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Postcards are often bought quickly and disposed of without much thought. Artists' postcards, however, from the 1960s onwards, are a significant part of the history of contemporary art. The ready familiarity of a tourist postcard means it has rich potential to be subverted, with recognizable images appropriated or manipulated for political, satirical, revolutionary or playful intent. The only requirement is that it fits through a letterbox and, unlike traditional works of art, requires nothing more than a stamp for it to be seen on the other side of the world. Being made of everyday material, postcards invite handling, ask to be included in our lives, picked up, turned over and shown to friends. The inexpensiveness of production encourages artists to experiment with their design.
Postcards --- Postcards as art material --- kunst --- 7.038/039 --- artists' books --- kunstenaarsboeken --- mail art --- prentkaarten --- postkaarten --- eenentwintigste eeuw --- twintigste eeuw --- Artists' materials --- Cards, Postal --- Picture postcards --- Post cards --- Postal cards --- Postal stationery --- History --- Exhibitions --- 769.3 --- 769.3 Prentenverzamelingen: gelegenheidsgrafiek; kalenders; diploma's; prentkaarten; ephemera --- Prentenverzamelingen: gelegenheidsgrafiek; kalenders; diploma's; prentkaarten; ephemera --- Art --- picture postcards --- artists' publications
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Postcards --- United States --- Pictorial works --- Introd. par Michel Deguy --- fotografie --- Verenigde staten --- twintigste eeuw --- 77.036.1 --- Cards, Postal --- Picture postcards --- Post cards --- Postal cards --- Postal stationery --- Pictorial works. --- Description and travel --- Postcards - United States --- United States - Pictorial works
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In Open Letters, the most comprehensive study of Russian picture postcards to date, Alison Rowley uses this medium to explore a variety of aspects of Russian popular culture.
Postcards --- Cards, Postal --- Picture postcards --- Post cards --- Postal cards --- Postal stationery --- History. --- Social aspects --- Russia. --- 1917 --- Rosja --- Rossīi︠a︡ --- Rossīĭskai︠a︡ Imperīi︠a︡ --- Ṛusastan --- Russian Empire --- Russie --- Russland --- Russia
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This provides a commentary on images, specifically on a series of French postcards depicting mainly eroticized "scenes from Algerian life" under colonial rule during the first three decades of this century (which Alloula calls the "Golden Age of the colonial postcard"). The aim is to address, to some extent create, a new audience, one capable of seeing through the immediate scene of the images in order to view the machinery of colonialism at work, behind the scene. Edward Said has cited The Colonial Harem as an "excellent example" of the kind of post-colonial text that "open[s] the [Western] culture to experiences of the Other which have remained 'outside' (and have been repressed or framed in a context of confrontational hostility) the norms manufactured by 'insiders' and that "[t]he pictorial capture of colonized people by colonizer" is made intelligible for an audience of modem European readers" ("Opponents, Audiences, Constituencies and Community"). This view, by no means unanimous,) is nonetheless roughly accurate in at least its most general point: Alloula does intend to bring the "outside" closer to the "inside" and, in doing so, to reverse the distinction by presenting not only a critique of political "capture," but a counter-image of resistance as well.
Harems --- Photography of women --- Postcards --- Women --- 77.041 --- CDL --- Harem --- Polygyny --- Cards, Postal --- Picture postcards --- Post cards --- Postal cards --- Postal stationery --- Social conditions --- Algeria --- Sociology of the family. Sociology of sexuality --- History of Africa --- anno 1900-1999
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Die Ansichtskarte ist ein Erfolgsmedium des 20. Jahrhunderts. Mit ihrer Beidseitigkeit von Text und Bild ist sie seit der Nachkriegszeit zur Ikone des modernen Massentourismus geworden. Den Gruß aus der Ferne mit Mitteilungen über das Erlebte zu verbinden, gehört seither zu den Alltagsritualen des Urlaubs. Aber was genau schreiben Menschen auf Ansichtskarten? Welche sprachlich-kommunikativen Muster des Urlaubsgrußes haben sich bewährt und wie haben sie sich im Laufe der Jahrzehnte verändert? Und droht die Ansichtskarte angesichts der Konkurrenz elektronischer Nachfolger auszusterben? Die Beiträger*innen des Bandes gehen diese Fragen unter korpus-, text- und kulturlinguistischen Gesichtspunkten empirisch nach.
Postcards --- LITERARY CRITICISM / European / German. --- History. --- Social aspects. --- Cultural History. --- Culture. --- German Literature. --- Greeting. --- Holidays. --- Image. --- Language. --- Linguistics. --- Literary Studies. --- Literature. --- Media. --- Text. --- Tourism. --- Cards, Postal --- Picture postcards --- Post cards --- Postal cards --- Postal stationery
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fotografie --- portret --- postkaart --- Portrait photography --- Postcards --- 77.041 --- collecties --- portretfotografie --- postkaarten --- twintigste eeuw --- verzamelingen --- Photography --- Portraiture --- Cards, Postal --- Picture postcards --- Post cards --- Postal cards --- Postal stationery --- Private collections --- Portraits --- Phillips, Tom, --- Phillips, Trevor Thomas, --- Art collections --- Great Britain --- Social life and customs --- Exhibitions
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Railroads --- Postcards --- Transportation Engineering --- Civil & Environmental Engineering --- Engineering & Applied Sciences --- Cards, Postal --- Picture postcards --- Post cards --- Postal cards --- Postal stationery --- Iron horses (Railroads) --- Lines, Railroad --- Rail industry --- Rail lines --- Rail transportation --- Railroad industry --- Railroad lines --- Railroad transportation --- Railway industry --- Railways --- Communication and traffic --- Concessions --- Public utilities --- Transportation --- Trusts, Industrial --- History --- Pictorial works. --- History. --- Pictorial works
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Art and popular culture --- Art and society --- Postcards --- 39 --- 77.01 --- Arcachon --- etnografie --- fotografie --- fotografietheorie --- Frankrijk --- postkaarten --- prentkaarten --- toerisme --- Art --- Art and sociology --- Society and art --- Sociology and art --- Popular culture and art --- Popular culture --- Cards, Postal --- Picture postcards --- Post cards --- Postal cards --- Postal stationery --- Themes, motives --- Social aspects --- Postcards - France - Themes, motives --- Art and popular culture - France --- Art and society - France
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"Examines postcards as images that are carriers of text, and textual correspondence that circulate images across boundaries of class, gender, nationality and race. Discusses issues concerning the concrete practices of production, consumption, collection and appropriation"
769.3 --- twintigste eeuw --- fotografie --- postkaarten --- fotomontage --- stadsfotografie --- Parijs --- Amsterdam --- Grosz George --- Heartfield John --- Marc Franz --- Lasker-Schüller Else --- Eluard Paul --- Evans Walker --- landsschapsfotografie --- propaganda --- verzamelingen --- collecties --- kolonialisme --- Algerije --- Palestina --- Israël --- Hawaï --- 77.036 --- Postcards. --- Visual communication --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Cards, Postal --- Picture postcards --- Post cards --- Postal cards --- Postal stationery --- Prentenverzamelingen: gelegenheidsgrafiek; kalenders; diploma's; prentkaarten; ephemera --- Social aspects. --- 769.3 Prentenverzamelingen: gelegenheidsgrafiek; kalenders; diploma's; prentkaarten; ephemera --- Postcards --- Social aspects --- Graphics industry --- postal cards --- Mass communications
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Conceptual art --- Collage, Austrian --- Postcards --- Artists --- kunst --- West Franz --- 7.071 RYSLAVY --- concept art --- conceptuele kunst --- artists' books --- kunstenaarsboeken --- kunstmarkt --- kunst en economie --- twintigste eeuw --- eenentwintigste eeuw --- Oostenrijk --- Ryslavy Kurt --- Cards, Postal --- Picture postcards --- Post cards --- Postal cards --- Postal stationery --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Persons --- Ryslavy, Kurt, --- West, Franz, --- Art --- correspondence --- artists' books [books] --- collage [technique] --- West, Franz
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