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One of the most frequently performed contemporary composers, Arvo Pärt has become a phenomenon whose unusual reach is felt well beyond the concert hall. This ground-breaking collection of essays investigates both the causes and the effects of this success. Beyond the rhetoric of 'holy minimalism' that has accompanied the composer's reception since the mid-1980s, each chapter takes a fresh approach toward understanding how Pärt's music has occupied social landscapes. The result is a dynamic conversation among filmgoers (who explore issues of empathy and resemblance), concertgoers (commerce and art), listeners (embodiment, healing and the role of technology), activists (legacies of resistance) and performers (performance practice). Collectively, these studies offer a bold and thoughtful engagement with Pärt as a major cultural figure and reflect on the unprecedented impact of his music.
Music --- Motion picture music --- History and criticism. --- Pärt, Arvo --- Pjārts, Arvo --- Pi︠a︡rt, Arvo --- Pärt, A. --- Paert, Arvo Augustovich --- Pyart, Arvo --- Criticism and interpretation.
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Political parties --- Fidesz-Magyar Polgári Párt. --- Jobbik Magyarországért Mozgalom. --- Hungary --- Politics and government
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Statistically the most performed and listened to contemporary composer in the world, Arvo Pärt is a musical and cultural phenomenon. This book is an essential resource for anyone interested in his extraordinarily innovative and uniquely appealing music. Andrew Shenton surveys the full scope of Pärt's oeuvre, providing context and chronological continuity while concentrating in particular on his text-based music, analysing and describing individual pieces and techniques such as tintinnabulation. The book also explores the spiritual and theological contexts of Part's creativity, and the challenges of performing his work. This volume is the definitive guide for readers looking to engage with the form, content, and context of Pärt's compositions, as Shenton situates Pärt in the narrative of metamodernism and suggests new ways of understanding this unique and beautiful music.
Choral music --- Choruses --- Choruses, Sacred --- Choruses, Secular --- Music, Choral --- Sacred choral music --- Secular choral music --- Church music --- Music --- Vocal music --- History and criticism --- Pärt, Arvo --- Pärt, Arvo. --- Pjārts, Arvo --- Pi︠a︡rt, Arvo --- Pärt, A. --- Paert, Arvo Augustovich --- Pyart, Arvo --- Criticism and interpretation.
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This book examines the crisis of democracy in Hungary since the election of the Fidesz government in 2010. It argues that Fidesz seeks to challenge the capitalist and democratic transformation that shaped Hungary after the fall of communism by increasing the power of the state over crucial aspects of the economy, society, and the political system.
Democracy --- Fidesz-Magyar Polgári Párt. --- Hungary --- Politics and government
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Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. This text focuses on the representational dimensions of Pärt's music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies?
Composers --- Sound --- Music --- Silence in music. --- Religious aspects. --- Pärt, Arvo --- Criticism and interpretation.
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Die Pfeilkreuzlerbewegung in Ungarn: Historischer Kontext, Entwicklung und Herrschaft
Fascism --- -Neo-fascism --- Authoritarianism --- Collectivism --- Corporate state --- National socialism --- Synarchism --- Totalitarianism --- Szalasi, Ferenc --- Hungary --- Politics and government --- -Fascism --- -Szalasi, Ferenc --- Szálasi, Ferenc, --- Nyilaskeresztes Párt --- History. --- Neo-fascism --- Nyilaskeresztes Párt Hungarista Mozgalom --- Arrow Cross Party --- Pfeilkreuzler --- Magyar Nemzeti Szocialista Párt
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Communism and Nationalism in Colonial India, 1939-45 is an incisive and. original contribution to our understanding of the Communist Party of India`s approach. towards the Indian national movement and British colonialism from 1939 to 1945. Based on extensive use of archival material, private papers and rare documents,. the book is a critique of both the official CPI line as well as its detractors`. opinions about the Party`s role in the said period. It analyses in detail both. points of view with regard to why the CPI failed to expose what it termed as. the `betrayal` of the `bourgeois nationa
Communism --- Nationalism --- History. --- Communist Party of India --- Communist Party of India (Marxist) --- Yin-tu kung chʻan tang --- Indian Communist Party --- Kommunisticheskai︠a︡ partii︠a︡ Indii --- Bhāratīya Kamyunisṭa Pārtī --- Kommunistische Partei Indiens --- Bhārata Kamiunist̲a Pārt̲ī --- CPI --- Hindūstānī Kamyūnisṭ Pārṭī --- Sāmyavādī Pārṭī --- Samyvadi Parti --- India --- Politics and government
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It seldom happens that the story of an individual becomes so intertwined with the cause she or he stands for that it becomes impossible to separate the one from the other. Kanu Sanyal's is one such rare story: to read it is to relive the history of the Naxalite Movement, which the Indian establishments call the country's biggest internal security threat.This book narrates the making of Kanu Sanyal right from his childhood to the days of the Naxalbari uprising and beyond. It delves deep into Sanyal's evolution as a Communist rebel and throws light on the various stages of the Naxalite Movement
Communists --- Naxalite movement. --- Communism --- History. --- Sanyal, Kanu, --- Kanu Sanyal, --- Kānusanyāl, --- Communist Party of India. --- Communist Party of India (Marxist) --- Yin-tu kung chʻan tang --- Indian Communist Party --- Kommunisticheskai︠a︡ partii︠a︡ Indii --- Bhāratīya Kamyunisṭa Pārtī --- Kommunistische Partei Indiens --- Bhārata Kamiunist̲a Pārt̲ī --- CPI --- Hindūstānī Kamyūnisṭ Pārṭī --- Sāmyavādī Pārṭī --- Samyvadi Parti --- India --- Politics and government
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This eBook is a collection of articles from a Frontiers Research Topic. Frontiers Research Topics are very popular trademarks of the Frontiers Journals Series: they are collections of at least ten articles, all centered on a particular subject. With their unique mix of varied contributions from Original Research to Review Articles, Frontiers Research Topics unify the most influential researchers, the latest key findings and historical advances in a hot research area! Find out more on how to host your own Frontiers Research Topic or contribute to one as an author by contacting the Frontiers Editorial Office: frontiersin.org/about/contact
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Figure marquante du théâtre de langue anglaise, George Bernard Shaw suscite de nouveau l’intérêt en France après avoir été quelque peu oublié depuis sa mort. La désaffection passagère pour son théâtre s’expliquait sans doute par la prédominance d’un cliché qui voudrait qu’humour et futilité soient indissociables. Cet ouvrage, en offrant une série de regards croisés sur l’œuvre, tente de lever quelques malentendus, sans négliger la spécificité théâtrale de ses écrits. En outre, il donne indirectement la parole à l’auteur, dans son rôle de critique cette fois. Des comptes rendus, consacrés à Ibsen, Maeterlinck, Rostand ou Musset - qui furent publiés à l’origine dans la Saturday Review - permettront de situer George Bernard Shaw dans un domaine qui dépasse son œuvre dramatique personnelle, en montrant que sa contribution à l’histoire du théâtre passait également par un rôle essentiel, celui d’un critique éclairé qui vivait le théâtre avec passion.
English --- Languages & Literatures --- English Literature --- Shaw, Bernard, --- Criticism and interpretation. --- Birnārd Shū, --- Shū, Birnārd, --- Hsiao, Po-na, --- Shou, Dzhordzh Bernard, --- Corno di Bassetto, --- Bassetto, Corno di, --- Fellow of the Royal Society of Literature, --- Shou, Bernard, --- Shaw, George Bernard, --- Shaw, G. B. --- Shō, Bānādo, --- Shiyou, Baanādo, --- Shaw, G. Bernard --- Pern̲āṭṣā, --- Pern̲ārṭuṣā, --- Cā, Pern̲āṭ, --- Ṣā, Pern̲ārṭ, --- Ṣā, Jārj Pern̲ārṭu, --- Шоу, Джордж Бернард, --- שאו, בערנארד --- שאו, בערנארד, --- שאו, ברנארד, --- שאו, ברנארד --- שאו, ברנרד --- שאו, ג׳ורג׳ ברנרד --- شو، برنارد، --- littérature irlandaise --- Londres --- socialisme --- théâtre --- Irlande
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