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This publication addresses the contemporary pavilion phenomenon and the often temporary and functionless architectural structures commissioned and exhibited by art institutions, among which are the Serpentine Pavilion in London, the Young Architects Program in New York, and the MPavilion in Melbourne. Despite this ubiquity and popular success, the contemporary pavilion has been inconsistently theorised and frequently disparaged. The authors reclaim the pavilion as an architectural topic, against those who would dismiss the potential of architecture?s intersection with art. It also poses larger questions regarding the shifting relations between culture and the economy.

Architecture, Modern --- Arts, Modern --- Pavilions. --- Art and architecture --- Criticism and interpretation. --- Art et architecture --- Critique et interprétation --- Art --- art [fine art] --- Architecture --- architecture [object genre] --- Pavilions --- Pavillon --- Rapport art-architecture --- Architectuurkritiek --- Paviljoenen ; Londen ; Serpentine Gallery Pavillon --- Architectuur ; tijdelijke of permanente paviljoenen --- Architectuur ; paviljoenen ; wereldtentoonstellingen --- Architectuur ; 1900-2000 ; paviljoenen --- 725.91 --- Openbare gebouwen ; tentoonstellingsgebouwen --- art [discipline]

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Homo sapiens [species] --- caricatures --- posters --- painting [image-making] --- Drawing --- History --- Painting --- Graphic arts --- Iconography --- Art --- art history --- art [fine art] --- Gogh, van, Vincent --- Chabaud, Auguste --- Manet, Edouard --- Villon, Jacques --- Giacometti, Giovanni --- Poiré, Emmanuel --- Kollwitz, Käthe --- Klinger, Max --- Steinlen, Théophile A. --- Barlach, Ernst H. --- Signac, Paul --- Jacob, Max --- Toulouse-Lautrec, de, Henri --- Utrillo, Maurice --- Auberjonois, René --- Ibels, Henri-Gabriel --- Grasset, Eugène Samuel --- Kupka, Frantz --- Grosz, Georg --- Luce, Maximilien --- Vallotton, Felix --- Munch, Edvard --- Daumier, Honoré --- Valtat, Louis --- Picasso, Pablo --- Valadon, Suzanne --- Viollier, Auguste --- Vuillard, Edouard --- Bonnard, Pierre --- Mucha, Alfons Maria --- Renoir, Auguste --- Degas, Edgar --- Forain, Jean-Louis --- Jarry, Alfred --- Rouault, Georges --- Chéret, Jules --- Marquet, Albert --- Mieghem, van, Eugène --- Willette, Adolphe-Léon --- Schiele, Egon --- Carrière, Eugène --- Kirchner, Ernst Ludwig --- Hodler, Ferdinand --- anno 1900-1999 --- France --- Art nouveau --- Realism in art --- Art, Modern --- Art, European --- Steinlen, Théophile Alexandre, --- Influence --- Belle Époque --- Steinlen, Théophile-Alexandre --- 76 STEINLEN, THEOPHILE ALEXANDRE --- 769.91 <494> --- 76 "18/19" --- 7.035.9 --- Grafische kunsten. Grafiek. Prentkunst--STEINLEN, THEOPHILE ALEXANDRE --- Prentenverzamelingen: affiches; posters; uithangborden--Zwitserland --- Grafische kunsten. Grafiek. Prentkunst--Hedendaagse Tijd --- Art nouveau. Jugendstil --- Exhibitions --- 7.035.9 Art nouveau. Jugendstil --- 76 "18/19" Grafische kunsten. Grafiek. Prentkunst--Hedendaagse Tijd --- 769.91 <494> Prentenverzamelingen: affiches; posters; uithangborden--Zwitserland --- 76 STEINLEN, THEOPHILE ALEXANDRE Grafische kunsten. Grafiek. Prentkunst--STEINLEN, THEOPHILE ALEXANDRE --- Steinlen, Théophile Alexandre, --- prints [visual works] --- Steinlen, Theophile Alexandre --- human figures [visual works] --- Forain, Jean Louis --- Steinlen, Théophile Alexandre --- Belle Époque. --- Steinlen, Théophile Alexandre. --- Picasso, Pablo. --- Forain, Jean Louis. --- art [discipline] --- kunstsociologie

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architectuur --- beeldende kunst --- tentoonstellingsbouw --- Architecture --- architecture [object genre] --- Daem, Hilde --- Kassel --- architecture [discipline] --- Art --- Cordier, de, Thierry --- Graham, Dan --- Genzken, Isa --- Richter, Gerhard --- Keyser, de, Raoul --- Robbrecht en Daem architecten [Ghent] --- Robbrecht, Paul --- Robbrecht & Daem --- Hilde Daem en Paul Robbrecht °1950. Werken samen sinds 1975. Wonen en werken te Gent. --- Architectuur ; Paul Robbrecht en Hilde Daem ; Aue Pavilions --- Kassel ; Documenta IX --- Paviljoenen --- Architectuur ; verplaatsbare ; mobiele ; tijdelijke --- 72.038 --- 72.07 --- Architectuurgeschiedenis ; 1950 - 2000 --- Architecten. Stedenbouwkundigen A - Z --- Paul Robbrecht, Hilde Daem --- Robbrecht Paul --- Daem Hilde --- tentoonstellingsgebouwen --- Documenta --- twintigste eeuw --- 72.071 ROBBRECHT --- 72.071 DAEM --- 725.91 --- Kassel [Hesse] --- Hilde Daem en Paul Robbrecht °1950. Werken samen sinds 1975. Wonen en werken te Gent

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art [fine art] --- Architecture --- architecture [discipline] --- Art --- Vandenhove, Charles --- anno 1900-1999 --- anno 2000-2099 --- Belgium --- gemeenten --- openbare gebouwen --- architectuurtekeningen --- culturele centra --- Ridderkerk --- Bouwkunst --- Public buildings --- 72.036 <492> --- 72.036 <493> --- 720.9492 --- 724.91 --- Moderne bouwkunst. Architectuur van de 20e eeuw--Nederland --- Moderne bouwkunst. Architectuur van de 20e eeuw--België --- Arts Architecture Netherlands --- Arts Architecture 20th century --- Vandenhove, Charles, --- 72.036 <493> Moderne bouwkunst. Architectuur van de 20e eeuw--België --- 72.036 <492> Moderne bouwkunst. Architectuur van de 20e eeuw--Nederland --- Piranesi, Giovanni Battista 1720-1778 (°Mogliano, bij Mestre, Italië) --- Corillon, Patrick --- Tuymans, Luc °1958 (°Mortsel, België) --- Gemeentehuizen ; stadhuizen ; raadhuizen ; 21ste eeuw --- Architectuur ; Nederland ; 21ste eeuw --- Architectuur ; 20ste eeuw ; Charles Vandenhove --- Vandenhove, Charles 1927-2019 (°Teuven, België) --- 72.07 --- Architecten. Stedenbouwkundigen A - Z --- art [discipline] --- Mairies --- Architecture publique --- cultural centers [inhabited places]

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The new pavilion in the Middelheim sculpture park in Antwerp houses a series of ceramic sculptures by German artist Thomas Schütte. Ghent-based architects Robbrecht & Daem are the designers of the half-open pavilion, which they named 'The House'. Schütte's fragile sculptures are a perfect fit for the nature and spirit of the pavilion's architecture, which is specially designed to cast a protective veil over vulnerable artworks. This book tells the story of the unique collaboration between the sculpture park, the architects and the artist.00.

sculpting --- architectuur --- sculptors --- Museology --- beeldhouwkunst --- museology --- museumkunde --- architecture [discipline] --- Schütte, Thomas --- Daem, Hilde --- Robbrecht, Paul --- Architectural firms --- Agences d'architecture --- Schütte, Thomas, --- Robbrecht Daem --- Middelheimmuseum --- Antwerpen --- 725.91 --- 7 --- 73.07 --- 72.07 --- 72.039 --- 728.7 --- Beeldhouwkunst ; 1997-2011 ; Thomas Schütte --- Schütte, Thomas °1954 (°Oldenburg, Duitsland) --- Nieuwe Beeldhouwkunst --- Keramiek ; klei ; in de beeldende kunst ; 21ste eeuw --- Robbrecht en Daem Architecten --- Robbrecht, Paul °1950 (°Sleidinge, Evergem, België) --- Daem, Hilde °1950 (°Haaltert, België) --- Paviljoenen ; Antwerpen ; Middelheimmuseum ; "Het Huis" ; Robbrecht en Daem --- Tentoonstellingscatalogi ; Antwerpen ; Middelheimmuseum --- tentoonstellingsgebouwen --- Robbrecht en Daem --- Paul Robbrecht --- Hilde Daem --- Thomas Schütte --- architecten --- kunst --- kunst en architectuur --- Robbrecht & Daem --- Robbrecht Paul --- Daem Hilde --- België --- eenentwintigste eeuw --- Duitsland --- Schütte Thomas --- Middelheim --- 73.071 SCHÜTTE --- Paviljoenen (architectuur) --- Tentoonstellingsgebouwen --- Kunst --- Beeldhouwkunst ; beeldhouwers A - Z --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 2000 - 2050 --- Openbare gebouwen ; tentoonstellingsgebouwen --- Woningbouw ; verplaatsbare en tijdelijke woningen, transformeerbare woningen --- Exhibitions --- Sculpture --- ceramics [object genre] --- sculpture [visual works] --- Architecture --- Robbrecht en Daem architecten [Ghent] --- Schütte, Thomas, --- Museum architecture --- Belgium --- Design and plans --- Architectural design --- History --- 21st century --- studio ceramics --- Belgische architectuur --- Robbrecht, Paul. --- Daem, Hilde. --- architectuur. --- sculptuur. --- Daem, Kristien. --- Schütte, Thomas.