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tapestries --- wandtapijten --- Applied arts. Arts and crafts --- anno 1400-1499 --- anno 1500-1599 --- Flanders --- Tapestry --- Tapisserie --- History --- Histoire --- Filips II (Koning van Spanje) --- Karel V (Keizer van het Heilig Roomse Rijk) --- Bourgondië --- Vlaanderen --- 745.522 --- 746.034 --- Tapijten ; Vlaamse wandtapijten ; 15de en 16de eeuw --- Textielkunst ; Vlaanderen ; Renaissance --- Vlaamse weefcentra ; Doornik ; Brussel --- Tapijtkunst. Tapisserie. Gobelins --- Textielkunst ; Renaissance. Barok. Rococo --- Exhibitions --- 745.522 Tapijtkunst. Tapisserie. Gobelins --- Filips II (Koning van Spanje). --- Karel V (Keizer van het Heilig Roomse Rijk). --- Bourgondië. --- Vlaanderen. --- #GGSB: Kunst --- Tapestry [Flemish ] --- Catalogs --- Belgium --- Ghent (Belgium) --- Filips --- Karel --- wandtapijt --- Kunst --- wandtapijten.

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Geschiedenis van de stad - Groei, bloei en teloorgang van de wandtapijtennijverheid - De merken, de boorden, de ontwerpen - Iconografische thema's - 25 jaar restauratieatelier - Kleurenanalyse op Oudenaardse wandtapijten

tapestries --- decorative arts --- toegepaste kunsten --- wandtapijten --- Applied arts. Arts and crafts --- anno 1500-1799 --- Oudenaarde --- History --- Catalogues d'expositions --- Flandre orientale --- Kunstnijverheid --- Métiers d'art --- Oost-Vlaanderen --- Tentoonstellingscatalogi --- 745.522 --- #A0005A --- 625.4 Toegepaste kunst --- Tapijten ; wandtapijten ; Oudenaarde ; 16de tot 18de eeuw --- 746.3 --- (069) --- #gsdbA --- 746.39493 --- Tapijtkunst. Tapisserie. Gobelins --- Textielkunst ; borduurwerk --- (Musea. Collecties) --- Arts Textile Tapestries Belgium --- 745.522 Tapijtkunst. Tapisserie. Gobelins --- decorative arts [discipline] --- geschiedenis --- iconografie --- restauratie --- conservatie --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Zuidelijke Nederlanden. --- Oudenaarde.

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textilia --- vloertapijten --- wandtapijten --- 1915 - 1930 --- Amsterdam --- Textielkunst ; Amsterdamse School ; 1915-1930 --- Tentoonstellingscatalogi ; Tilburg ; Nederlands Textielmuseum --- 746.037 --- (069) --- Textielkunst ; 1900 - 1950 --- (Musea. Collecties) --- Exhibitions --- tapisserie --- Amsterdamse school (Architecture) --- Textile design --- Textile fabrics --- Cloth --- Fabrics --- Textile industry and fabrics --- Textiles --- Influence --- History --- textilia (objectnaam) --- vloertapijt --- Architecture --- Decorative arts --- Dry-goods --- Weaving --- Textile fibers --- Decoration and ornament --- Design --- Textile industry

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Catalogues d'expositions --- Tapisserie d'art --- Tentoonstellingscatalogi --- Wandtapijtkunst --- Tapestry, Flemish --- Tapestry --- Tapestry, Renaissance --- Virtues in art --- Tapisserie --- Van Aelst, Pierre --- 17e siècle --- Tapisserie de la Renaissance --- Los Honores (tapisserie) --- -Tapestry, Flemish --- -Tapestry, Renaissance --- -Virtues in art --- Academic collection --- Tapijten ; wandtapijten ; Vlaanderen ; 16de eeuw --- Wandtapîjten ; Los Honores ; voor Keizer Karel --- 746.1 --- (069) --- Renaissance tapestry --- Fiber sculpture --- Tapestries --- Decorative arts --- Interior decoration --- Needlework --- Textile fabrics --- Wall hangings --- Textielkunst ; weven --- (Musea. Collecties) --- Patrimonio Nacional --- National Heritage (Spain) --- Patrimonio Nacional (Spain) --- PN (Patrimonio Nacional) --- Spain. --- Vertus dans l'art --- Exhibitions. --- Exhibitions --- Expositions --- Exposition --- Honores (Tapestries) --- Honour of nobility --- Tapestry [Renaissance ] --- Belgium --- Tapestry [Flemish ] --- Spain --- Kings and rulers --- Art patronage --- Patrimonio nacional de España (Madrid) --- Charles V --- Art --- Applied arts. Arts and crafts --- allegory [artistic device] --- tapestries --- Aelst, Pieter I van --- Charles V [Holy Roman emperor] --- Patriomonio Nacional [Madrid] --- anno 1500-1599 --- Flanders --- Tapestry, Flemish - Belgium - Brussels --- Tapestry - Spain - Madrid --- Tapestry, Renaissance - Belgium - Brussels --- vorstenspiegel

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In 'Underneath the Shade We Lay Grounded', Otobong Nkanga interweaves various forms of installations, sculptures, drawings, tapestries, performance and poetry to create sensory encounters and multi-layered intersections. Concepts such as identity, globalisation, transformation, exploitation of the landscape and raw materials as symbols for territory, power and conflict are central. With text contributions by Koyo Kouoh, Executive Director and Chief Curator of the Zeitz Museum of Contemporary Art Africa in Cape Town, Omar Kholeif, Director of Collections and Senior Curator at Sharjah Art Foundation, and Shela Sheikh. Michel Dewilde, curator of contemporary art at Bruges Museums, and Jan Dumolyn, professor of medieval history at Ghent University and co-curator of the exhibition Van Eyck. An Optical Revolution, have also contributed text.

kunst --- eenentwintigste eeuw --- Nkanga Otobong --- installaties --- textielkunst --- wandtapijten --- schilderkunst --- België --- Nigeria --- 7.071 NKANGA --- Art --- drawings [visual works] --- sculpture [visual works] --- installations [visual works] --- religions [belief systems, cultures] --- fiber art --- tapestries --- assemblages [archaeological artifacts] --- texts [documents] --- spices --- #breakthecanon --- Nkanga, Otobong --- 7.07 --- Nkanga, Otobong °1974 (°Kano, Nigeria). Woont en werkt in Antwerpen, België --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Vrouwelijke kunstenaars --- assemblages [sculpture] --- spiritualiteit