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"Set in the Midwest, One-Hundred-Knuckled Fist tells the stories of everyday, blue-collar workers with dark humor and a gritty, experimental style, revealing the absurdity of the daily grind and its crushing reality" --
Blue collar workers --- Working class --- Laborers --- Manual workers --- Employees --- Middle West
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In June 1986, a Japanese watch factory in Hong Kong tried to fire 36 of its women workers. This provoked an unprecedented sit-in by 300 of the women employed at the plant. The sit-in lasted for 13 days and accounted for over half the days lost to labour unrest that year.
Blue collar workers --- Labor disputes --- Sit-down strikes --- Strikes and lockouts --- Attitudes. --- Social aspects --- Clock and watch industry
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Jeff Torlina challenges the conventional wisdom about the attitudes of blue-collar men toward their work. Torlina highlights the voices of pipe fitters, welders, carpenters, painters, locomotive assemblers, and factory workers to reveal the complexities—and advantages—of working-class life. This book is a penetrating critique of many commonly held assumptions, and a compelling case for a new understanding of our social class system.
Blue collar workers. --- Working class. --- Commons (Social order) --- Labor and laboring classes --- Laboring class --- Labouring class --- Working class --- Working classes --- Laborers --- Manual workers --- Employment --- Social classes --- Labor --- Employees
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Michèle Lamont takes us into the world inhabited by working-class men--the world as they understand it. Interviewing black and white working-class men who, because they are not college graduates, have limited access to high-paying jobs and other social benefits, she constructs a revealing portrait of how they see themselves and the rest of society. Morality is at the center of these workers' worlds. They find their identity and self-worth in their ability to discipline themselves and conduct responsible but caring lives. These moral standards function as an alternative to economic definitions of success, offering them a way to maintain dignity in an out-of-reach American dreamland. But these standards also enable them to draw class boundaries toward the poor and, to a lesser extent, the upper half. Workers also draw rigid racial boundaries, with white workers placing emphasis on the "disciplined self" and blacks on the "caring self." Whites thereby often construe blacks as morally inferior because they are lazy, while blacks depict whites as domineering, uncaring, and overly disciplined. This book also opens up a wider perspective by examining American workers in comparison with French workers, who take the poor as "part of us" and are far less critical of blacks than they are of upper-middle-class people and immigrants. By singling out different "moral offenders" in the two societies, workers reveal contrasting definitions of "cultural membership" that help us understand and challenge the forms of inequality found in both societies.
Blue collar workers --- Men --- Working class --- Work ethic --- Ethic, Work --- Ethics --- Human males --- Human beings --- Males --- Effeminacy --- Masculinity --- Laborers --- Manual workers --- Employees --- Employment
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Winner of CLR James Book Prize from the Working Class Studies Association and 2nd Place for the Victor Turner Prize in Ethnographic Writing. In 1980, Christine J. Walley's world was turned upside down when the steel mill in Southeast Chicago where her father worked abruptly closed. In the ensuing years, ninety thousand other area residents would also lose their jobs in the mills-just one example of the vast scale of deindustrialization occurring across the United States. The disruption of this event propelled Walley into a career as a cultural anthropologist, and now, in Exit Zero, she brings her anthropological perspective home, examining the fate of her family and that of blue-collar America at large. Interweaving personal narratives and family photos with a nuanced assessment of the social impacts of deindustrialization, Exit Zero is one part memoir and one part ethnography- providing a much-needed female and familial perspective on cultures of labor and their decline. Through vivid accounts of her family's struggles and her own upward mobility, Walley reveals the social landscapes of America's industrial fallout, navigating complex tensions among class, labor, economy, and environment. Unsatisfied with the notion that her family's turmoil was inevitable in the ever-forward progress of the United States, she provides a fresh and important counternarrative that gives a new voice to the many Americans whose distress resulting from deindustrialization has too often been ignored. This book is part of a project that also includes a documentary film and interactive website. For more information, and the chance to share your own stories, photos, and artefacts regarding the history of Southeast Chicago, please visit: http://www.exitzeroproject.org/
Steel industry and trade --- Working class --- Deindustrialization --- History --- Social conditions --- Social aspects. --- Walley, Christine J., --- Family. --- family, class, chicago, illinois, united states of america, american culture, usa, postindustrial, anthropology, cultural studies, anthropological, working, labor, 20th century, jobs, workers, deindustrialization, disruption, blue collar work, personal narratives, social impacts, memoir, ethnography, familial perspective, mobility, economy, environment, distress, steel industry, trade.
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"I realize that I am a soldier of production whose duties are as important in this war as those of the man behind the gun." So began the pledge that many home front men took at the outset of World War II when they went to work in the factories, fields, and mines while their compatriots fought in the battlefields of Europe and on the bloody beaches of the Pacific. The male experience of working and living in wartime America is rarely examined, but the story of men like these provides a crucial counter-narrative to the national story of Rosie the Riveter and GI Joe that dominates scholarly and popular discussions of World War II. In Meet Joe Copper, Matthew L. Basso describes the formation of a powerful, white, working-class masculine ideology in the decades prior to the war, and shows how it thrived-on the job, in the community, and through union politics. Basso recalls for us the practices and beliefs of the first- and second-generation immigrant copper workers of Montana while advancing the historical conversation on gender, class, and the formation of a white ethnic racial identity. Meet Joe Copper provides a context for our ideas of postwar masculinity and whiteness and finally returns the men of the home front to our reckoning of the Greatest Generation and the New Deal era.
Copper miners --- World War, 1939-1945. --- Social conditions. --- Montana --- Race relations. --- masculinity, race, power, strength, gender, manliness, manhood, montana, west, frontier, home front, war, soldier, military, ww2, factories, mines, europe, pacific, conscientious objector, labor, work, production, working class, whiteness, community, union, politics, immigrant, copper, ethnicity, new deal, greatest generation, patriotism, blue collar, postwar, black men, history, nonfiction.
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"The film industry in Hollywood now employs a global mode of production run by massive media conglomerates that mobilize hundreds, sometimes thousands, of workers for each feature film or television series. Yet these workers and their labor remain largely invisible to the general audience. In fact, this has been a signal characteristic of Hollywood style for more than a hundred years: everything that matters happens onscreen, not off. Consequently, when it comes to movies and television, the voices heard most often are those belonging to talent and corporate executives. Those we hear least are the voices of labor, and it's that silence we aim to redress in the collection of interviews in this book. Drawing from the detailed and personal accounts in this collection, we offer three interrelated propositions about the current state and future prospects of craftwork and screen media labor: 1. Craftwork exists within an intricate and intimate matrix of social relations. 2. Hollywood craftwork today constitutes a regime of excessive labor. 3. Screen media production is a protean entity. We organized the collection into three sections: company town, global machine, and fringe city. The first section refers to Hollywood's historic roots as a core component of the motion picture business. The second section engages more directly with the spatial dynamics of film and television production to underscore the economic and political structures that are integrating distant locations into the studios' mode of production. We close with a section on the visual effects sector, in which stories shared by vfx artists, advocates, and organizers specifically illustrate how the industry today relies on marginal institutions to sustain its power and profitability"--Provided by publisher.
Motion picture industry --- Mass media and globalization. --- Employees --- Globalization and mass media --- Globalization --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- SOCIAL SCIENCE / Media Studies. --- artists. --- behind the scenes. --- blue collar. --- business. --- conglomerates. --- craftwork. --- feature film. --- film industry. --- historic roots. --- history. --- hollywood. --- interviews. --- media. --- motion picture. --- movies. --- personal accounts. --- power. --- production. --- profitability. --- screen media. --- social relations. --- studios. --- style. --- television series. --- tv. --- vfx. --- visual effects. --- workers.
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The Railroad Age, The Depression, World War II, The Atomic Age, The Sixties-these periods shaped and were in turn shaped by Berkeley, California-a city that has had a remarkable influence given its modest size. This concise book, the only up-to-date history of Berkeley, is a rich chronicle connecting the people, trends, and events that made the city to much larger themes in history. From the native builders of shellmounds to the blue-collar residents of Ocean View, the rise of the University of California, the World War II shipyards, and today's demographics and politics, it's all here in this fascinating account of the other beloved city by the bay. Along the way, we find the answers to many intriguing questions: Why is Adeline Street is so oddly aligned? How did Berkeley benefit from the 1906 earthquake that destroyed much of San Francisco? What differentiated Holy Hill from Nut Hill? Berkeley: A City in History offers a delightful sense of place to anyone who has lived in, worked in, or traveled through this unique city.
HISTORY / United States / State & Local / West (AK, CA, CO, HI, ID, MT, NV, UT, WY). --- Berkeley (Calif.) --- Paikelai (Calif.) --- History. --- Social conditions. --- 1906 earthquake. --- atomic age. --- berkeley california. --- blue-collar residents. --- california history. --- college textbook. --- depression era. --- great earthquake. --- higher education. --- holy hill. --- larger historical themes. --- natural disasters. --- nut hill. --- ocean view. --- railroad age. --- san francisco. --- shellmounds. --- sixties. --- universities. --- world war ii shipyards. --- ww ii.
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"First-Generation Faculty of Color: Reflections on Research, Teaching, and Service is the first book to examine the experiences of racially minoritized faculty who were also the first in their families to graduate college in the United States. From contingent to tenured faculty who teach at community college, comprehensive, and research institutions, the book is a collection of critical narratives that collectively show the diversity of faculty of color, attentive to and beyond race. The book is organized into three major parts comprised of chapters in which faculty of color depict how first-generation college student identities continue to inform how minoritized people navigate academe well into their professional careers, and encourage them to reconceptualize research, teaching, and service responsibilities to better consider the families and communities that shaped their lives well before college"--
First-generation college students --- Minority college teachers --- Education, Higher --- Social aspects --- United States. --- people of color, race politics, working class americans, american workers, blue collar jobs, marginalized communities, hispanic people in the workplace, hispanic workers, black workers, african american workers, asian workers, first generation immigrants, immigrant struggle, racism in the workplace, racism case studies, resources for faculty, faculty training books, first generation students, racial tokenization, first-generation faculty, faculty diversity.
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Delving beneath Southern California's popular image as a sunny frontier of leisure and ease, this book tells the dynamic story of the life and labor of Los Angeles's large working class. In a sweeping narrative that takes into account more than a century of labor history, John H. M. Laslett acknowledges the advantages Southern California's climate, open spaces, and bucolic character offered to generations of newcomers. At the same time, he demonstrates that-in terms of wages, hours, and conditions of work-L.A. differed very little from America's other industrial cities. Both fast-paced and sophisticated, Sunshine Was Never Enough shows how labor in all its guises-blue and white collar, industrial, agricultural, and high tech-shaped the neighborhoods, economic policies, racial attitudes, and class perceptions of the City of Angels. Laslett explains how, until the 1930's, many of L.A.'s workers were under the thumb of the Merchants and Manufacturers Association. This conservative organization kept wages low, suppressed trade unions, and made L.A. into the open shop capital of America. By contrast now, at a time when the AFL-CIO is at its lowest ebb-a young generation of Mexican and African American organizers has infused the L.A. movement with renewed strength. These stories of the men and women who pumped oil, loaded ships in San Pedro harbor, built movie sets, assembled aircraft, and in more recent times cleaned hotels and washed cars is a little-known but vital part of Los Angeles history.
Working class --- Labor --- Labor movement --- Labor and laboring classes --- Social movements --- Manpower --- Work --- Commons (Social order) --- Laboring class --- Labouring class --- Working classes --- Social classes --- History. --- Employment --- History --- E-books --- agricultural. --- american history. --- blue collar workers. --- california. --- economic policies. --- industrial relations. --- industrialization. --- labor capitals. --- labor historians. --- labor history. --- labor movements. --- labor types. --- laborers. --- los angeles history. --- los angeles. --- merchants and manufacturers association. --- nonfiction. --- race and class. --- san pedro harbor. --- southern california. --- trade unions. --- united states. --- wages. --- white collar workers. --- work hours. --- working class. --- working conditions.
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