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Travel reports have shaped the emergence of early U.S. culture and its "geographical imagination" (David Harvey). Framing the Nation, Claiming the Hemisphere examines the trans-national imagination in travel reports by American authors written between 1770 and 1830. Its range is from John and William Bartram's pre-revolutionary travelogues and Jonathan Carver's exploratory report on his journey in the Great Lakes region (1778), to Olaudah Equiano's The Interesting Narrative (1789), to early nineteenth-century reports, such as Anne Newport Royall's Sketches of History, Life, and Manners, in the United States (1826) and William Duane's A Visit to Colombia (1826). The chapters of the monograph concentrate on writing about journeys to the North American 'interior', the Caribbean, Latin America, and Africa. The primary sources were written between the beginning of the struggle against British rule, following the end of the French and Indian War, and the beginning of Andrew Jackson's presidency. The decades between 1770 and 1830 were times of shifting colonial boundaries, nation-building, and emergent discourses of collective identification in North America. The study reads travel writing in the context of the identity-generating discourses of nation-building, imperialism, anti-colonialism, and cosmopolitanism. In contrast to scholarship that engages a notion of Americanness based primarily on 'domestic' outlooks and experiences such as westward expansion (the frontier), the study highlights the function of categories such as the outside world, neighboring nations, and colonial empires in the emergence of U.S. national literary imagination. How does a shift in focus from a discursive 'domestication' of North American space to an interest in the Othering of what lies beyond national borders affect the understanding of the emergent national self? These are the kind of questions that begin by seeing the transnational as a fundamental element of national emergence. The monograph ultimately works to demonstrate how travel writing - with very few exceptions - supports and affirms processes of nation-building. Thus, the national narrative evolves from representations of contact scenarios in North America, in the transatlantic world, and around the globe. Without ignoring the roles of national mythology, the analysis concentrates on the continual co-existence of fluid notions of both 'home' and 'abroad' in times of shifting geographical borders. From such a perspective, travel writing not only contributes to shaping the national imagination and its conceptions of superiority but is also complicit in territorial expansionism and its subjugation of conquered peoples and their respective cultural histories. The present study emphasizes the significance of accounts of non-voluntary movement that embrace captivity narratives, slave narratives, sailor narratives, and reports by individuals who had access to neither publishing nor public culture. Accounts by such authors have often been published posthumously, promoted by printers, professional authors, or scholars. The central focus of analysis, however, examines how American self-fashioning and self-positioning in the world appear in the travel writing of the period. The trans-national imagination engages in a symbolic construction both of the collective national 'Self' and of the outside world as the nation's 'Other.' Travel writing functions as a tool in the nation-building process of the United States: a tool that reflects the mindset of the time, a tool that imagines a national community, and a tool that shapes the mindset of a people. The study maintains that travel writing, as a literary format, negotiates the triangular relationship between American post-revolutionary nation-building, continued European colonial expansion in the Americas, and the ongoing existence of indigenous nations. Underlying each of the readings is a common thesis that travel writing defines and negotiates borders, limits, and territorial expansion, and that it does so within the parameters of nation-building.

Travel writing --- History.

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Travel writing. --- Marvelous, The. --- Supernatural --- Miracles --- Travel --- Authorship

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This book revisits images of the Balkans in twentieth-century travel writing that vividly mirrors the turbulent changes that the region went through. As such, it provides a vital basis for research into the variety of possibilities, or obstacles, present on the region's path to accession, when its unique heritage will have to be reconciled with a more European identity. This volume explores the work of well-known authors, such as Rebecca West, Paul Theroux, Robert D. Kaplan, and also contributes to travel writing theory by addressing less-known travellers who recorded their thoughts on the soc

Travel writing. --- Travel writing --- Travel --- Authorship --- History and criticism. --- Balkan Peninsula --- Balkan States --- Balkans --- Europe, Southeastern --- Southeastern Europe --- In literature.

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Mobility at Large explores a unique trajectory of travel writing. Instead of focussing on best-selling travel texts by Paul Theroux, Bill Bryson, Michael Palin, Alain de Botton and others, this book examines a strand of innovative contemporary travel writing wherein the authors experiment with form, content and the politics of representation. In this, innovative travel texts by a range of writers – from Michael Ondaatje and Caryl Phillips to Daphne Marlatt and Sam Miller – transform the genre by inscribing travel, migration, mobility and displacement within a variety of experimental textual strategies to work through questions of movement and the politics of personal identity in relation to the complex interlocutions of space, place and subjectivity. As a result, Mobility at Large challenges those critics who dismiss the genre as inherently conservative and inextricably bound up in a colonial, Eurocentric tradition. The book also documents a long and rich tradition of travel writing that existed well beyond the influence of Europe.

Travel writing --- Travel --- Authorship --- History and criticism. --- Travelers' writings --- History --- History and criticism --- Travel writing - History --- Travelers' writings - History and criticism

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Nobody writes travelogues about Germany. The country spurs many anxious volumes of investigative reporting--books that worry away at the "German problem," World War II, the legacy of the Holocaust, the Wall, reunification, and the connections between them. But not travel books, not the free-ranging and impressionistic works of literary nonfiction we associate with V. S. Naipaul and Bruce Chatwin. What is it about Germany and the travel book that puts them seemingly at odds? With one foot in the library and one on the street, Michael Gorra offers both an answer to this question and his own traveler's tale of Germany. Gorra uses Goethe's account of his Italian journey as a model for testing the traveler's response to Germany today, and he subjects the shopping arcades of contemporary German cities to the terms of Benjamin's Arcades project. He reads post-Wende Berlin through the novels of Theodor Fontane, examines the role of figurative language, and enlists W. G. Sebald as a guide to the place of fragments and digressions in travel writing. Replete with the flaneur's chance discoveries--and rich in the delights of the enduring and the ephemeral, of architecture and flood--The Bells in Their Silence offers that rare traveler's tale of Germany while testing the very limits of the travel narrative as a literary form.

Travel writing --- History. --- Germany --- In literature. --- Description and travel. --- Description and travel