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The Trojan Horse traces the growth of commercial sponsorship in the public sphere since the 1960s, its growing importance for the arts since 1980 and its spread into areas such as education and health. The authors' central argument is that the image of sponsorship as corporate benevolence has served to routinize and legitimate the presence of commerce within the public sector. The central metaphor is of such sponsorship as a Trojan Horse helping to facilitate the hollowing out of the public sector by private agencies and private finance. The authors place the study in the context of the more g

Firms and enterprises --- anno 2010-2019 --- anno 1900-1999 --- anno 2000-2009 --- United Kingdom --- Corporate sponsorship --- History --- E-books --- Sponsorship, Corporate --- History. --- Central / national / federal government policies

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Eind 2020 werd in Gent de Inter-Betonfabriek, 'de Betoncentrale' in de volksmond, gesloopt. Met dit boek wil Cultuur Gent, de cultuurdienst van Stad Gent, de herinnering aan het graffitiparadijs levend houden. Een beeldredactie van experts selecteerde de belangrijkste street artists die er actief waren en toont een uitgelezen selectie van het werk dat de muren van de fabriek sierde. Streetartexpert Tristan Manco kadert de lokale scène in haar internationale context en Giulia Riva, blogger over streetart, sprak met de kunstenaars over hun herinneringen aan die unieke plek.

75.05 --- Schilderkunst ; graffiti, metro-kunst --- Painting --- industrial archaeology --- street art --- biographies [documents] --- graffiti artists --- graffiti --- anno 2010-2019 --- Ghent --- biographies [literary works] --- graffiti [casual notations]

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In Out of Place, noted LA-based art historian John C. Welchman offers a tour-de-force discussion of the first 25 years of Koen van den Broek’s work. The book is partly chronological, partly attentive to the genres, styles, media and concepts around which the artist has innovated, from painting to public space. Welchman unpacks a wide spectrum of references and allusions - to Mondrian, Malevich, Matisse, Rothko and many other modernist artists; to postwar photographies; to the art cinemas of the 1960s and ’70s; and to the history of freeways, interstates and the evolution of the singular urban fabrics of the United States. He offers exciting new accounts of the defining orientation of the first decade of van den Broek’s painting as it entered into pathbreaking pictorial dialogues with borders, shadows and cracks. The second part of the monograph takes up with a frankly surprising range of ideas and issues connected to figures, identities, landscape, ecology, appropriation, opera, and institutions … and to the striking material appurtenances of Formula 1 racing.

Van den Broek, Koen --- Painting --- oil paintings [visual works] --- Broek, van den, Koen --- anno 1990-1999 --- anno 2000-2009 --- anno 2010-2019 --- van den Broek, Koen

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This work concerns intelligence analysis of adversaries by six countries, the role of intelligence analysis during the Cold War, and its role in other important regional conflicts after 1945. It seeks to use Cold War and contemporary examples to determine how well intelligence has been analyzed and handled by different intelligence services and policymakers. The book reaches conclusions about past cases in intelligence analysis and how best to analyze intelligence and present it to policymakers today. The book also examines how well policymakers have received and understood intelligence. In sum, the volume analyzes how effective intelligence has been in the policymaking process. It will be a leading text on the analyst/policymaker relationship. The historical cases examined are the Soviet Union's analysis of the United States (and vice versa), East Germany's analysis of West Germany (and vice versa), British intelligence on the early years of the "Troubles" in Northern Ireland, Israeli intelligence on the Palestinians, Pakistani intelligence on India, and US intelligence about Islamist terrorists.

Polemology --- anno 2010-2019 --- anno 1900-1999 --- anno 2000-2009 --- INTELLIGENCE SERVICE --- Intelligence service --- Counter intelligence --- Counterespionage --- Counterintelligence --- Intelligence community --- Secret police (Intelligence service) --- Public administration --- Research --- Disinformation --- Secret service

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Twenty-five years have passed since the fall of the Berlin Wall and the end of communism in Eastern Europe, and ten years have passed since the first formerly communist states entered the E.U. An entire post-Wall generation has now entered adulthood, yet scholarship on European cinema still tends to divide the continent along the old Cold War lines. In East West and Centre the world's leading scholars in the field assemble to consider the ways in which notions such as East and West, national and transnational, central and marginal are being rethought and reframed in contemporary European cinema. Assessing the state of post-1989 European cinema, from (co)production and reception trends to filmic depictions of migration patterns, economic transformations and socio-political debates over the past and the present, they address increasingly intertwined cinema industries that are both central (France and Germany) and marginal in Europe (Romania, Bulgaria, Lithuania). This is a ground-breaking and essential read, not just for students and scholars in film and media studies, but also for those interested in wider European studies as well.Key Features: The most comprehensive investigation of Central European cinema in the early 21st century *Contributions address recent films from or about Bulgaria, France, Germany, Lithuania, and Romania *Introduces readers to new films and directors from different national and transnational cinemas

Motion pictures --- Film --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- anno 2010-2019 --- Europe --- Music, Dance, Drama & Film --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism