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""What are we to make of those cultural figures, many with significant international reputations, who tried to find accommodation with the Nazi regime?" Jonathan Petropoulos asks in this exploration of some of the most acute moral questions of the Third Reich. In his nuanced analysis of prominent German artists, architects, composers, film directors, painters, and writers who rejected exile, choosing instead to stay during Germany's darkest period, Petropoulos shows how individuals variously dealt with the regime's public opposition to modern art. His findings explode the myth that all modern artists were anti-Nazi and all Nazis anti-modernist. Artists Under Hitler closely examines cases of artists who failed in their attempts to find accommodation with the Nazi regime (Walter Gropius, Paul Hindemith, Gottfried Benn, Ernst Barlach, Emil Nolde) as well as others whose desire for official acceptance was realized (Richard Strauss, Gustaf Gründgens, Leni Riefenstahl, Arno Breker, Albert Speer). Collectively these ten figures illuminate the complex cultural history of Nazi Germany, while individually they provide haunting portraits of people facing excruciating choices and grave moral questions"-- Provided by publisher
National Socialism --- art [fine art] --- collaboratie (kunst) --- Art --- Hindemith, Paul --- Nolde, Emil --- Speer, Albert --- Riefenstahl, Leni --- Strauss, Richard --- Gropius, Walter --- Breker, Arno --- Benn, Gottfried --- Barlach, Ernst H. --- anno 1940-1949 --- Germany --- National socialism and art. --- Arts, German --- Artists --- Nazisme et art --- Arts allemands --- Artistes --- Social conditions --- Conditions sociales --- Allemagne --- HISTORY / Europe / Germany. --- HISTORY / Modern / 20th Century. --- HISTORY / Social History. --- BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers. --- BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians. --- Nazisme en kunst --- Propaganda --- Politiek --- National socialism and art --- Maatschappij --- Film --- Arts, German - 20th century --- Artists - Germany - Social conditions - 20th century --- Germany - Social conditions - 20th century --- Oorlog --- Oorlogspropaganda --- art [discipline]
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"In what ways do the artistic avant-garde's representations of the human body reflect the catastrophe of World War I? The European modernists were inspired by developments in the nineteenth-century, yielding new forms of knowledge about the nature of reality and repositioning the human body as the new 'object' of knowledge. New 'visions' of the human subject were created within this transformation. However, modernity's reactionary political climate - for which World War I provided a catalyst - transformed a once liberal ideal between humanity, environment, and technology, into a tool of disciplinary rationalisation. Visions of the Human considers the consequences of this historical moment for the twentieth and twenty-first centuries. It explores the ways in which the 'technologies of the self' that inspired the avant-garde were increasingly instrumentalised by conservative politics, urbanism, consumer capitalism and the society of 'the spectacle'. This is an engaging and powerful study which challenges prior ideas and explores new ways of thinking about modern visual culture."--
Human figure in art. --- Art, European --- Modernism (Art) --- Art, Modern --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- European art --- World War, 1914-1918 --- Art & design styles: c 1900 to c 1960 --- In art. --- European War, 1914-1918 --- First World War, 1914-1918 --- Great War, 1914-1918 --- World War 1, 1914-1918 --- World War I, 1914-1918 --- World War One, 1914-1918 --- WW I (World War, 1914-1918) --- WWI (World War, 1914-1918) --- History, Modern --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- art [fine art] --- avant-garde --- visual culture --- Modernist --- Wereldoorlog I --- anno 1900-1999 --- art [discipline] --- lichaam (van de mens)
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