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Print Media --- Visual Arts --- Art, Architecture & Applied Arts --- Taylor, Prentiss, --- Catalogues raisonnés.

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An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM.The earliest traceable accounts of the AIDS outbreak in Spain began to emerge during its political transition to democracy, with small clusters of cases appearing as early as 1981. HIV/AIDS would go on to shape Spain throughout its pivotal period as a fledgling democracy, underpinning the cultural explosions of the Movida, a sharp rise in intravenous drug use, and the struggles of a coalescing LGBT+ community. Feeling Sick: The Early Years of HIV/AIDS in Spain examines the cultural history of these early years of HIV/AIDS in Spain as it has been told through television and print media, ephemeral products of visual culture, fiction film, and the so-called risk groups that lived through the epidemic. The book draws on the work of Raymond Williams to characterize this emergent period within a structure of "feeling sick" and thus defined by discordant voices, disagreement, and meaning-making in a period of history in formation. Through close readings of Spanish visual culture and media alongside analysis of historical and medical documents, it asserts that a structure of feeling sick begins to coalesce around the emergence of HIV/AIDS and traces out a distinctive sense of living through history as it unfolds. By critically evaluating a selection of cultural materials, this book claims that the earliest years of the HIV/AIDS epidemic in Spain reveal common fears about global connectivity, the proliferation of vulnerable ties to others, and the potential of cultural and physical contaminations. Ultimately, Feeling Sick challenges the dominant narratives in which life and disease are seen as separate and unequal, and in which illness is only destructive and devastating.

HIV/AIDS --- Spain --- cultural history --- television --- print media --- visual culture --- film --- HIV/AIDS in Spain --- capitalism --- epidemic --- illness --- contemporary Spain --- LGBTQ --- HIV --- AIDS

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"This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research."--Publisher's description

Prints --- Print making --- Printmaking --- Technique. --- Prints. --- Fine prints --- Graphic arts --- Printmakers. --- ART / Techniques / Printmaking. --- DESIGN --- CRAFTS & HOBBIES --- ART --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Creation (Literary, artistic, etc.) --- Print makers --- Artists --- Graphic Arts --- General. --- Printmaking. --- Techniques --- Art, Primitive --- art history. --- contemporary print. --- criticism and theory. --- print media. --- printmaking.

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Many of American journalism's best-known and most cherished stories are exaggerated, dubious, or apocryphal. They are media-driven myths, and they attribute to the news media and their practitioners far more power and influence than they truly exert. In Getting It Wrong, writer and scholar W. Joseph Campbell confronts and dismantles prominent media-driven myths, describing how they can feed stereotypes, distort understanding about the news media, and deflect blame from policymakers. Campbell debunks the notions that the Washington Post's Watergate reporting brought down Richard M. Nixon's corrupt presidency, that Walter Cronkite's characterization of the Vietnam War in 1968 shifted public opinion against the conflict, and that William Randolph Hearst vowed to "furnish the war" against Spain in 1898. This expanded second edition includes a new preface and new chapters about the first Kennedy-Nixon debate in 1960, the haunting Napalm Girl photograph of the Vietnam War, and bogus "ations driven by the Internet and social media.

Journalistic ethics --- Journalism --- Press and politics --- Sensationalism in journalism --- Writing (Authorship) --- Literature --- Publicity --- Fake news --- Sensationalism in newspapers --- Professional ethics --- History --- Objectivity --- Social aspects --- Moral and ethical aspects --- #KVHA: Journalistiek --- #KVHA: Mythevorming --- #KVHA: Desinformatie --- 1960s. --- academic. --- american media. --- debates. --- digital age. --- famous journalists. --- famous stories. --- internet. --- journalism. --- journalistic integrity. --- kennedy. --- media. --- myth. --- napalm girl. --- news media. --- news. --- policy. --- political. --- print journalism. --- print media. --- public opinion. --- reporting. --- research. --- richard nixon. --- scholarly. --- social media. --- stereotypes. --- true stories. --- truth. --- vietnam war. --- walter cronkite. --- wartime. --- washington post. --- watergate. --- william randolph hearst.

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From David Livingstone to Charles de Foucauld, from Pierre Savorgan de Brazza to General Gordon, from the 'Sirdar' Kitchener to Jean-Baptiste Marchand, imperial heroes came to captivate the imagination of their contemporaries. These standard-bearers of the 'civilising mission', armed with Bible or rifle, often both, became widely celebrated in their metropoles, with their exploits splashed across the front pages of the penny press, inspiring generations of biographers, painters and, later, film-makers. Coinciding with the advent of 'New Journalism', they embodied the symbolic implementation of the colonial project and performed a highly mythologised meeting between conquerors and conquered, nurturing imperial pride. Berny S{grave}ebe explores in comparative perspective the ways in which heroes of the British and French empires in Africa were selected, manufactured and packaged from the height of 'New Imperialism' until the Second World War. He uncovers the media processes and publishing stories behind the legends of a dozen imperial heroes on both sides of the Channel, offering a comprehensive analysis of a phenomenon which was at the heart of popular imperialism. For all their now-transparent biases and shortcomings, these icons of a bygone age provide us with a fascinating insight into the mechanisms of hero-making in late nineteenth and early twentieth-century Britain and France. They also throw light upon the imperial mind-set, and the story of the interests they served help explain why their epic legends permeate - perhaps even to this day - national identities.

History of civilization --- History of the United Kingdom and Ireland --- History of France --- anno 1800-1999 --- Imperialism in popular culture --- Heroes --- Heroism --- Persons --- Antiheroes --- Apotheosis --- Courage --- Popular culture --- History --- Press coverage --- France --- Great Britain --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- Colonies --- Colonialism & Imperialism. --- HISTORY / Europe / Great Britain. --- Colonialism & imperialism --- European history --- African colonies. --- Blackwood Publishers. --- British imperialism. --- French imperialism. --- George Warrington Steevens. --- Kitchener legend. --- Marchand legend. --- With Kitchener to Khartoum. --- audiovisual media. --- embodied values. --- imperial heroes. --- print media. --- public presence.