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"This is photographer Feng Li's (generally known as 'free pig' in China) first monograph, with a selection of his color works shot from 2005 to 2015. The title comes from a sentence in Holy Bible, "By day they meet with darkness, and grope at noon as in the night." Statement by the photographer: "I don’t know whether they are photographic works, but they do present another sides of our reality. I can't explain them specifically, as I can't understand the world. The only thing I can tell is my questions. Most of the time I am the person who asks, and answers a question in front of me by asking a new. There is always a question mark following the answers. I can ask at any time with my camera. The seemingly calm world is torn by sharp flash, and deep shadows are left in the souls. The night outside my window is white as the day when the passengers walk in a hurry. This is my world, of white night."" -- Publisher's website.
Photobooks --- Street photography --- Night photography --- Li, Feng,
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"A diverse team of experienced scholars used a variety of methods and resources to reconstruct how ancient peoples experienced the night, their views of the dark, their portrayals of the night, and how people in everyday life adapted to the night "--Provided by publisher.
Antiquities, Prehistoric. --- Night --- Religious aspects. --- Social aspects.
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Light and darkness shape our perception of the world. This is true in a literal sense, but also metaphorically: in theology, philosophy, literature and the arts the light of day signifies life, safety, knowledge and all that is good, while the darkness of the night suggests death, danger, ignorance and evil. A closer inspection, however, reveals that things are not quite so clear cut and that light and darkness cannot be understood as simple binary opposites. On a biological level, for example, daylight and darkness are inseparable factors in the calibration of our circadian rhythms, and a lack of periodical darkness appears to be as contrary to health as a lack of exposure to sunlight. On a cultural level, too, night and darkness are far from being universally condemnable: in fiction, drama and poetry the darkness of the night allows not only nightmares but also dreams, it allows criminals to ply their trade and allows lovers to meet, it allows the pursuit of pleasure as well as deep thought, it allows metamorphoses, transformations and transgressions unthinkable in the light of day. But night is not merely darkness. The night gains significance as an alternative space, as an 'other of the day', only when it is at least partially illuminated. The volume examines the interconnection of night, darkness and nocturnal illumination across a broad range of literary texts. The individual essays examine historically specific light conditions in literature, tracing the symbolic and metaphoric content of darkness and illumination and the attitudes towards them.
Light and darkness in literature. --- Night in literature. --- Anglophone Literature. --- Illumination. --- Light. --- Night.
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For the first time in scholarly art history we can offer now a systematical overview on the representation of night in her manifold appearances and manifestations, attributes and connections covering the time from the Ancient Orient, the Greek, the Roman World Empire, Early Christian, Middle Ages and Renaissance up to the Baroque. Intended is a sequel from the Enlightenment and the Romantic Movement up to modern times. Despite arranging the subject-matter in historical sections according to their chronological order it was necessary to take a not one-sided approach and to cope with thorough studies of single phenomenons. Therefore, viewpoints from many neighbor fields influenced interpretation and analysis. Far beyond their aesthetical function representations of night are linked as well as to literature as to religious, philosophical, astrological and theological ideas, eg night ranked in ancient times as the very - feminine - origin of entity which from arose the masculine day. Various like her appearances are also her colors. The Baroque era did not connect the night with black or blue as earlier periods did but with brown instead. Night may show herself as personification or as "natural" night, for example, as a moon landscape. The oldest known Nachtstück, a fisherboat on a lake with reed and crescent, has been preserved on a pre-babylonian seal done in the beginning of the third millenium BC Night may symbolize the positive aspects of life, yet also stands for threatening powers (death , witchcraft, nightmare) and low instincts (base eroticism): Sometimes both is valid like in the case of sleep. Night and light belong together. In drawing from the shadow produced by a source of light in a dark room according to an old belief visual art came into existence. Among the newly acquired findings stands out the Nachtfleiß (diligence at night) which formed a much appreciated theme of pictures in the Renaissance. This means the nocturnal labor of princes, artists and scientists, who in burning the midnight oil rise above ordinary people. The study not only integrates into a survey many works of eminent artists but also investigates and explains with regard to specific categories dealing among others with Michelangelo ("… I am a child of night"), Raphael, El Greco, Rubens and Caravaggio. Additionally several hitherto little known or entirely neglected paintings, drawings, prints and sculptural works are widening the point of view. While project work still was in progress some possibilities of cooperation with relevant exhibitions and broadcasts were utilized. B.Borchhardt's catalog contributions ("Die Nacht", Munich 1998, "Nightscapes", Ulm 2001) summarize in due form the most important insights.
Night in art. --- Art, European --- Themes, motives. --- representation of night --- Darstellung der Nacht
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This book explores contemporary club and dance cultures as a manifestation of aesthetic and prosthetic forms of life. Rief addresses the questions of how practices of clubbing help cultivate particular forms of reflexivity and modes of experience, and how these shape new devices for reconfiguring the boundaries around youth cultural and other social identities. She contributes empirical analyses of how such forms of experience are mediated by the particular structures of night-clubbing economies, the organizational regulation and the local organization of experience in club spaces, the medi
Dance --- Nightclubs --- Nightlife --- Night life --- Amusements --- Manners and customs --- Clubs (Nightclubs) --- Clubs, Night --- Night clubs --- Night spots --- Nightspots --- Hospitality industry --- Dance and society --- Dancing and society --- Society and dance --- Social aspects.
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Architectural photography --- Night photography --- Photography, Artistic --- Lassée, Floriane de.
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Astronomical photography --- Night photography --- Folberg, Neil. --- Israel --- Sinai (Egypt)
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Night photography --- Photography, Artistic --- New York (N.Y.)
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