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Country furniture --- Country furniture --- Country furniture
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Voices of the Country presents interviews with innovative musicians, producers, and songwriters who shaped the last fifty years of country music.
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The volume is a comprehensive handbook of oral history and memory studies in Finland. The Finnish research field has originally emerged at the collaborative intersection of history, folklore studies, and ethnology. Since then, this field has developed into vibrant multi- and cross-disciplinary arena characterized by a strong focus on methodological issues related to memory in culture and theoretical engagement with studies on narration and processes of remembering. The chapters of the book explore the perspectives on the production of memory-based knowledge in oral history interviews and collection campaigns of written reminiscences. Moreover, the book introduces versatile methodological approaches to the study of memory and memories, ranging from narrative to corpus analysis, and investigates the multiple media of remembrance from documentary film to museum exhibition. The chapters of the book also engage the field's disciplinary position and interrogate the potentials and challenges related to the application of the methods of oral history research and the use of memory-based knowledge beyond academia in political, societal, and community-based projects.
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"Over the course of the long 18th century, many of England's grandest country houses became known for displaying noteworthy architecture and design, large collections of sculptures and paintings, and expansive landscape gardens and parks. Although these houses continued to function as residences and spaces of elite retreat, they had powerful public identities: increasingly accessible to tourists and extensively described by travel writers, they began to be celebrated as sites of great importance to national culture. This book examines how these identities emerged, repositioning the importance of country houses in 18th-century Britain and exploring what it took to turn them into tourist attractions. Drawing on travel books, guidebooks, and dozens of tourists' diaries and letters, it explores what it meant to tour country houses such as Blenheim Palace, Chatsworth, Wilton, Kedleston and Burghley in the tumultuous 1700s. It also questions the legacies of these early tourists: both as a critical cultural practice in the 18th century and an extraordinary and controversial influence in British culture today, country-house tourism is a phenomenon that demands investigation."--Bloomsbury Publishing Over the course of the long 18th century, many of England's grandest country houses became known for displaying noteworthy architecture and design, large collections of sculptures and paintings, and expansive landscape gardens and parks. Although these houses continued to function as residences and spaces of elite retreat, they had powerful public identities: increasingly accessible to tourists and extensively described by travel writers, they began to be celebrated as sites of great importance to national culture. This book examines how these identities emerged, repositioning the importance of country houses in 18th-century Britain and exploring what it took to turn them into tourist attractions. Drawing on travel books, guidebooks, and dozens of tourists' diaries and letters, it explores what it meant to tour country houses such as Blenheim Palace, Chatsworth, Wilton, Kedleston and Burghley in the tumultuous 1700s. It also questions the legacies of these early tourists: both as a critical cultural practice in the 18th century and an extraordinary and controversial influence in British culture today, country-house tourism is a phenomenon that demands investigation
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Acknowledgments. Introduction. Notes on Playlists. 1. Eck Robertson. 2. Fiddlin' John Carson. 3. Henry Whitter. 4. Ernest V. Stoneman. 5. Uncle Dave Macon. 6. Vernon Dalhart. 7. Fiddlin' Powers. 8. Charlie Poole. 9. Kelly Harrell. 10. DaCosta Woltz. 11. Uncle Jimmy Thompson. 12. Dr Humphrey Bate. 13. Sam McGee. 14. Gid Tanner. 15. Riley Puckett. 16. Clayton McMichen. 17. Lowe Stokes. 18. Earl Johnson. 19. John Dilleshaw. 20. Georgia Yellow Hammers. 21. South Georgia Highballers. 22. Cofer Brothers. 23. Dock Boggs. 24. Frank Hutchison. 25. Darby & Tarlton. 26. The Carter Family. 27. Jimmie Rodg
Country musicians --- Country music --- History and criticism.
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Southwest Shuffle documents an important period in country music history. During the '30s and early '40s, hundreds of thousands of ""Okies,"" ""Arkies,"" and other rural folks from around the Southwest resettled in California, in search of work. A country music scene quickly blossomed there, with performers playing Western Swing, Cowboy, and Honky Tonk country. After World War II, these styles rocked country music, leading to the innovations of '60s performers like Buck Owens and Merle Haggard in creating the so-called ""Bakersfield Sound."" These stories are based on original interviews an
Country musicians --- Country music --- History and criticism.
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Country music --- Country musicians --- History and criticism.
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Full-tilt, hardcore, down-home, and groundbreaking, the women of country music speak volumes with every song. From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it's Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it's the humanity beneath the music that resonates.
Women country musicians --- Country musicians --- Women singers
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A treasure chest of exceptional stories by one of Canadas classic authorsall now available in one volume. Ernest Buckler, best known as the author of the Canadian classic, The Mountain and the Valley, never achieved the lasting fame he deserved. His first story was published in Esquire, a significant American literary magazine known for publishing leading writers such as Ernest Hemingway, F. Scott Fitzgerald, and Sinclair Lewis. Over the years, nearly forty more of Buckler's short stories were published in several popular magazines, including Maclean's where his story “The Quarrel” won first prize for fiction. In Thanks for Listening: Stories and Short Fictions by Ernest Buckler, Marta Dvořák gathers together many of those stories as well as some previously unpublished pieces. At times she has chosen to include the fuller, original versions, and has reinstated some of the lost passages that were cut from stories to fit popular magazine requirements. Ernest Buckler's writing is rooted in the magic of the ordinary. He celebrates the land and its community, and sensuously recreates a paradise — almost a Garden of Eden. Buckler's American editors were right in believing that no one evoked the lost world of North Americas agrarian past better than Ernest Buckler.
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