1755 à nos jours, il raconte, de manière très accessibles les grands événements historiques (le séisme de Lisbonne, la bombe atomique, etc.), scientifiques (les découvertes de Darwin, la conquête spatiale), personnels (les drames de l'enfance de Friedrich, la crise mystique de De Chirico) qui ont conduit des artistes à montrer ce qu'est, selon la magnifique expression de Baudelaire, « l'univers sans l'homme ».

performance art --- video art --- sculpture [visual works] --- photographs --- Art --- easel paintings [paintings by form] --- human behavior --- Nature --- Katastrophe --- Natur --- Kunst --- Weltuntergang --- Geschichte 1750-2015 --- Histoire de l'art --- Anthropologie --- Analyse de l'art --- Abstraction --- Natur. --- Weltuntergang. --- Kunst. --- Art and anthropology --- Cosmology in art --- Nature in art --- Science fiction in art --- toekomst (kunst) --- paintings [visual works]

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Mix & Stir', this book's aim is an endeavour to understand art as being a panhuman phenomenon of all times and cultures; to steer away from the persistent Eurocentric/Western-centric viewpoint towards a transcultural and transnational interconnected model of exchange and processes of interculturalization. Mix & Stir wants to expand this landscape by bringing to the fore new, recalcitrant, queer, idiosyncratic practices and discourses, theories and topics, methods and concerns that open up ways to approach art from a global perspective. Analogous to a cookery book filled with recipes and instruction, Mix & Stir explores new outlooks on contemporary art from global perspectives. It intends to encourage studying art beyond national constraints, cultural dominances, and hierarchies: a voyage similar to that of culinary discovery. The book brings a variety of tastes and flavours to the table, and breaks new ground by allowing innovative, contrary, queer, idiosyncratic practices and discourses, theories and topics, methods, and concerns to access art in its global dimensions. Researchers, curators and artists with a special interest in this topical issue were invited to present, develop, outline, and contemplate compelling frames of reference, both theoretical and artistic, in order to arrive at a true 'world art studies'. Their contributions are structured in seven thematic fields: Undecidability and Spectatorship, Collectives, Circulations, Exhibitions, Artists at Work, Postcolonial Perspectives, and Deep Art History. The reader is invited to explore the vast supply of dishes, to taste and test the aromas and to feast. - Editors: Helen Westgeest & Kitty Zijlmans - Contributions: Thomas J. Berghuis, Elisabeth de Bièvre, John Clark, Thomas DaCosta Kaufmann, Parisa Damandan, Wilfried van Damme, Sophie Ernst, Angèle Etoundi Essamba. Paul Faber, Claire Farago, Anne Gerritsen, Jacqueline Hoàng Nguyễn, Isabel Hoving, Stijn Huijts, Joo Yun Lee, Nancy Jouwe, Remy Jungerman, Sonja van Kerkhoff, Meta Knol, Frans-Willem Korsten, Katja Kwastek, Sybille Lammes, Charl Landvreugd, Gregor Langfeld, Chris Lee, Christa-Maria Lerm Hayes, Virginia MacKenny, Sarat Maharaj, Tirzo Martha, Kyveli Mavrokordopoulou, Larissa Mendoza Straffon, Ni Haifeng, Stéphanie Noach, Anja Novak, John Onians, Rob Perrée, Georges Petitjean, Rosalien van der Poel, Jennifer Pranolo, Lize van Robbroeck, Pippa Skotnes, Henk Slager, Rudi Struik, Eva-Maria Troelenberg, Leonor Veiga, Leon Wainwright, James Webb, Janneke Wesseling, Helen Westgeest, Carine Zaayman, Kitty Zijlmans, Robert Zwijnenberg

kunst --- globalisering --- kunst en politiek --- gender studies --- postkolonialisme --- deep art history --- 7.039 --- 7.01 --- eenentwintigste eeuw --- kunsttheorie --- Art --- recipes --- art [fine art] --- colonization --- food --- artists' collectives --- philosophy of art --- globalization --- African diaspora --- Diversiteit --- Globalisering --- Kunst en politiek --- Postkolonialisme --- Kunst ; theorie, filosofie, esthetica --- dekolonisatie --- kunstsociologie --- kunstbeschouwing --- culturele diversiteit --- Art, Modern --- Art contemporain --- Théorie de l'art --- Analyse de l'art --- Cultural fusion --- art [discipline]