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sculpting --- Sculpture --- installations [visual works] --- photography [process] --- Gober, Robert --- Art, American --- Installations (Art) --- Artists' books --- Art américain --- Livres d'artistes --- Exhibitions. --- Expositions --- Gober, Robert, --- Art américain
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Drawing --- drawing [image-making] --- Gober, Robert --- anno 1900-1999 --- United States --- Sculpture, American --- Drawing, American --- Sculpture américaine --- Dessin américain --- Exhibitions --- Expositions --- Gober, Robert, --- Exhibitions. --- Interviews --- Sculpture américaine --- Dessin américain --- United States of America
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scripts [writing] --- Art --- art [fine art] --- Iconography --- Holzer, Jenny --- Weiner, Lawrence --- Mullican, Matt --- anno 1900-1999 --- United States --- Art, American --- Art américain --- Exhibitions. --- Expositions --- Holzer, Jenny, --- Mullican, Matt, --- Art américain --- art [discipline] --- United States of America
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La monographie consacrée à l'artiste américaine née à Cuba Ana Mendieta (1948-1985) au MO.CO. Panacée rassemble une centaine d'œuvres sur plus de quinze années de production (1968-1985). L'exposition explore en particulier comment l'artiste n'a eu de cesse de se réinventer, en développant un langage sculptural inédit, souvent éphémère, parfois performatif, nourri de ses recherches sur les mythes originels et l'art rupestre. L'exposition s'attache plus particulièrement à révéler son rapport au visible et à l'invisible, au permanent et à l'impermanent, sa manière de rendre dicible l'indicible par l'empreinte du corps et son inscription dans la nature. L'exposition ne se veut pas rétrospective, mais au contraire célèbre la pertinence d'une œuvre contemporaine, politique etvibrante (Site du musée).
Mendieta, Ana --- Women artists --- Performance art --- Art, American --- Femmes artistes --- Manoeuvre artistique --- Art américain --- Mendieta, Ana, --- Expositions. --- Art --- drawings [visual works] --- installations [visual works] --- ecology --- feminism --- video art --- performance art
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Les formes artistiques nées des technologies nouvelles : le laser, le vidéo, l'ordinateur. Les conséquences sociales et esthétiques de l'art technologique.
Kinetic [style] --- installations [visual works] --- Iconography --- video art --- Film --- multimedia works --- Art styles --- Op art --- laser art --- art [fine art] --- holography --- Art --- light art --- computer art [visual works] --- anno 1900-1999 --- anno 2000-2099 --- Art and technology --- Computer art --- Art, European --- Art, American --- Art et technologie --- Art par ordinateur --- Art européen --- Art américain --- Art européen --- Art américain --- science [modern discipline] --- Kinetic Art
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Drawing --- architectural elements --- scripts [writing] --- drawing [image-making] --- art [fine art] --- Iconography --- sound [acoustics] --- multimedia works --- Art --- Neuhaus, Max --- anno 1900-1999 --- United States --- Sound in art --- Drawing, American --- Son dans l'art --- Dessin américain --- Exhibitions. --- Exhibitions --- Expositions --- Dessin américain --- art [discipline] --- United States of America
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Drawing --- installations [visual works] --- art [fine art] --- sound [acoustics] --- drawing [image-making] --- Art --- Neuhaus, Max --- anno 1900-1999 --- United States --- Sound in art. --- Drawing, American --- Son dans l'art --- Dessin américain --- Criticism and interpretation. --- Dessin américain --- art [discipline] --- United States of America
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Une sélection d'oeuvres picturales et sculpturales des collections du musée d'art moderne de San Francisco et Fisher, signées par quinze artistes américains les plus marquants de la Seconde Guerre mondiale à 2014 : Alexander Calder, Ellsworth Kelly, Roy Lichtenstein, Andy Warhol, Dan Flavin, Donald Judd, Sol LeWitt, Agnès Martin, Richard Serra, etc. ©Electre 2015
Diebenkorn, Richard --- Flavin, Dan --- Guston, Philippe --- Judd, Donald --- Lichtenstein, Roy --- Marden, Brice --- Twombly, Cy --- Andre, Carl --- Close, Chuck --- LeWitt, Sol --- Kelly, Ellsworth --- Calder, Alexander --- Warhol, Andy --- Martin, Agnes --- San Francisco Museum of Modern Art --- anno 1900-1999 --- United States --- Art, American --- Art américain --- Exhibitions --- Expositions --- Fisher, Donald --- Catalogs --- Art américain --- United States of America --- Catalogs. --- Exhibitions.
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Seldom has the artistic output of one country had so far-reaching and immediate an impact as American art during the twentieth century. With ever-increasing momentum, painting and sculpture in the United States departed from the poetic realism of the nineteenth century, incorporated Impressionism and assimilated Cubist experimentation, paused briefly to explore social realism in the Depression decades, and then plunged into Abstract Expressionism with such vitality and innovation that American influence now dominates modern art.In this critical history of American painting and sculpture since 1900, the artists, movements and events that led up to America's emergence as a leading force in the world of art are covered in depth. "The Eight", the 1913 Armory Show (America's dramatic and controversial introduction to modern art), the painters associated with photographer and dealer Alfred Stieglitz (Marin, Dove, Demuth, Weber, Hartley and O'Keeffe), and the traditional modernists such as Stuart Davis and Alexander Calder, are just a few of the many fascinating men and movements described. More than half of this volume is devoted to art in the United States since 1945, and includes careful analyses of such styles as Action Painting, Hard Edge Painting, Pop Art, Mini- malism, Assemblage, Happenings, Earthworks, Kineticism, Conceptual Art and Bodyworks. These discussions are accompanied by rich accounts of such contemporary masters as Pollock, De Kooning, Rothko, Johns, Lichtenstein, Stella, Noland, Morris, Judd, Smithson and many others.
Art, American --- Art américain --- 20ste eeuw --- U.S.A. --- Verenigde Staten --- Art américain --- Action painting --- Pop [fine arts styles] --- Minimal --- Rosenthal, Bernard --- Art [American ] --- Kunst [Amerikaanse ] --- Painting, American. --- Sculpture, American --- Sculpture, American. --- earthworks [sculpture] --- Abstract [fine arts style] --- art [fine art] --- Art --- anno 1900-1999 --- United States --- History. --- Art [Modern ] --- 20th century --- art [discipline] --- Abstract [modern European style] --- United States of America
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Smithson, Robert --- sculpting --- earthworks [sculpture] --- Sculpture --- public art --- art [fine art] --- Art styles --- Iconography --- Art --- anno 2000-2099 --- anno 1900-1999 --- United States --- Earthworks (Art) --- Artists' preparatory studies --- Installations (Art) --- Sculpture, American --- Painting, American --- Collage, American --- Land art --- Etudes préparatoires d'artistes --- Sculpture américaine --- Peinture américaine --- Collage (Art) américain --- Exhibitions --- Expositions --- Exhibitions. --- Aesthetics. --- Etudes préparatoires d'artistes --- Sculpture américaine --- Peinture américaine --- Collage (Art) américain --- art [discipline] --- kunst over kunst --- United States of America
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