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Art --- art [fine art] --- crafts [art genres] --- techniques [processes] --- art criticism --- artists [visual artists] --- anno 2000-2099 --- 7.01 --- Kunsttheorie ; Cornel Bierens over ambachtelijkheid in de kunst --- Kunst ; theorie, filosofie, esthetica --- art [discipline]
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Costume --- Dress accessories --- Fashion --- Textile crafts --- Vêtements --- Costume (Arts décoratifs) --- Art textile --- Mode --- History --- Exhibitions --- Exhibitions. --- Accessoires --- Histoire --- Expositions --- 1900 - 1999 --- France --- textiel --- kleding --- CDL --- 391 --- Vêtements --- Costume (Arts décoratifs) --- clothing --- accessories --- History of civilization --- crafts [art genres] --- Applied arts. Arts and crafts --- fashion [concept] --- accessories [object genre] --- kleding, klederdracht --- fashion [culture-related concept]
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schoenmaker --- herenschoen --- 391.1 --- 685.31 <09> --- 907.7 --- ambachten --- geschiedenis --- herenschoenen --- schoenen --- schoenmakers --- Klederdracht voor heren. Herenmode --- Shoemaking. Bootmaking--Geschiedenis van ... --- geschiedenis, klederdrachten, bijzondere onderwerpen --- 685.31 <09> Shoemaking. Bootmaking--Geschiedenis van ... --- 391.1 Klederdracht voor heren. Herenmode --- Manufacturing technologies --- Applied arts. Arts and crafts --- shoes [footwear] --- crafts [art genres] --- menswear --- shoemakers
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Once upon a time pottery schools saw an increase in enrolments whenever the film Ghost aired on television. Today it is all year round. Not since the 1970s has there been this level of interest and appreciation for pottery and ceramics. The return to the handmade has been driven by our increasingly digital lives and there are now more makers, sellers and collectors than ever. There is also a new desire for unique objects made by hand and the imperfections associated with the marks of the maker. Pottery is the vehicle that most aptly captures this authenticity. From decorative pieces to the primarily functional to sculptural works pushing the boundaries of the medium, Clay surveys the richly creative output of over 50 studio potters from around the world. It is a celebration of a new generation of artisans working in clay, a snapshot not necessarily of what is happening at elite gallery level, but rather a behind-the-scenes look at the unique and eclectic offerings from small studios around the world.
Pottery --- Art pottery --- Art, Modern --- 738.039 --- Keramiek ; klei ; 21ste eeuw ; 2000-2016 --- Contemporary art --- Keramiek ; 2000 - 2050 --- Modernism (Art) --- hedendaagse keramisten --- kunst 20-21ste eeuw --- MAD-faculty 18 --- Kleibewerking --- Actuele kunst --- Design --- 21e eeuw --- 20e eeuw --- Keramiek --- 2000 --- -Kleibewerking --- -Pottery --- -hedendaagse keramisten --- Applied arts. Arts and crafts --- crafts [art genres] --- clay --- keramiek --- -Klei --- Klei
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architectuur --- fine arts --- crafts [art genres] --- Architecture --- Hoger Architectuurinstituut Sint-Lucas [Gent] --- 373.67(493) --- Kunstonderwijs ; Gent ; Sint-Lucas Beeldende Kunst --- Onderwijs ; kunst- architectuuronderwijs ; België --- fine arts [discipline] --- 373.67.03(493) --- Onderwijs ; kunst- architectuuronderwijs ; geschiedenis ; jaarboeken ; projecten ; België --- Onderwijs ; kunst- en architectuuronderwijs ; geschiedenis ; jaarboeken ; projecten ; België --- architecture [discipline] --- art schools [institutions]
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Art collectors and collections make up an important part of the contemporary arts and crafts infrastructure. Not only do museums and art collectors improve an artist's financial situation by buying their work; just as important is the symbolic meaning of the collection. To be included in the 'right' collection or museum can give the artist a high level of recognition; at the same time the purchase secures the work a place in a system whose aim is to preserve the work for the future. Collecting is a selection process which has economic, social, political and art historical implications and consequences for the artist, the art scene and the public. In 'On Collecting' the authors look at collecting from public, private and personal perspectives to shed light on some of the structures that are responsible for how artworks become 'collectable' and thus available to the public in museums and public spaces.
7.01 --- Kunst ; theorie, filosofie, esthetica --- Applied arts. Arts and crafts --- crafts [art genres] --- materialen (kunst) --- exhibitions [events] --- collecting --- verzamelen --- MAD-faculty 18 --- kunstnijverheid --- kunstkritiek --- materialen --- hedendaagse kunst --- Art --- Art museums. --- Musées d'art --- Collectors and collecting. --- Collectionneurs et collections --- Museology --- museums [buildings] --- exhibiting --- tentoonstellingen --- musea
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Edward Lucie-Smith --- kunst --- design --- geschiedenis --- kunst en maatschappij --- oudheid --- middeleeuwen --- renaissance --- Islam --- Arts and Crafts --- art nouveau --- Jugendstil --- art deco --- Bauhaus --- negentiende eeuw --- twintigste eeuw --- textiel --- keramiek --- meubels --- meubelkunst --- glaskunst --- juweelkunst --- edelsmeedkunst --- interieurvormgeving --- 745.03 --- Applied arts. Arts and crafts --- decorative arts [discipline] --- crafts [art genres] --- social status --- craftsmen --- toegepaste kunsten --- Decorative arts --- Handicraft --- Artisans --- History.
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"Kintsugi is the Japanese art of repairing broken pottery with lacquer mixed with a precious metal, usually gold, silver or platinum. The technique celebrates the history of the object and, rather than disguising a repair, highlights it and makes it beautiful. ...This book explains what traditional kintsugi is and how it is done, giving historical examples and using interviews of traditional kintsugi masters in Japan. It reflects on the possible reasons for its development, looking especially at a cultural attitude of "creativity through destruction." Different kinds of repairs will be discussed, including the earlier "staple" repair often seen in Chinese ceramic wares and the development of yobitsugi, in which shards from different vessels are pieced together in a patchwork, and other kintsugi techniques." -- Amazon.com. A broken pot is made whole again, and within its golden repair we see a world of meaning. Kintsugi is the art of embracing imperfection. In Western cultures, the aim of repair has been to make the broken item 'as good as new'. Kintsugi on the other hand, is a Japanese art that leaves an obvious repair one that may appear fragile, but which actually makes the restored ceramic piece stronger, more beautiful, and more valuable than before. Leaving clear, bold, visible lines with the appearance of solid gold, it never hides the story of the object's damage. 'Kintsugi' traces memory, bringing together the moment of destruction and the gold seams of repair through finely-honed skills and painstaking, time-consuming labour in the creation of a new pot from the old. There is a story to be told with every crack, every chip. This story inevitably leads to kintsugi's greatest strength. an intimate metaphoric narrative of loss and recovery, breakage and restoration, tragedy and the ability to overcome it. A kintsugi repair speaks of individuality and uniqueness, fortitude and resilience, and the beauty to be found in survival. 'Kintsugi' leads us to a respectful and appreciative acceptance of hardship and ageing.
Applied arts. Arts and crafts --- crafts [art genres] --- ceramics [object genre] --- handmade --- setomono --- gebruiksvoorwerpen --- Japan --- Ceramics --- Pottery --- Pottery, Japanese --- 738.02 --- Restauratie; reparatie; upcycling --- Keramiek; lakwerk; constructie; reconstructie --- Japanese pottery --- Ceramic technology --- Industrial ceramics --- Keramics --- Building materials --- Chemistry, Technical --- Clay --- Repairing --- Keramiek ; technieken --- J6640 --- Japan: Art and antiquities -- industrial art, craft and design -- ceramics and glassware
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Catalogue of exhibition combining Grayson Perry's own work with objects from across the British Museum's collection. "Drawing on such intriguing and diverse themes as pilgrimage, shamanism and tomb guardians, Grayson Perry takes the reader on a journey to an imaginary afterlife. 'The Tomb of an Unknown Craftsman is of a treasure hoard from a distinct civilisation. The difference is that it is a civilisation of one. The territory it springs from is my imagination. The relationship between my personal themes and obsessions and the vastness of world culture as represented in the British Museum is like a narrow pilgrimage trail across an infinite plain.' Grayson Perry's centrepiece to this fascinating journey is a major artwork: a metal tomb in the form of a ship, encrusted with reliefs and artistic cargo based on, or actually cast from, objects in the collection of the British Museum. The occupant sails into the afterlife surrounded by the talismans of many faiths and peoples. This is a memorial to all the anonymous craftsmen that over the centuries have fashioned the man-made wonders of the world, many of which are on display in the Museum. Around the tomb, the other artworks - ceramics, tiles, cast metal sculpture, textiles and prints - are laid out in ritualistic symmetry as if they once belonged somewhere else. Alongside his own works, Grayson Perry presents a personal selection of objects from the British Museum that are the inspiration for his pieces or connected strongly with them thematically or aesthetically. Including an introduction by Grayson Perry and lavishly illustrated, this book takes us to the fantasy world of a contemporary artist who never fails to challenge and unsettle his audience. Turner Prize winner Grayson Perry uses the seductive qualities of ceramics, tapestry, metalwork and other art forms to make stealthy comments about societal injustices and hypocrisies, and to explore a variety of historical and contemporary themes."--Publisher's website.
Perry, Grayson --- Perry, Grayson, --- Decorative arts --- Antiquities in art. --- 7.07 --- 738.07 --- Beeldende kunst ; Gr. Perry over anonieme artefacten van het British Museum, Londen --- Tentoonstellingscatalogi ; Londen ; British Museum --- Perry, Grayson °1960 (°Chelmsford, Groot-Brittannië) --- Applied arts --- Art industries and trade --- Arts, Applied --- Arts, Decorative --- Arts, Minor --- Minor arts --- Art --- Folk art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Keramiek ; keramiekkunstenaars, pottenbakkers --- Exhibitions --- Handicraft --- crafts [art genres] --- craftsmanship --- rituelen --- Antiquities in art
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