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Production management --- Aesthetics of art --- designers --- Artistic and decorative craftsmen
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This ambitious publication centers indigenous perspectives on traditional artworks from Africa by focusing on the judgments and vocabularies of members of the communities who created and used them. It explores cross-cultural affinities spanning the African continent while respecting local contexts; it also documents an exhibition that is extraordinary in scope and scale. The project's overriding goal is to reconsider Western evaluations of these arts in both aesthetic and financial terms. The volume features nearly 300 works from collections around the world and from the important holdings of the Art Institute of Chicago. Although it emphasizes the sculptural legacy of sub-Saharan cultures from West and Central Africa, it also includes examples of artistic traditions associated with eastern and southern Africa as well as textiles and objects designed for domestic, ritual, and decorative functions.
Applied arts. Arts and crafts --- figurines --- decorative arts [discipline] --- maskers --- African [general, continental cultures] --- Bamana --- Baga [culture or style] --- Igbo [Southern Nigerian style, culture] --- Chamba [Nigerian] --- Fang [culture or style] --- Lega --- Maasai [culture or style] --- Aesthetics, African --- Aesthetics, African. --- Art africain --- Art, African --- Art, African. --- Esthétique africaine --- PHILOSOPHY / Aesthetics. --- Sculpture africaine --- Sculpture, African --- Sculpture, African.
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geloven --- Buddhism --- Comparative religion --- boeddhisme --- natuurgebieden --- sjamanisme --- reisgidsen (genre) --- Fraeye, de, Mark --- North Korea --- South Korea --- Asie --- Azië --- Aesthetics, Korean. --- Fraeye, De, Mark --- de Fraeye, Mark
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Aesthetics of art --- Drawing --- Graphic arts --- prints [visual works] --- influence --- pastels [visual works] --- art criticism --- chalk drawings --- Mieghem, van, Eugène --- anno 1900-1909 --- Antwerp
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La 4e de couv. indique : "Que faire des objets dont on a perdu l'usage ? Ce livre explore la difficulté à nous en séparer, à nous défaire de l'histoire qui nous lie à eux. L'anthropologue Octave Debary s'intéresse au paradoxe qu'implique la conservation de ce dont on veut se débarrasser : impossible oubli que le travail de mémoire tente de domestiquer. L'auteur interroge le pouvoir d'en faire autre chose (de les recycler), de se les transmettre (dans les vide-greniers), d'en jouer (au théâtre), de s'en emparer pour créer (dans l'art), ou notre refus de les perdre (le patrimoine), comme notre besoin de les enfermer (au musée)... Autant d'arts d'accommoder les restes par lesquels la mémoire se construit comme un art de la récupération, du chiffonnage, du réemploi. Un art de se souvenir."
Museology --- Production management --- museums [buildings] --- refuse --- Objets usuels --- Déchets --- Déchets (matériau d'artistes) --- Objets trouvés (art) --- Reste (esthétique) --- Culture matérielle. --- Aspect psychologique. --- Anthropologie. --- Valorisation. --- Dans l'art. --- Waste products --- Material culture --- Object (Aesthetics) --- Object (Philosophy) --- Memory (Philosophy) --- Recycling (Waste, etc.) --- Valuation --- Waste products - Valuation
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Tijdens het symposium Onbegrensd Verzamelen (Collecting Without Borders, 2009) spraken professionals uit kunstmusea, volkenkundige musea en cultuurhistorische musea over het presenteren en verzamelen van hedendaagse global art. Deze essaybundel verscheen naar aanleiding van dit symposium en gaat over de effecten van globalisering op de kunstwereld. De lopende discussie rondom global art wordt geschetst vanuit verschillende perspectieven: museaal, academisch en kunst- en maatschappijkritisch. Onderdeel is de institutionele zelfreflectie: hoe gaan verschillende musea en kunstinstellingen om met ontwikkelingen als globalisering in de kunst? Hoe vertaalt dit zich naar tentoonstellingen en naar collectiebeleid? Processen van in- en uitsluiting en mechanismen van (re)presentatie worden belicht.
Museology --- Sociology of culture --- Art --- Art and globalization --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Globalization and art --- Globalization --- Collectors and collecting --- History --- Art, Primitive
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Antwerpen door de ogen van de allereerste lichting stadsfotografen met als resultaat een inspirerend en verrassend fotoboek. Een onafhankelijke jury koos in 2010 vijf stadsfotografen: Elisabeth Broekaert, Patrick De Roo, Alex Salinas, Dan Zollmann en Maarten Vanden Abeele. Zij trokken in 2010 en 2011 door Antwerpen en brachten de stad op een heel eigen manier in beeld. Een unieke en hoogstpersoonlijke blik op een van Vlaanderens meest fascinerende steden. Een eigenzinnige, artistieke ode aan Antwerpen in al zijn bekende en minder bekende facetten.
Regional documentation --- photography [process] --- Photography --- Roo, De, Patrick --- Broekaert, Elisabeth --- Abeele, Vanden, Maarten --- Zollmann, Dan --- Salinas, Alex --- Antwerp --- Photography, Artistic. --- 766.6 --- de Roo, Patrick --- Vanden Abeele, Maarten --- Antwerpen --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- persfotografie en fotoreportage --- Aesthetics --- Antwerp (Belgium) --- Anṿerśah (Belgium) --- Anṭṿerpen (Belgium) --- Antwerpen (Belgium) --- Antuerpia (Belgium) --- Anvers (Belgium) --- Anversa (Belgium) --- Antwerpia (Belgium) --- Anwerpia (Belgium) --- Andowerpia (Belgium) --- Amberes (Belgium) --- Antverpia (Belgium) --- Ambivaritum (Belgium) --- Anderpus (Belgium) --- Andevorpum (Belgium) --- Andoverpis (Belgium) --- Andoverpum (Belgium) --- Antwerpha (Belgium) --- Antwerpium (Belgium) --- Antwerpo (Belgium) --- Antwerpum (Belgium) --- Handoverpia (Belgium) --- Andwerpa (Belgium) --- Antverpis (Belgium) --- Antverpo (Belgium) --- Antverpum (Belgium) --- Pictorial works --- אנטווערפען --- Photography, Artistic
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sculpting --- History --- Sculpture --- taste [aesthetics] --- retables [altar appendages] --- altarpieces --- ateliers [studios, organizations] --- mass production --- Medieval [European] --- Applied arts. Arts and crafts --- anno 1400-1499 --- anno 1300-1399 --- anno 1500-1599 --- Netherlands --- Altarpieces, Flemish. --- Altarpieces, Gothic --- Wood-carving, Gothic --- Altarpieces --- Retables flamands --- Retables gothiques --- Sculpture sur bois gothique --- Retables --- Marketing --- Commercialisation --- 7.046.3 --- -Altarpieces, Gothic --- -Wood-carving --- -Wood-carving, Gothic --- -Altarpieces, Flemish --- Flemish altarpieces --- Gothic wood-carving --- Whittling --- Wood-carving, Primitive --- Wood carvings --- Wood craft --- Woodcarving --- Woodcraft --- Carving (Decorative arts) --- Woodwork --- Wood sculpture --- Gothic altarpieces --- Predellas --- Reredos --- Screens (Church decoration) --- Iconografie: religieuze voorstellingen --- Wood-carving --- Marketing. --- 7.046.3 Iconografie: religieuze voorstellingen --- retables [altar appendage] --- Altarpieces, Flemish --- cultuurgeschiedenis --- Nederlandse school --- beeldhouwkunst, Nederlanden --- History of Belgium and Luxembourg --- woodcarving [process] --- Christianity --- Late Medieval --- religious art --- Netherlandish
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Art --- Germanisches Nationalmuseum [Nuremberg] --- Rembrandt --- Dürer, Albrecht --- Riemenschneider, Tilman --- Masterpiece, Artistic --- Art, German --- Art, European --- Decorative arts --- Chefs d'oeuvre --- Art allemand --- Art européen --- Arts décoratifs --- Exhibitions. --- Expositions --- Germanisches Nationalmuseum Nürnberg --- meesterwerken --- oude meesters --- literatuur --- Rembrandt van Rijn --- Mann, Thomas --- Witz, Konrad --- Riemenschneider, Tilmann --- Art européen --- Arts décoratifs --- Germanisches Nationalmuseum Nürnberg --- Artistic masterpiece --- Creation (Literary, artistic, etc.) --- Applied arts --- Art industries and trade --- Handicraft --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive --- oude meesters. --- literatuur. --- Dürer, Albrecht. --- Rembrandt. --- Mann, Thomas. --- Witz, Konrad. --- Riemenschneider, Tilmann. --- Dürer, albrecht (1471-1528) --- Rembrandt (rembrandt harmenszoon van rijn, dit), 1606-1669 --- Riemenschneiders (tilman), sculpteur allemand, 1460-1531
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art education --- Painting --- Sculpture --- kunstonderwijs --- Academie voor Schoone Kunsten te Antwerpen --- Antwerp --- Koninklijke Academie voor Schone Kunsten (Antwerpen (stad)) --- Art --- 373.67(493) --- Musea ; Antwerpen ; Koninklijke Academie voor Schone Kunsten ; 1663-2013 --- Musea ; België ; geschiedenis --- Musea ; Antwerpen --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Study and teaching --- History. --- Onderwijs ; kunst- architectuuronderwijs ; België --- Koninklijke Academie voor Schone Kunsten Antwerpen --- Koninklijke Academie voor Schone Kunsten Antwerpen. --- Academie der Schoone Kunsten van Antwerpen --- Académie royale des beaux-arts d'Anvers --- Academie voor Schone Kunsten, Antwerpen --- Antwerp (Belgium). --- Koninklijke Academie der Schone Kunsten van Antwerpen --- Antwerp. --- Koninklijke Antwerpse Academie voor Schone Kunsten --- Royal Academy of Fine Arts Antwerp --- History --- Belgium --- Antwerp (Belgium) --- Art museums --- SO (secundair onderwijs) --- Study and teaching&delete& --- Musea ; België ; geschiedenis --- Onderwijs ; kunst- architectuuronderwijs ; België --- Art, Primitive
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