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Script du film "Paris, Texas" de Wim Wenders. Suivent une série d'images extraites du film, ainsi que la bio et la filmographie des principaux acteurs et du réalisateur.

Wim Wenders, Sam Shepard ; Edited by Chris Sievernich --- film --- scenario --- scenario's --- Wenders Wim --- Shepard Sam --- 791.44 --- Cinéaste --- Film --- Scénario --- Cinéma --- Wenders, Wim --- 20e siècle

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film --- filmgeschiedenis --- road movies --- Europa --- reizen --- sociologie --- toerisme --- globalisering --- migratie --- mobiliteit --- cultuurtheorie --- Wenders, Wim --- Kaurismäki Aki --- Herzog Werner --- Keiller Patrick --- Rohmer Eric --- 791.43

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Wim Wenders Texte français de Bernard Eisenschitz --- film --- Duitsland --- filmregisseurs --- filmtheorie --- filmkritiek --- Wenders Wim --- Verenigde Staten --- filmgeschiedenis --- Schroeter Werner --- Hitchcock Alfred --- 791.471 WENDERS --- Wim Wenders ; Texte français de Bernard Eisenschitz

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Death in motion pictures. --- New wave films. --- Catherine Russell --- film --- narratologie --- dood --- filmgeschiedenis --- Lang Fritz --- Wenders Wim --- Oshima Nagisa --- Godard Jean-Luc --- lichamelijkheid --- anatomie --- 791.41 --- Death in motion pictures --- New wave films --- New wave (Motion pictures) --- New wave cinema --- Nouvelle vague (Motion pictures) --- Nouvelles vagues (Motion pictures) --- Motion pictures

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This is the first volume in English to examine in detail one of the most remarkable collaborations between a writer and filmmaker in European cinema. Focusing on the four films Wim Wenders and Peter Handke made between 1969 and 1987 ( 3 American LPs , The Goalkeeper’s Fear of the Penalty , Wrong Move , and Wings of Desire ), it explores the productive tension between adaptation and collaboration and demonstrates the different ways in which text- and image-makers can recompose film’s constituent media (literature, still and moving images, music, drama). The study reveals that this partnership had significant aesthetic and conceptual repercussions for both artists, resulting in a series of single-authored works which manifest the same kinds of intertextuality and disjunctive intermediality that are the hallmark of the collaborations themselves. These include Wenders’s Alice in the Cities , Handke’s films The Chronicle of On-Going Events and The Left-Handed Woman , and his novels Short Letter, Long Farewell and A Moment of True Feeling . While the Wenders-Handke partnership is unique, it contributes to a broader understanding of cinematic adaptation and different models of intermedial collaboration. This volume will be of interest to those working in the fields of Adaptation, Film, and German Studies.

Motion pictures --- Motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History --- History and criticism --- Wenders, Wim --- Handke, Peter. --- Wenders, Wim. --- Vendâsu, Vimu --- Wenders, Ernst Wilhelm --- Handke, Peter --- Hantʻukʻe --- Hantʻukʻe, Pʻetʻŏ --- Handke, P. --- Criticism and interpretation. --- 1900-1999 --- Germany. --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- German Uls --- Germania --- Germanii͡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācij --- Veĭmarskai͡a Respublika --- Weimar Republic --- Weimarer Republik --- Germany (East) --- Germany (West) --- Europe