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Le champ des arts, des lettres et des médias propose de multiples formes de reprise, de la citation au remix, de l’imitation au remake, de l’adaptation au détournement, du réemploi au recyclage. Ces objets et ces actes posent toujours de nombreux problèmes philosophiques, esthétiques et communicationnels, car la reprise instaure une relation interhumaine entre celui qui prend et celui à qui l’on prend.

Répétition (esthétique) --- Répétition (philosophie) --- Repetition (Philosophy) --- Repetition (Aesthetics) --- Répétition (esthétique) --- Répétition (philosophie) --- Art --- Philosophy --- Cultural studies --- Film Radio Television --- esthétique --- art vivant

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When students read Difference and Repetition for the first time, they face two main hurdles: the wide range of sources that Deleuze draws upon and his dense writing style. This Edinburgh Philosophical Guide helps students to negotiate these hurdles, taking them through the text step by step. It situates Deleuze within Continental philosophy more broadly and explains why he develops his philosophy in his unique way. Seasoned Deleuzians will also be interested in Somers-Hall's new, positive interpretation of Difference and Repetition .

Difference (Philosophy) --- Repetition (Philosophy) --- Philosophy --- Deleuze, Gilles,

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Providing a stimulating, new perspective on early modern culture, the collection describes repetition's often peculiar demands, its surprising gratifications, and its contested interpretations.

Repetition (Aesthetics) --- Repetition (Philosophy) --- Repetition in literature. --- Repetition in music. --- Humanities --- Learning and scholarship --- Classical education --- Composition (Music) --- Literary style --- Philosophy --- Aesthetics --- History --- Somerset (England) --- Sources. --- Somerset, Eng. --- Somersetshire (England)

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"Music abounds in twentieth- century Irish literature. Whether it be the "thought-tormented" music of Joyce's "The Dead", the folk tunes and opera that resound throughout Ulysses, or the four- part threnody in Beckett's Watt, it is clear that the influence of music on the written word in Ireland is deeply significant. Samuel Beckett arguably went further than any other writer in the incorporation of musical ideas into his work. Musical quotations inhabit his texts, and structural devices such as the da capo are metaphorically employed. Perhaps most striking is the erosion of explicit meaning in Beckett's later prose brought about through an extensive use of repetition, influenced by his reading of Schopenhauer's philosophy of music. Exploring this notion of "semantic fluidity", John McGrath discusses the ways in which Beckett utilised extreme repetition to create texts that operate and are received more like music. Beckett's writing has attracted the attention of numerous contemporary composers and an investigation into how this Beckettian "musicalised fiction" has been retranslated into contemporary music forms the second half of the book. Close analyses of the Beckett- inspired music of experimental composer Morton Feldman and the structured improvisations of avantjazz guitarist Scott Fields illustrate the cross- genre appeal of Beckett to musicians, but also demonstrate how repetition operates in diverse ways. Through the examination of the pivotal role of repetition in both modernist music and literature of the twentieth century, John McGrath's book is a significant contribution to the field of Word and Music Studies."--Provided by publisher

Music and literature. --- Music --- Repetition in literature. --- Repetition in music. --- History and criticism. --- Beckett, Samuel, --- Criticism and interpretation. --- Beckett, Samuel

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"From the Tin Pan Alley 32-bar form, through the cyclical forms of modal jazz, to the more recent accumulation of digital layers, beats, and breaks in Electronic Dance Music, repetition as both an aesthetic disposition and a formal property has stimulated a diverse range of genres and techniques. From the angles of musicology, psychology, sociology, and science and technology, Over and Over reassesses the complexity connected to notions of repetition in a variety of musical genres. The first edited volume on repetition in 20th- and 21st-century popular music, Over and Over explores the wide-ranging forms and use of repetition from large repetitive structures to micro repetitions in relation to both specific and large-scale issues and contexts. The book brings together a selection of original texts by leading authors in a field that is, as yet, little explored. Aimed at both specialists and neophytes, it sheds important new light on one of the fundamental phenomena of music of our times."--Bloomsbury Publishing.

MUSIC --- Popular music --- Repetition in music. --- Instruction & Study --- Theory. --- Philosophy and aesthetics. --- Composition (Music) --- Aesthetics