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sculpting --- mosaics [visual works] --- miniatures [paintings] --- Art --- drawing [image-making] --- Iconography --- painting [image-making] --- dragons --- icons [devotional images] --- George [s.] --- christelijke iconografie --- Dood --- legende --- Sint-Joris (heilige) --- George --- In art --- Exhibitions --- Monsters in art --- Dragons in art --- Christian art and symbolism --- Christian saints in art --- Christian patron saints in art --- christelijke iconografie. --- Dood. --- legende. --- Sint-Joris (heilige).
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An in-depth look at the depiction of black people by Rembrandt and his contemporaries• Documents an exhibition at the Rembrandt House Museum in Amsterdam from March 6 - May 31, 2020. This exhibition catalogue tells the story of the black community in 17th century Dutch society and reveals how attitudes to race were expressed in the portrayal of black figures in Dutch art. Black people were present in 17th-century Holland, both in society and in art. This subject has long remained in the shadows, a situation this ground-breaking exhibition addresses. Rembrandt and many of his contemporaries made magnificent works of art that depict people of color. There was a small community of around 80 free black people of color living in the Jodenbreestraat neighborhood of Amsterdam during Rembrandt's lifetime. Painters during this period portrayed individual black models from life, and in a number of cases they formed the main subject of the art work. This book explores the conditions that gave rise to these remarkable works of art and the reasons the public image of black people changed from about 1660 onward. It tells the stories of the Dutch artists who aimed to capture their multi-racial world, and the impact of transatlantic slavery. Er waren zwarte mensen in het Nederland van de zeventiende eeuw. Zowel in de samenleving als in de kunst. Lang is dit onderbelicht gebleven. Onterecht : Rembrandt en vele van zijn tijdgenoten hebben namelijk prachtige kunstwerken gemaakt van zwarte mensen. 'Zwart in Rembrandts tijd' brengt ze voor het eerst samen. Wat valt op? De stereotypen die later het beeld van zwarte mensen zouden gaan bepalen, zijn nog niet overheersend. Er hebben mensen model gezeten en ze zijn naar de werkelijkheid weergegeven. Bovendien zijn zwarte personen niet alleen bijfiguren met een ondergeschikte rol, maar juist ook het centrale onderwerp van het kunstwerk. 'Zwart in Rembrandts tijd' probeert de omstandigheden waarin deze werken tot stand kwamen te verklaren. En hoe het komt dat de beeldvorming na circa 1660 veranderde. Over kunstenaars die de visuele wereld willen vastleggen, de impact van de trans-Atlantische slavernij en een kleine gemeenschap van vrije zwarte mensen in de Amsterdamse Jodenbreestraat.
Blacks in art --- Blacks --- Negroes --- Ethnology --- History --- Exhibitions --- Painting --- ethnic groups --- portraits --- Rembrandt --- anno 1600-1699 --- Black persons --- Negroes in art
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mermaids --- Art --- Epical, mythological and fictitious figures --- Teyler Museum [Haarlem] --- Exhibitions --- Mermaids in art
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Painting --- Vermeer, Johannes --- Criticism and interpretation --- Painters --- Netherlands --- Biography --- Delft (Nederland) --- In art
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This book began as an exploration of the image in Islam. It ended up exploring how one might relinquish concepts like the image and art to conceive of perception through an Islam, often overshadowed by politics, essential to a sense of emotive knowledge that emerges through engagement with the arts. Instead of defining the image, art, or religion, this book asks: What is art if the primary sensory organ is neither eyes nor ears, but the heart? Where are the boundaries between the senses as we take in the world? What is art if dreams and visions are as real as materiality? How can art make-present, and not just re-present?
Islam --- Art --- Islamic [culture or style] --- #breakthecanon --- Islamic art. --- Islamische Kunst. --- Religion in art.
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Cultuurhistorische verkenning van draken als fenomeen in folklore, legenden en beeldende kunst.
dragons --- Thematology --- Iconography --- Dragons --- Dragons in art. --- Dragons in literature. --- Dragons in motion pictures. --- History. --- draak --- draken --- draak.
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Textile in art --- Embroidery --- religious art --- Contemporary [style of art] --- outsider art --- Applied arts. Arts and crafts
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mythical or legendary beings --- creatures --- Art --- Folklore --- Iconography --- fabels --- History of civilization --- Monsters in art --- Animals, Mythical, in art --- Symbolism in art --- Monstres dans l'art --- Animaux fabuleux dans l'art --- Symbolisme dans l'art --- Exhibitions. --- Expositions --- mythologische figuren --- fabeldieren --- monsters --- bestiarium --- Exposition --- Légendes --- 's-Hertogenbosch (Nederland) --- 7.042 --- 7.046.1 --- Iconografie: fauna, dierenrijk, fabeldieren --- Iconografie: klassieke mythologie --- Exhibitions --- 7.046.1 Iconografie: klassieke mythologie --- 7.042 Iconografie: fauna, dierenrijk, fabeldieren --- legendary beings --- misvormde dieren, mismaakte dieren; monsters --- samples --- monsters.
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Environmental planning --- Piranesi, Giovanni Battista --- Cities and towns in art. --- Piranesi, Giovanni Battista, --- Cities and towns in art --- Piranesi, Giovanni Battista 1720-1778 (°Mogliano, Mestre, bij Venetië, Italië) --- Grafiek ; etsen ; 18de eeuw ; G.P. Piranesi --- Stedenbouw ; architectuur ; visionaire ; bizarre --- Architectuur ; fantastische --- Stadsgezichten ; plattegronden ; Rome --- Villages in art --- Architecture --- Neoclassical --- architecture [discipline] --- Italy --- 72.07 --- Gevangenissen --- Kunst en illusie --- Architecten. Stedenbouwkundigen A - Z --- Piranesi, Giambattista --- Piranèse --- Criticism and interpretation. --- CDL --- 76.071 PIRANESI
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Cameos --- Mythology, Classical, in art --- Gems --- Glyptics --- Jewelry --- Portraits on gems --- Prices --- Applied arts. Arts and crafts --- cameos [sculptures] --- myths [literary documents] --- myths
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