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Book
Dom Hans van der Laan : Tomelilla : architectural theory in practice
Authors: --- ---
ISBN: 9789461400000 9461400004 Year: 2016 Publisher: Amsterdam : Architectura & Natura Press,

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Abstract

This volume comprises an extremely accurate case study of Mariavall, a Benedictine abbey in Tomelilla, Sweden, wherein monk, architect and theorist Dom Hans van der Laan examines the building, unravelling the design process in a step-by-step, detailed analysis, the likes of which have never before been published. Prior to his death, Van der Laan garnered worldwide acclaim for his comprehensive architectural theory, which has been translated into several languages and presents a doctrine of connections in the design of architectonic space.


Book
Architectuur : modellen en meubels : een tentoonstelling ontworpen door Dom Hans Van der Laan.
Author:
ISBN: 9090002960 Year: 1982 Publisher: Lemiers Abdij Sint Benedictusberg


Book
Dom Hans van der Laan : works and words.
Authors: ---
ISBN: 9789461400192 9461400195 Year: 2011 Publisher: Amsterdam Architectura & Natura

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Présentation des travaux (monastères, couvents...) et des écrits de Hans van der Laan dans lesquels celui-ci a exposé sa conception de l'architecture (relations entre l'action technique de construire et notre espace environnant).


Book
Gebouwen van het plastische getal : een lexicon van de 'Bossche School'
Authors: ---
ISBN: 9789051050431 9789051050424 Year: 2010 Publisher: Haarlem Architext

Dom Hans van der Laan : works and words.
Authors: ---
ISBN: 9076863059 9789076863054 Year: 2001 Publisher: Amsterdam Architectura & Natura

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Works and words présente l’ensemble de l’œuvre, de la vie et des travaux de l’architecte, théoricien et designer néerlandais Dom Hans van der Laan (1904 – 1991) de manière structurée. Ses bâtiments tels que la chapelle de Helmond, l’abbaye Saint-Benoît de Vaals, la maison de l’aiguille à Best et une autre de ses conceptions bien connues (étrangères) sont largement discutés et illustrés de dessins originaux et de photos inédites. Le livre accorde également beaucoup d’attention aux dessins de meubles, d’objets liturgiques et de vêtements de Van der Laan. En outre, les publications théoriques du livre comprennent Architectonic Space, Liturgy and Architecture et the Instruments of Order.


Book
Dom Hans van der Laan : a house for the mind: a design manual on Roosenberg Abbey
Authors: --- ---
ISBN: 9789492567031 9492567032 Year: 2017 Publisher: Antwerp Flanders Architecture Institute

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In 1977, the Benedictine monk and architect Dom Hans van der Laan (1904-1991) published his manifesto Architectonic Space, Fifteen Lessons on the Disposition of the Human Habitat. Seeking out to capture the essence of spatial experience as a foundation for architecture, he developed a design methodology through his own proportional system of the 'Plastic Number'. Around that same period, Dom van der Laan built Roosenberg Abbey in Waasmunster for the Marian Sisters of St.-Francis. And while his theories remain fairly abstract, this building demonstrates the concrete use of proportion, materiality and light in relation to perception and movement in space. Moreover, this building is designed to guide the inhabitant into contemplation, intensity and stillness. This manual is an introduction to Dom van der Laan's design methodology, as he applied it to Roosenberg Abbey. Original drawings are combined with explanatory diagrams, complemented by nine original letters from the architect to the Sisters as well as a series of photographs by Friederike von Rauch, to offer an in-depth reading of this building on different levels.


Book
De architectonische ruimte : vijftien lessen over de dispositie van het menselijk verblijf
Author:
ISBN: 9004069623 Year: 1983 Publisher: Leiden E.J. Brill

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"In dit boek wordt de architectuur niet beschouwd als een autonoom verschijnsel en ook niet in haar relaties tot alle mogelijke andere voor haar bijkomstige gebieden van het menselijk leven, maar in haar fundamentele betrekking tot de natuur, die zij aanvult en uitdrukt. Ook de fenomenen binnen de architectuur zelf worden niet los van elkaar gezien of afhankelijk van bijkomstige motieven, maar in hun wezenlijke onderlinge relaties: de ruimte binnen het huis tot de ruimte buiten, de vorm van de wand tot de vorm van de ruimte binnen, de grootte van de lijn tot de grootte van het vlak en het volume. Tenslotte worden al deze fenomenen onderworpen aan een allesbeheersend getal waardoor het huis voor zijn bewoner niet alleen een materieel maar ook een geestelijk bezit wordt."


Book
Plastisch lexicon: een beknopte encyclopedie van de 'Bossche School'
Authors: ---
ISBN: 9051050186 Year: 1996 Publisher: Amsterdam Architectura & Natura


Multi
Between the lines and its margins ; Appendix A, B and C : spatial systematics in the work of Dom Hans van der Laan (1904-1991)
Authors: ---
ISBN: 9789460187063 9460187064 Year: 2013 Publisher: Leuven Katholieke Universiteit Leuven

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In 1977 the Benedictine monk and architect Dom Hans van der Laan (1904-1991) publishes his book De Architectonische Ruimte. Vijftien Lessen over de Dispositie van het Menselijk Verblijf [Architectonic Space, fifteen lessons on the disposition of the human habitat]. It is an amplification of his first book Le nombre plastique. Quinze leçons sur lordonnance architectonique [Het plastische getal. Fifteen lessons on architectonic ordinance], an architectural theory and design manual published in 1960. As the introduction of Le nombre plastique explains, Van der Laan aims to restore, in all its objectivity, the fundamental and intrinsic architectural laws. The design methodology that he presents in order to achieve these laws in the building practice is based on the discernment, the human ability to differentiate sizes. It evolves around the concept of the margin, the boundary of the differences that only just can be perceived as a building stone for architecture. Besides this theory, Dom van der Laan develops a personal architectural style, which can best be described as elementary architecture. He regards his own realizations as specimen of his architectural theory and although his production is rather limited, only four convents and a house, it formulates a tangible and concrete background for his architectural doctrine.This research provides an in-depth understanding of Van der Laans architectural theory and its practical application, through a contextual and historical approach. It is conducted on two different levels, resulting in two interwoven, dialectic parts. The first approach focuses on the genealogy and evolution, as well as the historiography, of the work of Dom Hans van der Laan. What are his motivations? What is the context in which the work can be situated? What are the relevant influences that shaped Van der Laans own thoughts? Why this central focus on the proportional system of the 'plastic number' and how is this more than a mere formal aesthetics? Through the analysis of drawings, unpublished source material and his personal correspondence, the intrinsic relation between Van der Laans motivations and main sources, his teaching and realizations is mapped out. It shows how the hierarchical deep-level structure that Van der Laan is searching for, grows from his Benedictine and architectural background.The second approach focuses on the actual practical application of the plastic number in Van der Laans work. How does his design methodology feed into his design practice? What is the ground for his elementary architecture? Interwoven with the historical reconstruction of the first approach, this part is conceived as an annotated catalogue. As a red thread on Dom van der Laans design methodology and its application, it historically maps all of his design sketches, analytical diagrams, abstract models and realized projects. As such, it gives a clear account on the evolution of Van der Laans design methodology and how it actually works. It shows how his abstract archetypal models evolve into patterns and formulas that feed into his own elementary architecture. It explains Van der Laans main concepts of 'the margin', 'the plastic number' and of 'architectonic space', which intertwines 'mutual nearness' and 'dynamic superposition'. As such, it provides an all-comprising design manual on the methodology of architect

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