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Giving and Taking, Antidotes to a Culture of Greed' is a collected effort to establish the significance of the so-called non-pecuniary value of art and society. In the broadest sense of these terms: what is art about and after? What if the exchanges we call economic were part of a much larger, far older and more diffuse system of exchange? What if value were defined not by accumulation but by circulation, and circulation not by supply and demand but by honor, glory and beauty? If we need an answer to what's the real value in society and in art ; and we need that answer urgently ; why not ask philosophers, anthropologists, aestheticians, sociologists and others who have proven to be part of the same quest? The problems facing us in the 21st century, moving towards a "peak humanity" of 12 billion human beings in 2072, are mind boggling and nerve wracking. Global warming is only the fun part of the ecological devastation that will leave us with a world of dead Zen gardens everywhere. What are we doing, and why aren't we doing it better? In the book 'Giving and Taking, Antidotes to a Culture of Greed', a diverse set of authors share a strikingly similar analysis. The crisis of our institutions of government, finance and knowledge, they argue, should be attributed not to a lack of political will but to a lack of glory and honor ; categories that have been linked to gift and sacrifice from time immemorial.

kunst --- kunstmarkt --- neoliberalisme --- 7.01 --- 130.2 --- kunst en politiek --- kunsttheorie --- cultuurfilosofie --- kunst en economie --- Art --- economics --- appraising --- philosophy of art --- anno 2000-2099

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De cultuursector staat onder druk: de overheid verwacht dat kunstinstituten zich als concurrerende bedrijven gedragen, dat ze zoveel mogelijk in hun eigen middelen voorzien en toch geen amusementsindustrie worden. Anders gaat de subsidiekraan dicht. Ze moeten ook opbrengen: citymarketing, creatieve economie of het uitdragen van zoiets als de nationale trots. Robrecht Vanderbeeken bestempelt die politieke houdgreep als versmachtend. Kunstenaars worden merken en kunst wordt koopwaar. En de neoliberale vervreemding neemt ook toe in de gesubsidieerde sector en het kunstonderwijs. Cultuurmanagers verliezen zich in een kapitalistische bureaucratie: een vals bewustzijn van kunstmatige criteria. Zelfs cultuur- minnende politici vinden de vermarkting evident. Wie tegenpruttelt, loopt hopeloos achterop en is 'onprofessioneel'. Dit boek leest als een J'accuse over het kunstenbeleid. Het pleit voor een fundamenteel andere houding: die van verzet tegen de recuperatie en vervlakking.

kunstfilosofie --- Philosophy and psychology of culture --- art market --- kunstbeleid --- economics --- Art --- economie --- Cultuurbeleid --- Economic aspects --- cultuur --- kunst --- 7.01 --- cultuurfilosofie --- Gatz Sven --- neoliberalisme --- België --- politiek --- kunst en politiek --- activisme --- kunst en economie --- kunstmarkt --- kunsttheorie --- marketing --- cultuurbeleid --- 694 --- 008 --- 7 --- Esthetica en filosofie --- MAD-faculty 16 --- kunstkritiek --- Kunst --- Cultuur --- Management --- Privatisering --- Marketing --- Kunsttheorie ; over kunst en economie --- Kunstenaars en kunstmarkt --- Kunstbeleid ; cultuurbeleid ; Vlaanderen ; 21ste eeuw --- Arteconomy --- Kunst ; theorie, filosofie, esthetica --- Cultuur, sponsoring --- 700.6 --- cultuursector --- kunstensector --- samenleving --- kapitalisme --- maatschappij --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Afrika --- Azië --- Nederland --- China --- Toerisme --- Financiewezen --- Autisme --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Vietnam --- Zuid-Afrika --- Kust --- Overheidsbedrijf --- Maatschappij --- Geschiedenis --- Voorlichting --- Literatuur

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globalization --- art theory --- museology --- Museology --- Art --- art galleries [institutions] --- kunstmarkt --- globalisering --- musea --- collecties --- verzamelingen --- GAM --- Global art and the museum --- Afrika --- Spanje --- Sharjah biennial --- etnische kunst --- Brazilië --- Sao Paulo --- British Museum --- Istanbul --- Tate --- Azië --- Latijns-Amerika --- Manila --- Ateneo art gallery --- Chili --- Paraguay --- Japan --- Zuid-Afrika --- Johannesburg biennial --- Mexico --- MuAc --- etnografie --- Singapore --- 7.01 --- exhibition curators --- publiekswerking --- cultuurparticipatie

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kunst --- twintigste eeuw --- België --- Broodthaers Marcel --- conceptuele kunst --- concept art --- pop art --- musea --- museologie --- kunstmarkt --- 7.071 BROODTHAERS --- Broodthaers, Marcel --- Brodhers, Marsel --- ברוסהרס, מרסל --- Criticism and interpretation. --- Art --- art [fine art] --- Buren, Daniel --- Haacke, Hans --- Beuys, Joseph --- anno 1900-1999 --- art [discipline]

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"Published in conjunction with the exhibition 'Louise Lawler: WHY PICTURES NOW', at The Museum of Modern Art, this volume charts the creative practice of one of the most influential artists working in the fields of picture-making and institutional critique. For the past 40 years, Louise Lawler has raised questions about art-about the circumstances that produce it, its circulation and the societal frameworks in which it appears. Many of the ideas that arise out of her work relate to theories of reception, the belief that the meaning of an artwork shifts and morphs depending on who looks at it and where it is seen. As the title of this publication suggests, many kinds of reception are possible"--

Photography of art --- Photography, Artistic --- Appropriation (Art) --- kunst --- kunst en politiek --- kunst en economie --- kunstmarkt --- 77.071 LAWLER --- 7.071 LAWLER --- concept art --- conceptuele kunst --- reproductie --- fotografie --- twintigste eeuw --- Verenigde Staten --- Lawler Louise --- appropriation art --- Appropriated imagery --- Appropriated images --- Appropriationism (Art) --- Postmodernism --- Imitation in art --- Lawler, Louise --- Exhibitions --- Art --- art [fine art] --- Lawler, Louise. --- art [discipline]