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"This book invites readers to think of Mediterranean cultures as interconnected worlds, seen in light of how they evolve, disappear, are reborn and perpetually transform. This perspective intends to build bridges between the Northern and Southern coasts of the sea in order to broaden and deepen our understanding of current evolutions in Mediterranean worlds, at the cultural, literary, artistic and geopolitical levels. As Paul Valéry suggested, we can consider this plural space from the perspective of the intense cultural, economic and human exchanges which have always characterized the Mare Nostrum. We can also consider Mediterranean worlds within an open enactive process, deeply exploring their evolution between nature and culture, examining the natural environment and the transforming relationships between humans and non-humans. The writers and researchers in Re-storying Mediterranean Worlds call for a dialog between the two coasts in order to connect what has been broken. In this volume, they highlight an intercultural and creolized conscience, traversing the Mediterranean worlds - including Italian, French and Tunisian cultures, but also migrations from, to and within the region - and transcending any idea of communitarian withdrawal. These essays express the urgent need to shift from an understanding of migration as suffering to the notion that mobility is an unalienable right, building foundations for a new idea of global citizenship."--
Intercultural communication --- Immigrants --- World citizenship. --- Literary Studies. --- European Literature (Lit Studies) --- Twentieth-Century Literature (Lit Studies) --- Literature and the Environment (Lit Studies) --- History. --- Mediterranean Region --- Mediterranean Region --- Mediterranean Region --- History. --- In literature. --- In art.
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"Theory in the "Post" Era brings together the work and perspectives of a group of Romanian theorists who discuss the morphings of contemporary theory in what the editors call the "post" era. Since the Cold War's end and especially in the third millennium, theorists have been exploring the aftermath - and sometimes just the "after" - of whole paradigms, the crisis or "passing" of anthropocentrism, the twilight of an entire ontological and cultural "condition," as well as the corresponding rise of an antagonist model, of an "anti," "meta," or "neo" alternative, with examples ranging from "posthumanism" and "post-postmodernism" to "post-aesthetics," "postanalog" interpretation or "digicriticism," "post-presentism," "post-memory," "post-" or "neo-critique," and so forth. It is no coincidence, the contributors to this volume argue, that this "post" moment is also a time when theory is practiced as a world genre. If theory has always been a "worlded" enterprise, a quintessentially communal, cross-cultural and international project, this is truer at present than ever. Perhaps more than other humanist constituencies, today's theorists work and belong in a theory commons that is transnational if still uneven economically, politically, and otherwise. Theory in the "Post" Era reports the results of Romanian theory experiments that join efforts made in other places to foster a theory for the "post" age."--
Romanian literature --- Literary Studies --- Literary Theory (Lit Studies) --- Comparative Literature (Lit Studies) --- History and criticism --- Theory, etc --- Philosophy --- Literary Studies. --- Theory, etc. --- Philosophy.
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"Beyond Safety argues that concerns about the ethical impossibility of individual safety in the face of risks with increasingly obvious global consequences alters representations of neoliberal contemporary life. As the climate crises in the Caribbean and Australia, ongoing European refugee and American border crises, and, most recently, anxieties about Coronavirus illustrate, contemporary life is characterized by global connections that produce and reflect precarious outcomes and dangers. The ability to ignore risk or shift it to others underscores the fact that it is mitigable for particular segments of society while inescapable for others. Emily Johansen investigates depictions of global danger and safety in contemporary transnational fictional and popular texts-those characterized by a narrative or representational emphasis on border crossing and global interdependences. She demonstrates how these texts use risk to question and re-imagine the norms and practices of contemporary global citizenship. Beyond Safety thus brings together three of the central keywords of contemporary literary criticism of the last ten years (cosmopolitanism, precarity, neoliberalism) and shows how their intersection allows for a fuller conception of contemporary life and imagines a new global future."--
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This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Colonialism, Culture, Whales: The Cetacean Quartet explores how our attitudes to whales, whale hunting, and whale watching expose colonial attitudes to the natural world in modern Western culture. Foraging across the disciplines and moving between ideas and methods drawn from postcolonial criticism, animal studies, and environmental humanities, the book critically examines the colonial histories of whaling, their legacies in contemporary tourism from whale-watching excursions to the performing orcas at SeaWorld, and cultural representations of anxieties about extinction in recent literature, television, and film. Extensively researched and engagingly written, the four essays that comprise The Cetacean Quartet should appeal to scholars in a number of different fields as well as to general readers interested in finding out more about our enduring, guilt-ridden fascination with one of the world's most iconic living creatures, the whale.
Whales. --- Whaling --- Whale watching. --- Whales --- Cetacea --- Watching whales --- Wildlife watching --- History. --- Conservation. --- Literary Studies --- African, Asian and Postcolonial Literatures (Lit Studies) --- Literature and the Environment (Lit Studies) --- Animals and Society (Anth) --- Monograph
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"From the trauma of September 11th, through the wars in Afghanistan and Iraq, to the aftermath of the Arab Spring and the environmental warning signs of climate change, this book reflects on the crises and terrifying events of the early 21st century and argues that a knowledge of tragedy from the works of Sophocles to Shakespeare to Samuel Beckett can help us understand them. Jennifer Wallace offers a cultural analysis of the tragic events of the past two decades with reference to a litany of key dramatic texts, including Aeschylus' Oresteia, Euripides' Hecuba, Iphigenia in Aulis, Trojan Women and Bacchae, Homer's Iliad, Ibsen's Emperor and Galilean and Enemy of the People, and Shakespeare's Julius Caesar, Macbeth and King Lear, among others."
Tragedy. --- Tragedy --- Tragic, The, in literature. --- European drama (Tragedy) --- Theatre History and Criticism --- Literary Genres --- Literary Studies --- Literature and Philosophy (Lit Studies) --- Drama & Performance Studies --- European Theatre --- History and criticism.
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The poems in Writing the Silences represent more than 60 years of Richard O. Moore's work as a poet. Selected from seven full-length manuscripts written between 1946 and 2008, these poems reflect not only Moore's place in literary history-he is the last of his generation of the legendary group of San Francisco Renaissance poets-but also his reemergence into today's literary world after an important career as a filmmaker and producer in public radio and television. Writing the Silences reflects Moore's commitment to freedom of form, his interest in language itself, and his dedication to issues of social justice and ecology.
Poetry. --- 20th century. --- american poetry. --- american poets. --- art and literature. --- aspiring writers. --- contemporary poetry. --- ecology. --- engaging. --- english majors. --- free form poetry. --- language and poetry. --- life questions. --- lit students. --- lit studies. --- literary criticism. --- literary critics. --- literary history. --- literary world. --- modern poetry. --- philosophy. --- poems. --- poetry collection. --- poetry movements. --- poets. --- realism. --- san francisco renaissance. --- san francisco. --- social justice. --- American poetry. --- American literature.
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Immanent Visitor is the first English-language translation of the work of Bolivia's greatest and most visionary twentieth-century poet. A poète maudit, Jaime Saenz rejected the conventions of polite society and became a monk in service of his own imagination. Apocalyptic and occult in his politics, a denizen of slum taverns, unashamedly bisexual, insistently nocturnal in his artistic affairs, and secretive in his leadership of a select group of writers, Saenz mixed the mystical and baroque with the fantastic, the psychological, and the symbolic. In masterly translations by two poet-translators, Kent Johnson and Forrest Gander, Saenz's strange, innovative, and wildly lyrical poems reveal a literary legacy of fierce compassion and solidarity with indigenous Bolivian cultures and with the destitute, the desperate, and the disenfranchised of that unreal city, La Paz.In long lines, in odes that name desire, with Whitmanesque anaphora, in exclamations and repetitions, Saenz addresses the reader, the beloved, and death in one extended lyrical gesture. The poems are brazenly affecting. Their semantic innovation is notable in the odd heterogeneity of formal and tonal structures that careen unabashedly between modes and moods; now archly lyrical, now arcanely symbolic, now colloquial, now trancelike. As Saenz's reputation continues to grow throughout the world, these inspired translations and the accompanying Spanish texts faithfully convey the poet's unique vision and voice to English-speaking readers.
Bolivian literature. --- Spanish Literature --- Romance Literatures --- Languages & Literatures --- Bolivian poetry. --- Bolivian literature --- Bolivian poetry --- Poetry, Bolivian --- POETRY / General. --- 20th century. --- Translations into English. --- anthology. --- apocalyptic. --- baroque. --- bisexuality. --- bolivia. --- bolivian cultures. --- bolivian poet. --- dramatic. --- english translation. --- famous authors. --- famous poets. --- international literature. --- la paz. --- lgbtq. --- lit scholars. --- lit students. --- lit studies. --- literary critics. --- lyrical poetry. --- modern art. --- modern poetry. --- mystical. --- occult. --- odes. --- poetry book. --- poetry collection. --- poetry textbook. --- poets. --- psychological. --- sexuality. --- spanish poetry. --- symbolic. --- visionary.
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"Collecting and recontextualizing writings from the last twenty years of John Cayley's research-based practice of electronic literature, Grammalepsy introduces a theory of aesthetic linguistic practice developed specifically for the making and critical appreciation of language art in digital media. As he examines the cultural shift away from traditional print literature and the changes in our culture of reading, Cayley coins the term "grammalepsy" to inform those processes by which we make, understand, and appreciate language. Framing his previous writings within the overall context of this theory, Cayley eschews the tendency of literary critics and writers to reduce aesthetic linguistic making - even when it has multimedia affordances - to "writing." Instead, Cayley argues that electronic literature and digital language art allow aesthetic language makers to embrace a compositional practice inextricably involved with digital media, which cannot be reduced to print-dependent textuality."--Bloomsbury Publishing.
Language arts. --- Art and technology. --- Technology and art --- Technology --- Communication arts --- Language arts --- Communication --- Study and teaching --- Technology general issues. --- Literature --- Hypertext literature. --- Digital media. --- Philosophy. --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Digital literature (Hypertext literature) --- Electronic literature (Hypertext literature) --- Literature and philosophy --- Philosophy and literature --- Theory --- Film & Media --- Literature, Media and Technology (Lit Studies) --- Media Theory (Film & Media) --- Digital Art and Media (Film & Media) --- Literary Studies
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The poet Miyazawa Kenji (1896-1933) was an early twentieth-century Japanese modernist who today is known worldwide for his poetry and stories as well as his devotion to Buddhism. Miyazawa Kenji: Selections collects a wide range of his poetry and provides an excellent introduction to his life and work. Miyazawa was a teacher of agriculture by profession and largely unknown as a poet until after his death. Since then his work has increasingly attracted a devoted following, especially among ecologists, Buddhists, and the literary avant-garde. This volume includes poems translated by Gary Snyder, who was the first to translate a substantial body of Miyazawa's work into English. Hiroaki Sato's own superb translations, many never before published, demonstrate his deep familiarity with Miyazawa's poetry. His remarkable introduction considers the poet's significance and suggests ways for contemporary readers to approach his work. It further places developments in Japanese poetry into a global context during the first decades of the twentieth century. In addition the book features a Foreword by the poet Geoffrey O'Brien and essays by Tanikawa Shuntaro, Yoshimasu Gozo, and Michael O'Brien.
POETRY / General. --- Miyazawa, Kenji, --- Miyāsāwa, Khēnčhi, --- Kenji, Miyazawa, --- 宮澤賢治, --- 宮沢賢治, --- 宮泽贤治, --- Criticism and interpretation. --- avant garde. --- buddhism. --- buddhist poets. --- buddhists. --- contemporary poetry. --- early 20th century. --- ecologists. --- english translation. --- global context. --- global literature. --- japanese literature. --- japanese modernism. --- japanese poetry. --- japanese poets. --- lit students. --- lit studies. --- literary criticism. --- literary critics. --- literary movements. --- miyazawa kenji. --- modern literature. --- modernism. --- modernist poetry. --- poems. --- poetry collection. --- translated poetry.
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This magisterial work, long awaited and long the subject of passionate speculation, is an unprecedented exploration of modern poetry and poetics by one of America's most acclaimed and influential postwar poets. What began in 1959 as a simple homage to the modernist poet H.D. developed into an expansive and unique quest to arrive at a poetics that would fuel Duncan's great work in the 1970's. A meditation on both the roots of modernism and its manifestation in the work of H.D., Ezra Pound, D.H. Lawrence, William Carlos Williams, Edith Sitwell, and many others, Duncan's wide-ranging book is especially notable for its illumination of the role women played in creation of literary modernism. Until now, The H.D. Book existed only in mostly out-of-print little magazines in which its chapters first appeared. Now, for the first time published in its entirety, as its author intended, this monumental work-at once an encyclopedia of modernism, a reinterpretation of its key players and texts, and a record of Duncan's quest toward a new poetics-is at last complete and available to a wide audience.
Poetry, Modern --- Modern poetry --- Poetry --- History and criticism --- Theory, etc. --- Poetry [Modern ] --- 20th century --- 20th century. --- art and literature. --- collected writings. --- dh lawrence. --- discussion books. --- edith sitwell. --- ezra pound. --- famous poets. --- hd. --- lit scholars. --- lit studies. --- literary criticism. --- literary critics. --- literary figures. --- literary movements. --- literary theory. --- literary. --- modern literature. --- modern poetics. --- modern poetry. --- modernist poets. --- nonfiction. --- postwar period. --- reference guide. --- retrospective. --- robert duncan. --- roots of modernism. --- william carlos williams. --- writers.
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