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Sculpture --- Minimal --- exhibiting --- art theory --- studios [work spaces] --- sculpting --- Buren, Daniel --- Turk, Gavin --- Boyce, Martin --- Fischer, Urs --- Gupta, Subodh --- Huang, Yong Ping --- Lévêque, Claude --- Séchas, Alain --- Sosnowska, Monika --- Barbier, Gilles --- Barré, Virginie --- Blanckart, Olivier --- Breuning, Olaf --- Coindet, Delphine --- Craft, Liz --- Decker, Simone --- Denis, Marie --- Dewar & Gicquel --- Fauguet, Richard --- Firman, Daniel --- Bourgeois, Louise --- Kawamata, Tadashi --- Lamouroux, Vincent --- Leblon, Guillaume --- Delvoye, Wim --- Pariente, Laurent --- Peinado, Bruno --- Quistrebert, Florian & Michael --- Trouvé, Tatiana --- Wang Du --- Koons, Jeff --- West, Franz --- Stockholder, Jessica --- Serra, Richard --- McCarthy, Paul --- Schütte, Thomas --- Cattelan, Maurizio --- Eliasson, Olafur --- Balkenhol, Stephan --- Barney, Matthew --- Dion, Mark --- Chapman, Jake --- Fleury, Sylvie --- Hirschhorn, Thomas --- Hirst, Damien --- Kapoor, Anish --- Pardo, Jorge --- Rondinone, Ugo --- Schneider, Gregor --- Slominski, Andreas --- Veilhan, Xavier --- Höller, Carsten --- Lieshout, van, Joep --- Gober, Robert --- Fritsch, Katharina --- Pernice, Manfred --- Orozco, Gabriel --- Mueck, Ron --- Althamer, Paweł --- Nicolai, Olaf --- Petitgand, Dominique --- Rehberger, Tobias --- Whiteread, Rachel --- Attia, Kader --- Lavier, Bertrand --- anno 1990-1999 --- anno 2000-2009

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Art styles --- Art --- Sculpture --- Painting --- Graphic arts --- happenings --- art [discipline] --- painting [image-making] --- performance art --- sculpting --- graphic arts --- Fluxus --- Beuys, Joseph --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- anno 1900-1999 --- anno 2000-2099 --- Germany

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Art --- Graphic arts --- History --- posters --- art history --- Baseleer, Richard --- Pellens, Edward --- Oever, van den, Constant --- Collin, Albéric --- Pafsim --- Titz, Louis --- Belloguet, Léon --- Montagne, De la, Emile Pierre --- Delrue, Emile --- Ellmiott, George W. --- Fraipont, Gustave --- Gaudio, Luigi --- Grotide Vinck, B. --- Felt, 't, Julien --- Ost, Alfred --- Koch, Ferdinand F. --- Vloors, Emile --- Evenepoel, Henri --- Naets, Ernest --- Nys, Carl --- Potvin, Jules --- Proost, Frans --- Seeger, Léon --- Os, van, Tony --- t'Felt, Albert --- t'Felt, Charles --- Theunis, Jos --- Van Hauzost, G. --- Vanderbilt, Johan --- Allard l'Olivier, Fernand --- Portielje, Edward --- Portielje, Gerard --- Offel, Van, Edmond --- Kuyck, van, Frans --- Loo, van der, Marten --- Ratinckx, Jos --- Abry, Leon --- Aken, van, Leo --- Averbeke, van, Emiel --- Baetes, Jules --- Bosiers, René --- Collens, Karel --- Ernest, René --- Kas, Achille --- Lagye, Raphaël --- Mees, Julius --- Mortelmans, Karel --- Neste, Van, Alfred --- Peeters, Louis --- Timmermans, Henri --- Mertens, Charles --- Verrees, Jozef Paul --- Mieghem, van, Eugène --- Velde, Van de, Henry --- anno 1800-1999 --- Antwerp --- Belgium

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Art --- art history --- fairs --- biennials [exhibitions] --- anno 1800-1899 --- anno 1900-1999 --- anno 2000-2099

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*Art, Engagement, Economy: The Working Practice of Caroline Woolard* proposes a politics of transparent production in the arts, whereby heated negotiations and mundane budgets are presented alongside documentation of finished gallery installations. Readers follow the behind-the-scenes work that is required to produce interdisciplinary art projects, from a commission at MoMA to a self-organized, international barter network with over 20,000 participants. With contextual analysis of the political economy of the arts, from the financial crisis of 2008 to the COVID pandemic of 2020, this book suggests that artists can bring studio-based sculptural techniques to an approach to art-making that emphasizes interdisciplinary collaboration and dialogue.

Art --- installations [visual works] --- economics --- community art --- video art --- interactive art --- philosophy of art --- Woolard, Caroline