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De gevoelloze emotie. Stefan Hertmans##De Dan Brown à Marcel Proust. Jacqueline Harpman##Darwins intelligent design. Kristiaan Thienpont##Subjectiviteit of de echo van de geschiedenis in wat nu spreekt. Ariane Bazan##Het klassieke filmlichaam. Dirk Lauwaert##Learning from Kinshasa. Koen Van Synghel##In den beginne was het verlies. Jan Vercruysse##De smoel van de emotie. Frank Vande Veire##Syntaxis. Annie Zaenen##De R&E in management. Dirk Buyens##Emocratie als symptoom. Marc De Kesel##[studentenpaper] Eric Van De Moortel##[studentenpaper] Lien Vangenechten

emotie --- Cultuurfilosofie --- Emoties --- Cultuurfilosofie. --- Emoties. --- CDL --- 373.67

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In deze bundel vind je een hele waaier aan gevoelens, gevangen in gedichten. Over ozo heppie zijn, je te pletter vervelen, verlangens, driftkikkers, bange dromen, vlinders in je buik, onweersvogels, een koning zonder zin, pleinpijn, vrolijkheid naast stil verdriet. Elk kind heeft recht op eigen gedachten, gevoelens, een eigen mening en geloof. En elk kind mag daar ook voor uitkomen. Waar kan een kind een betere verwoording en troost voor die gedachten en gevoelens vinden dan in zorgvuldig uitgekozen poëzie? Ook volwassenen zullen zich herkennen in deze 'gevoelige' gedichten. Van deze verzamelbundel geniet je extra door de schitterende illustraties van dertien illustratoren. (Bron: www.jeugdboekenweek.be)

Dutch literature --- emoties (themawoord fictie) --- Jeugdpoëzie --- Emoties --- emoties --- gevoelens --- kinderpoëzie --- poëzie --- * 889.7 --- Emoties (Gevoelens) --- 830.1 --- gedichten --- Poëzie --- Gevoelens --- Poëzie : basisonderwijs --- Gedichten : basisonderwijs --- Gedichten --- 093274.jpg --- C3 --- dichtbundel --- kinderen --- 870 --- 871 --- Emoties(Gevoelens) --- Fiction --- Jeugdboeken --- Poëzie(gedichten) --- voordrachtenbundels voor kinderen --- Kunst en cultuur --- dichtwerken, algemene bloemlezingen --- Emotie

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Breaking off the ordinary flow of experience, the passions create a state of exception. In their suddenness and intensity, they map a personal world, fix and qualify our attention, and impel our actions. Outraged anger drives us to write laws that will later be enforced by impersonal justice. Intense grief at the death of someone in our life discloses the contours of that life to us. Wonder spurs scientific inquiry. The strong current of Western thought that idealizes a dispassionate world has ostracized the passions as quaint, even dangerous. Intense states have come to be seen as symptoms of pathology. A fondness for irony along with our civic ideal of tolerance lead us to prefer the diluted emotional life of feelings and moods. Demonstrating enormous intellectual originality and generosity, Philip Fisher meditates on whether this victory is permanent-and how it might diminish us. From Aristotle to Hume to contemporary biology, Fisher finds evidence that the passions have defined a core of human nature no less important than reason or desire. Traversing the Iliad, King Lear, Moby Dick, and other great works, he discerns the properties of the high-spirited states we call the passions. Are vehement states compatible with a culture that values private, selectively shared experiences? How do passions differ from emotions? Does anger have an opposite? Do the passions give scale, shape, and significance to our experience of time? Is a person incapable of anger more dangerous than someone who is irascible? In reintroducing us to our own vehemence, Fisher reminds us that it is only through our strongest passions that we feel the contours of injustice, mortality, loss, and knowledge. It is only through our personal worlds that we can know the world.

Affective and dynamic functions --- Emoties (Filosofie) --- Emotions (Philosophie) --- Emotions (Philosophy) --- Émotions (Philosophie) --- Emotions (Philosophy). --- Emoties. --- Filosofische aspecten. --- Émotions (Philosophie). --- Philosophy --- Psychische functies

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Het menselijk gezicht heeft ons altijd mateloos geboeid. Baby's kijken reeds dertig minuten na de geboorte al het liefst naar gezichten. Onze fascinatie ervoor is aangeboren en blijft ons hele leven bestaan. We worden verliefd op mensen die we mooi vinden en we raken geintrigeerd door beroemde gezichten. Door kennis over de oorsprong, functie en betekenis van dit intieme deel van ons leven, krijgen we een verhelderend inzicht in onszelf. In dit met ruim 400 fantastische foto's geillustreerde boek komt de fascinerende geschiedenis van de evolutionaire, sociale en psychologische ontwikkeling van het menselijk gezicht in zes hoofdstukken aan bod.

Langage corporel --- Lichaamstaal --- 415.2 --- gelaatsuitdrukkingen --- lichaamstaal --- zintuigen --- algemene psychologie, zintuiglijke indrukken en waarnemingen --- 007 --- persoonlijkheidsleer --- gelaat --- emoties --- Psychology --- lichaamstaal. --- Psychologie. --- gelaat. --- emoties. --- persoonlijkheidsleer.

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Music's ability to express and arouse emotions is a mystery that has fascinated both experts and laymen at least since ancient Greece. The predecessor to this book 'Music and Emotion' (OUP, 2001) was critically and commercially successful and stimulated much further work in this area. In the years since publication of that book, empirical research in this area has blossomed, and the successor to 'Music and Emotion' reflects the considerable activity in this area.The Handbook of Music and Emotion offers an 'up-to-date' account of this vibrant domain. It provides comprehensive coverage of the many approaches that may be said to define the field of music and emotion, in all its breadth and depth.The first section offers multi-disciplinary perspectives on musical emotions from philosophy, musicology, psychology, neurobiology, anthropology, and sociology. The second section features methodologically-oriented chapters on the measurement of emotions via different channels (e.g., self report, psychophysiology, neuroimaging). Sections three and four address how emotion enters into different aspects of musical behavior, both the making of music and its consumption. Section five covers developmental, personality, and social factors. Section six describes the most important applications involving the relationship between music and emotion. In a final commentary, the editors comment on the history of the field, summarize the current state of affairs, as well as propose future directions for the field.The only book of its kind, The Handbook of Music and Emotion will fascinate music psychologists, musicologists, music educators, philosophers, and others with an interest in music and emotion (e.g., in marketing, health, engineering, film, and the game industry). It will be a valuable resource for established researchers in the field, a developmental aid for early-career researchers and postgraduate research students, and a compendium to assist students at various levels. In addition, as with its predecessor, it will also attract interest from practising musicians and lay readers fascinated by music and emotion.

571 --- Muziekpsychologie --- Muziektherapie --- Emoties --- Emotions in music --- Music --- Music psychology --- Psychological aspects --- Psychology --- Emotie