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This fascinating volume explores the theme of mutating and adapting media in its relation to theatre and performance. Bringing together international scholars and artists, the editors offer a comprehensive overview of the changing nature of theater, focusing on interactivity, corporeality, liveness, surveillance, spectacle, performativity, and theatricality. 'Bastard or Playmate' shows how dismantling the medium of theater has led to a fertile ground for new art. This wide-ranging and vibrant book provides an excellent guide for readers unfamiliar with the field of intermediality, as well as researchers and experienced theater artists.

Theatrical science --- Experimental theater. --- Massamedia. --- Toneelvoorstellingen. --- Vernieuwing. --- Voorstellingen (uitvoerende kunsten). --- Alternative theater --- Avant-garde theater --- Theater --- Experimental theater --- Performing arts --- 21st century --- theatre --- Surveillance

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Theater --- Motion pictures --- Theater. --- Uitvoerende kunsten. --- Setting and scenery --- Setting and scenery. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Scenery (Motion pictures) --- Setting (Motion pictures) --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- History and criticism --- Performing arts --- Acting --- Actors --- Audio-visual materials --- Mass media --- Art direction

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Theater --- Women --- Women in the theater --- Women in the motion picture industry --- Women in television broadcasting --- Theater. --- Women. --- Women in television broadcasting. --- Women in the motion picture industry. --- Women in the theater. --- Vrouwen. --- Uitvoerende kunsten. --- Women in the television industry --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Motion picture industry --- Television broadcasting --- Females --- Human beings --- Femininity --- Performing arts --- Acting --- Actors --- Drama --- American literature --- anno 1900-1999 --- Social and moral questions --- Théâtre --- Femmes au théâtre --- Femmes dans l'industrie cinématographique --- Femmes dans l'industrie de la télévision --- Arts du spectacle --- Féminisme et arts --- Femmes artistes

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Key writings by artists and theorists chart the shifting relationship between film and photography and how the rise of cinema forced photography to make a virtue of its stillness. The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel's Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism. Still photography cinema's ghostly parent was eclipsed by the medium of film, but also set free. The rise of cinema obliged photography to make a virtue of its own stillness. Film, on the other hand, envied the simplicity, the lightness, and the precision of photography. Russian Constructivist filmmakers considered avant-garde cinema as a sequence of graphic "shots"; their Bauhaus, Constructivist and Futurist photographer contemporaries assembled photographs into a form of cinema on the page. In response to the rise of popular cinema, Henri Cartier-Bresson exalted the "decisive moment" of the still photograph. In the 1950s, reportage photography began to explore the possibility of snatching filmic fragments. Since the 1960s, conceptual and postconceptual artists have explored the narrative enigmas of the found film still. The Cinematic assembles key writings by artists and theorists from the 1920s on including László Moholy-Nagy, Pier Paolo Pasolini, Victor Burgin, Jeff Wall, and Catherine David documenting the photography-film dialogue that has enriched both media.

Whitechapel Art Gallery. --- Cinematography --- Photography, Artistic --- Whitechapel Art Gallery --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- kunst en fotografie --- kunst en film --- fotografie --- film --- video --- Akerman Chantal --- Antonioni Michelangelo --- Coleman James --- Crewdson Gregory --- Dean Tacita --- Doherty Willie --- Douglas Stan --- Gordon Douglas --- Marker Chris --- McQueen Steve --- Muybridge Eadweard --- Ristelhueber Sophie --- Trockel Rosemarie --- Sherman Cindy --- Snow Michael --- Viola Bill --- Wall Jeff --- Warhol Andy --- Wenders Wim --- Barthes Roland --- Figgis Mike --- Baudrillard Jean --- Bellour Raymond --- Bragaglia Anton Giulio --- Burgin Victor --- Cartier-Bresson Henri --- David Catherine --- Deleuze Gilles --- Durand Régis --- de Duve Thierry --- Eisenstein Sergei --- Gaensheimer Susan --- Goldin Nan --- Gunning Tom --- Metz Christian --- Mulvey Laura --- Moholy-Nagy Laszlo --- Newhall Beaumont --- Orlow Uriel --- Pasolini Pier Paolo --- Penley Constance --- Prince Richard --- Reich Steve --- Rim Carlo --- Sontag Susan --- Stimson Blake --- Tarantino Michael --- Varda Agnès --- Wollen Peter --- 7.01 --- 7.038 --- 77.01 --- 791.41 --- Cinematography. --- Photography, Artistic. --- Fotografie ; theorie, filosofie, esthetica --- 791.43.01 --- Kunsttheorie ; relatie film en fotografie ; bewegend versus stilstaand beeld --- Cinematografie --- Het filmische in de fotografie --- Het fotografische in de film --- Kunst ; theorie, filosofie, esthetica --- Filmkunst ; theorie, filosofie, esthetica --- film [performing arts] --- hedendaagse kunst --- Film --- photography [process] --- Contemporary [style of art] --- Photography --- Goldin, Nan --- Eisenstein, Sergei M. --- Pasolini, Pier Paolo --- Muybridge, Eadweard --- Sontag, Susan --- Cartier-Bresson, Henri --- Wall, Jeff --- Kracauer, Siegfried --- Wenders, Wim --- Moholy-Nagy, László --- Akerman, Chantal --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Chronophotography --- Aesthetics --- Animated pictures --- Motion pictures --- Whitechapel Gallery --- Whitechapel Art Gallery, London --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Cinéma --- Photographie --- Fotografie --- film [uitvoerende kunsten] --- film [discipline] --- Art conceptuel --- Art vidéo --- Mouvement moderne --- Werkbund --- Bauhaus --- Constructivisme

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