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Capitalist crises do not begin within art, but art reflects and even amplifies their effects. The dizzying prices achieved by artists who pander to the financial elites, the proliferation of museums that contribute to the global competition between cities to attract capital, and the strange relationship between art and the rampant gentrification that restructures the urban landscape: these are the obvious features of art's subservience to capitalism. There is a flipside, however, which shows art playing an increasingly important role in resistance to austerity and the prefiguration of a different world. Delirium and Resistance engages in critical dialogue with artists' collectives, counter-institutions and activist groups, while reflecting on the inequalities of neoliberal culture. It draws on over thirty years of critical debates and practices both in and beyond the art world to historicise and advocate for the art activist tradition that radically entangles the visual arts with political struggles.
Political art --- Art, Modern --- Art --- Art and society --- Activist art --- Protest art --- Resistance art --- Social art --- Art and sociology --- Society and art --- Sociology and art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Contemporary art --- Modernism (Art) --- Political aspects --- History --- Social aspects --- Art, Primitive --- 2000-2099
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Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. Noted critic and theorist Mieke Bal narrates between the disciplines of contemporary culture in order to boldly reimagine the role of the visual arts. Both women are pathbreaking figures, globally renowned and widely respected. Doris Salcedo, meet Mieke Bal. In Of What One Cannot Speak, Bal leads us into intimate encounters with Salcedo's art, encouraging us to consider each work as a "theoretical object" that invites-and demands-certain kinds of considerations about history, death, erasure, and grief. Bal ranges widely through Salcedo's work, from Salcedo's Atrabiliarios series-in which the artist uses worn shoes to retrace los desaparecidos ("the disappeared") from nations like Argentina, Chile, and Colombia-to Shibboleth, Salcedo's once-in-a-lifetime commission by the Tate Modern, for which she created a rupture, as if by earthquake, that stretched the length of the museum hall's concrete floor. In each instance, Salcedo's installations speak for themselves, utilizing household items, human bones, and common domestic architecture to explore the silent spaces between violence, trauma, and identity. Yet Bal draws out even deeper responses to the work, questioning the nature of political art altogether and introducing concepts of metaphor, time, and space in order to contend with Salcedo's powerful sculptures and installations. An unforgettable fusion of art and essay, Of What One Cannot Speak takes us to the very core of events we are capable of remembering-yet still uncomfortably cannot speak aloud.
Sculpture --- Sculpture, Modern --- Political art --- Political aspects --- Salcedo, Doris, --- Criticism and interpretation. --- Activist art --- Protest art --- Resistance art --- Social art --- Art --- Modern sculpture --- Sculpture, Primitive --- Stonework, Decorative --- Bas-relief --- Statues --- politics, political, art, artist, artistic, colombia, memory, forgetting, remember, forget, trauma, danger, critic, critical, theory, theorist, theoretical, contemporary, modern, culture, cultural, visual, women, global, international, object, history, death, erasure, argentina, chile, brazil, south america, museum, exhibit, installation, identity, violence, metaphor. --- Political aspects.
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Mexico has become notorious for crime-related violence, and the efforts of governments and national and international NGOs to counter this violence have proven largely futile. Citizens against Crime and Violence studies societal responses to crime and violence within one of Mexico’s most affected regions, the state of Michoacán. Based on comparative ethnography conducted over twelve months by a team of anthropologists and sociologists across six localities of Michoacán, ranging from the most rural to the most urban, the contributors consider five varieties of societal responses: local citizen security councils that define security and attempt to influence its policing, including by self-defense groups; cultural activists looking to create safe 'cultural' fields from which to transform their social environment; organizations in the state capital that combine legal and political strategies against less visible violence (forced disappearance, gender violence, anti-LGBT); church-linked initiatives bringing to bear the church’s institutionality, including to denounce 'state capture'; and women’s organizations creating 'safe' networks allowing to influence violence prevention.
Crime prevention --- Minorities --- Violence --- Citizen participation. --- Crimes against --- Michoacán de Ocampo (Mexico) --- Social conditions. --- Mexico, crime-related violence, NGOs, violence, crime, Michoacán, comparative ethnography, anthropology, sociology, security council, security, policing, self-defense, cultural activism, visible violence, invisible violence, forced disappearance, gender violence, anti-LGBT, church, state capture, women organizations, safe networks, violence prevention, crime prevention, State Security, Sustainable Responses, mobilization, activist art, Institutional Violence, sex workers, Organized Crime, Women’s Activism, policy makers, Policy, Corruption.
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artivism --- theatre --- media --- politic theatre --- intermediality in theatre and performance --- digital theatre and art --- Arts, Modern --- Drama --- Performance art --- Theater and society --- Political art --- Activist art --- Protest art --- Resistance art --- Social art --- Art --- Actors --- Society and theater --- Theater --- Happenings (Art) --- Performing arts --- Drama, Modern --- Dramas --- Dramatic works --- Plays --- Playscripts --- Stage --- Literature --- Dialogue --- Social status --- Social aspects --- Philosophy --- Arts --- Théâtre (Genre littéraire) --- Théâtre et société --- Theater and society. --- Political art. --- Performance art. --- Drama. --- Arts, Modern. --- 2000-2099 --- Théâtre (Genre littéraire) --- Théâtre et société
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For the Wild explores the ways in which the commitments of radical environmental and animal-rights activists develop through powerful experiences with the more-than-human world during childhood and young adulthood. The book addresses the question of how and why activists come to value nonhuman animals and the natural world as worthy of protection. Emotions and memories of wonder, love, compassion, anger, and grief shape activists' protest practices and help us understand their deep-rooted dedication to the planet and its creatures. Drawing on analyses of activist art, music, and writings, as well as interviews and participant-observation in activist communities, Sarah M. Pike delves into the sacred duties of these often misunderstood and marginalized groups with openness and sensitivity.
Animal rights --- Animal rights movement --- Animal rights activists --- Environmentalists --- Nature --- Environmental ethics --- Social movements --- Animal liberation --- Animals' rights --- Rights of animals --- Animal welfare --- Anthropogenic effects on nature --- Ecological footprint --- Human beings --- Anthropogenic soils --- Human ecology --- Scientists --- Activists, Animal rights --- Advocates, Animal rights --- Animal rights advocates --- Reformers --- Moral and ethical aspects --- Attitudes. --- Effect of human beings on. --- Animal rights activists. --- Animal rights movement. --- Environmental ethics. --- NATURE / Animal Rights. --- NATURE / Environmental Conservation & Protection. --- RELIGION / Religion & Science. --- Moral and ethical aspects. --- Attitudes --- United States. --- activism. --- activist art. --- activist communities. --- activists. --- animal rights activists. --- animal rights. --- animal welfare. --- childhood. --- conservation. --- contemporary activism. --- emotions. --- environmentalism. --- environmentalist. --- growing up. --- inclusion. --- interviews. --- marginalized groups. --- music. --- natural world. --- nonhuman animals. --- observation. --- protection. --- radical activists. --- radical environmentalists. --- writings. --- young adulthood.
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