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Webern, Anton --- -Webern, Anton --- Webern, Anton, --- -Von Webern, Anton --- Composers --- -526 --- Songwriters --- Correspondence --- Monografieën componisten --- Criticism and interpretation --- Musicians --- Von Webern, Anton --- Correspondence. --- Criticism and interpretation. --- -526.10 --- Monografieën componisten en uitvoerders - Biografieën, Stijl- en oeuvrebesprekingen --- Webern, Anton.
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Webern, Anton, --- Webern, Anton von, --- Von Webern, Anton, --- Vebern, Anton, --- Vebern, A. --- Webern, Anton Friedrich Wilhelm von, --- Webern, Anton --- 526.10 --- Monografieën componisten en uitvoerders - Biografieën, Stijl- en oeuvrebesprekingen --- Biografieën --- Stijlstudies --- 20e eeuw --- Oostenrijk
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Muziekambassadeur Marc Erkens brengt klassieke muziek tot levenIn de enorme schat aan muziek die onze mensensoort rijk is, zit een kleine, kostbare collectie van klassieke werken die ons zeggen wie we werkelijk zijn ... of alsnog zouden kunnen worden. Het is muziek die ons kan toespreken met woorden die diep in ons doordringen. Muziek die een hand op onze schouder legt. Bron: website Lannoo
572 --- Muzieksociologie --- Muziekpsychologie --- Van Beethoven, Ludwig --- Chopin, Frédéric --- Mozart, Wolfgang Amadeus --- Ligeti, György --- Schubert, Franz --- Berg, Alban --- Webern, Anton --- Bach, Johann Sebastian --- 581 --- Muziek en maatschappij
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muziektheorie --- twaalftoonstechniek --- Music --- compositieleer --- muziekwetenschappen --- Goethe, von, Johann Wolfgang --- Webern, Anton --- Vienna --- Twelve-tone system --- Second Viennese school (Group of composers) --- Webern, Anton, --- Goethe, Johann Wolfgang von, --- 850 --- New Vienna school (Group of composers) --- Schoenberg school (Group of composers) --- Second Vienna school (Group of composers) --- Vienna school (Group of 20th-century composers) --- Viennese school, Second (Group of composers) --- Young Viennese school (Group of composers) --- Dodecaphonic system --- Twelve-note composition --- Twelve-note system --- Twelve-tone technique --- Serialism (Music) --- Muziekesthetiek --- Goethe, Johann Wolfgang von --- Von Webern, Anton --- Webern, Anton von, --- Von Webern, Anton, --- Vebern, Anton, --- Vebern, A. --- Webern, Anton Friedrich Wilhelm von, --- von Goethe, Johann Wolfgang --- Hete, Johann Vol'fhanh --- Gete, Iogann Vol'fgang --- ゲーテ --- Goethe, Johann Wolfgang --- 78.21.0 --- Von Goethe, Johann Wolfgang, --- Gete, Volʹfgang, --- Ko-tê, --- Gede, --- Gete, Jogann, --- Gette, --- Gʹote, Ĭokhan Volʹfgang, --- Jūtah, Yūhān Fūlfjānj, --- Goethe, J. W. --- Jītī, --- Gete, V. --- Koetʻe, --- Goetʻe, --- Getė, --- Goethe, --- Gkaite, --- Gitah, Y. Ṿ., --- Goethe, Jan Wolfgang, --- Gëte, Iogann Volʹfgang, --- Göte, --- Gyoete, --- Goethe, W. v. --- Fon-Geteh, Ṿ. --- Geteh, Yohan Ṿolfgang Fon-, --- Giteh, Yohan Ṿolfgang Fon-, --- Gete, Johan Volfgang, --- Hete, Ĭ. V. --- Kēōtʻē, Volfkank, --- Katē, --- Katē, Yōkān̲ Vulpkēṅk Vān̲, --- Гете, Иоганн Вольфганг, --- Qöte, Y. V. --- Qöte, Yohan Volfqanq, --- גטה --- גטה, יוהאן וולפגנג פון, --- גטה, י.ו --- גיתה --- גיתה, יוהאן וולפאנג פון --- גיתה, יוהאן וולפגנג פון, --- גיתה, יוהן וולפגאנג וון, --- גיתה, יוהן וולפגנג פון, --- גיתה, יוהן וולפגנג, --- געטהע --- געטהע, יאהאן וואלפגאנג --- געטהע, יאהאן וואלפגאנג פון, --- געטהע, יאהאן װאלפגאנג, --- געטהע, י. וו --- געטהע, י. וו. פאן --- געטהע, י. װ., --- געטהע, י.װ --- געטע, װ.פ --- גתה, וו --- גתה, יוהן וולפגאנג ון, --- גתה, יוהן וולפגנג --- י. וו. געטהע --- جوته --- گوته، يوهان ولفگانگ ون --- 歌德, --- Goethe --- Von Goethe, Johann Wolfgang --- Gete, Volʹfgang --- Ko-tê --- Gede --- Gete, Jogann --- Gette --- Gʹote, Ĭokhan Volʹfgang --- Jūtah, Yūhān Fūlfjānj --- Jītī --- Koetʻe --- Goetʻe --- Gkaite --- Gitah, Y. Ṿ. --- Goethe, Jan Wolfgan, --- Gëte, Iogann Volʹfgang --- Göte --- Gyoete --- Geteh, Yohan Ṿolfgang Fon --- -Giteh, Yohan Ṿolfgang Fon --- -Gete, Johan Volfgang --- Kēōtʻē, Volfkank --- Katē --- Katē, Yōkān̲ Vulpkēṅk Vān̲ --- Гете, Иоганн Вольфганг --- Qöte, Yohan Volfqanq --- 573 --- Muziekesthetica --- ゲエテ --- Webern, Anton, - 1883-1945 --- Goethe, Johann Wolfgang von, - 1749-1832
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825 --- Muziekgeschiedenis: teksten en brieven --- Composers --- Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Correspondence --- 20th century&delete& --- History and criticism --- Schoenberg, Arnold, --- Zemlinsky, Alexander, --- Von Zemlinsky, Alexander, --- Zemlinsky, Alexander von, --- Zemlinszky, Alexander, --- Shenberg, Arnolʹd, --- Schönberg, Arnold, --- Schenberg, A. --- Shenberg, A. --- שנברג, ארנולד --- Correspondence. --- Austria --- Schönberg, Arnold --- Webern, Anton von --- Berg, Alban --- Schreker, Franz --- Zemlinsky, Alexander von. 1871-1942 --- 526.20 --- Monografieën componisten en uitvoerders - Correspondentie en geschriften --- Zemlinsky, Alexander --- 20th century --- Schönberg, Arnold
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No composer was more responsible for changes in the landscape of twentieth-century music than Arnold Schoenberg (1874-1951) and no other composer's music inspired a commensurate quantity and quality of technical description in the second half of the twentieth century. Yet there is still little understanding of the correlations between Schoenberg's musical thought and larger questions of cultural significance in and since his time: the formalistic descriptions of music theory do not generally engage larger questions in the history of ideas and scholars without understanding of the formidable musical technique are ill-equipped to understand the music with any profundity of thought. Schoenberg's Musical Imagination is intended to connect Schoenberg's music and critical writings to a larger world of ideas. While most technical studies of Schoenberg's music are limited to a single compositional period, this book traces changes in his attitudes as a composer and their impact on his ever-changing compositional style over the course of his remarkable career.
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שנברג, ארנולד
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Criticism and interpretation.
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Composers
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Music
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Compositeurs
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Musique
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History and criticism
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Histoire et critique
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BIOGRAPHY & AUTOBIOGRAPHY
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MUSIC
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Composers & Musicians.
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Individual Composer & Musician.
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Schönberg, Arnold
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Šenberg, Arnol'd
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Schönberg, Arnold Franz Walter
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Schoenberg, Arnold
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Künstler
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Lehrbeauftragter am Stern'schen Konservatorium
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This volume is an exploration of the varied and sometimes unrecognized ways in which music—especially in ritual contexts—can serve as both a spiritual conduit as well as a theological source. With topics ranging from a Congolese choir in Ireland to the Orthodox chant in Georgia, from postmodern reflections on new Passion compositions to reflections on the sacramentality of Black gospel music, this volume offers a rich plumbing of very diverse yet well researched musical traditions—case studies from around the globe—for their spiritual and theological contributions.
Charismatic Prayer Meeting --- Praise and Worship --- Speaking/Singing in Tongues --- spirituality --- music --- wellbeing --- Korean migrants --- Theodor Adorno --- Dietrich Bonhoeffer --- Karl Barth --- Anton Webern --- Gustav Mahler --- demythologization --- secularization --- Confessing Church --- German modernism --- singing --- migration --- asylum-seeker --- refugee --- the sacred --- creativity --- sonority --- Ireland --- the Congo --- Passion --- liminality --- ritual --- postmodernism --- choral music --- 21st century music --- sacred music --- composition --- theology --- theoartistry --- annunciation --- Hebrew Bible --- James MacMillan --- Michael Symmons Roberts --- Jeremy Begbie --- keen --- wake --- funeral --- tradition --- custom --- culture --- history --- chant --- Georgian chant --- Orthodox theology --- exegesis of tradition --- aesthetics --- polyphony --- oral tradition --- Dionysios the Areopagite --- sacramentality --- gospel --- African American --- dance
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