Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Dans le contexte des commémorations des 70 ans de la signature de la Déclaration universelle des droits de l'homme à Chaillot, les journées d'étude du 14 et 15 juin 2018 étaient consacrées à Chaillot, lieu de tous les arts, en partenariat avec Chaillot – Théâtre national de la Danse, la Bibliothèque nationale de France, l'ANR ECHO "[ECrire l’Histoire de l’Oral], les Archives nationales et la mission des archives du Service interministériel des Archives de France, placée auprès du ministère de la Culture. La première journée, aux Archives nationales, était consacrée aux sources archivistiques et à leur exploitation. La seconde journée, à la Bibliothèque nationale de France présentait les diverses facettes du Palais des arts du spectacle : de l'architecture à la musique, de la danse aux perceptions du public... Des chercheurs, archivistes et étudiants en Études théâtrales mettent ici en lumière les fonds d'archives relatifs au Théâtre national de Chaillot conservés dans différentes institutions partenaires. Aux Archives nationales, les récents versements, exceptionnels, et inédits pour un théâtre national, d'archives audiovisuelles et sonores viennent compléter les archives papier versées par le théâtre dès les années 1960. Enfin le témoignage oral de Nicolle Daviot, habilleuse au Théâtre national de Chaillot pendant plus de 50 ans, enregistrement réalisé par Sandrine Gill en septembre 2018, est désormais librement consultable aux Archives nationales (versement n°20200119).

Arts & Humanities --- Archives nationales --- archives --- Béjart (Maurice) --- Betacam --- bobine --- cassette audio --- danse --- Dvcam --- entretiens --- Gémier (Firmin) --- Hervieu (Dominique) --- Jack Lang (Jack) --- Lang (Jack) --- Langhoff (Matthias) --- Le Marquet (Jacques) --- mémoire du spectateur --- mémoire théâtrale --- MUDRA --- Palais de Chaillot --- Perenetti (Jean-Louis) --- Savary (Jérôme) --- Vilar (Jean) --- U-matic --- Trocadéro --- VHS --- Vitez (Antoine) --- Wilson (Georges) --- Bibliothèque nationale de France --- Chaillot --- Théâtre national de Chaillot --- Théâtre national populaire --- French National Archives --- Archive --- Bejart (Maurice) --- Danse --- Trocadero --- Audio Cassette --- Interview --- Gemier (Firmin) --- TNP --- Spectator memory --- politique culturelle --- administration des Beaux-Arts --- exposition universelle 1937 --- Umatic

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and represent the symbiosis of platform and spectator. Through case studies and close readings that blend industry history with apparatus theory, psychoanalysis with platform studies, and production history with postmodern philosophy, Killer Tapes and Shattered Screens unearths a genealogy of post-cinematic spectatorship in horror movies, thrillers, and other exploitation genres. From Night of the Living Dead (1968) through Paranormal Activity (2009), these movies pursue their spectator from one platform to another, adapting to suit new exhibition norms and cultural concerns in the evolution of the video subject.

Sociology of culture --- Film --- United States --- Technology in motion pictures. --- Cinematography --- Horror films --- Motion picture audiences. --- Video recordings --- Digital video --- Video recordings industry. --- Technological innovations. --- History and criticism. --- Production and direction --- Data processing. --- Film audiences --- Filmgoers --- Moviegoers --- Moving-picture audiences --- Performing arts --- Digital motion video --- PC video --- Video, Digital --- Computer graphics --- Digital media --- Image processing --- Multimedia systems --- Photography --- Chronophotography --- Videorecordings --- Videos --- Audio-visual materials --- Video industry --- Video tape production industry --- Motion picture industry --- Motion pictures --- Audiences --- Digital techniques --- Animated pictures --- apparatus theory. --- blu ray. --- box office. --- case studies. --- digital video. --- dvd. --- file sharing. --- film and culture. --- film audiences. --- film critics. --- film industry. --- film scholars. --- film studies. --- home viewing. --- horror movies. --- media studies. --- motion pictures. --- movie culture. --- movies. --- nonfiction. --- piracy. --- post cinematic. --- postmodern philosophy. --- prerecorded video. --- psychoanalysis. --- spectatorship. --- streaming services. --- thrillers. --- united states. --- vhs. --- video on demand. --- video platforms. --- video revenues. --- United States of America