Listing 1 - 9 of 9 |
Sort by
|
Choose an application
A significant number of Americans get some of their "news" about politics and national affairs from comedy shows. Is "infotainment" a debasement, or a replacement, for traditional news outlets?
Choose an application
Steve Neale and Frank Krutnik take as their starting point the remarkable diversity of comedy's forms and modes - feature-length narratives, sketches and shorts, sit-com and variety, slapstick and romance. Relating this diversity to the variety of comedy's basic conventions - from happy endings to the presence of gags and the involvement of humour and laughter - they seek both to explain the nature of these forms and conventions and to relate them to their institutional contexts. They propose that all forms and modes of the comic involve deviations from aesthetic and cultural conventions and n
Comedy films. --- Comedy films--History and criticism. --- Comic, The. --- History. --- Television comedies. --- Television comedies--History. --- Comedy films --- Television comedies --- Comic, The --- Film --- Music, Dance, Drama & Film --- Ludicrous, The --- Ridiculous, The --- Comedy --- Wit and humor --- Comedies, Television --- Comedy programs --- Comedy programs, Television --- Comedy television programs --- Television comedy programs --- Television programs --- History and criticism --- Comedy films - History and criticism --- Television comedies - History --- History and criticism.
Choose an application
Archie Bunker. Jed. Laverne and Shirley. Cliff Huxtable. Throughout the entire history of American prime-time television only four sitcoms have been true blockbusters, with Nielsen ratings far above the second- and third-rated programs. Weekly, millions of Americans of every age were making a special effort to turn on the set to see what Archie, Jed, Laverne, and Cliff were doing that week. The wild popularity of these shows-- All in the Family , The Beverly Hillbillies , Laverne & Shirley (and its partner Happy Days ), and The Cosby Show --left commentators bewildered by the tastes and prefer
Situation comedies (Television programs) --- #SBIB:309H1521 --- #SBIB:309H520 --- Radio- en/of televisieprogramma’s met een amusementsfunctie en/of esthetische functie --- Audiovisuele communicatie: algemene werken --- Television comedies --- Comedies, Television --- Comedy programs --- Comedy programs, Television --- Comedy television programs --- Television comedy programs --- Television programs --- Mass communications --- Television play --- United States --- United States of America
Choose an application
Comedy films --- Television comedies --- Motion pictures --- History and criticism. --- History. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Comedies, Television --- Comedy programs --- Comedy programs, Television --- Comedy television programs --- Television comedy programs --- Television programs --- Comedy videos --- History and criticism
Choose an application
Steve Neale and Frank Krutnik take as their starting point the remarkable diversity of comedy's forms and modes - feature-length narratives, sketches and shorts, sit-com and variety, slapstick and romance. Relating this diversity to the variety of comedy's basic conventions - from happy endings to the presence of gags and the involvement of humour and laughter - they seek both to explain the nature of these forms and conventions and to relate them to their institutional contexts. They propose that all forms and modes of the comic involve deviations from aesthetic and cultural conventions and n
791.43-1 --- Comedy films --- Comic, The --- Television comedies --- #SBIB:309H1326 --- Comedies, Television --- Comedy programs --- Comedy programs, Television --- Comedy television programs --- Television comedy programs --- Television programs --- Ludicrous, The --- Ridiculous, The --- Comedy --- Wit and humor --- 791.43-1 Filmkunst. Films. Cinema--?-1 --- Filmkunst. Films. Cinema--?-1 --- History and criticism. --- History. --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Comic, The. --- History and criticism --- History --- CDL --- 791.43
Choose an application
791.43-22 --- #SBIB:309H1521 --- #SBIB:309H1326 --- Filmcomedies --- Radio- en/of televisieprogramma’s met een amusementsfunctie en/of esthetische functie --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- 791.43-22 Filmcomedies --- Comedy films --- Comic, The --- Television comedies --- Wit and humor --- Comedies, Television --- Comedy programs --- Comedy programs, Television --- Comedy television programs --- Television comedy programs --- Television programs --- Ludicrous, The --- Ridiculous, The --- Comedy --- History and criticism --- 791.43 --- CDL
Choose an application
This book is the first sustained critical analysis of Cult British TV comedy from 1990 to the present day. The book examines 'post-alternative' comedy as both 'cult' and 'quality' TV, aimed mostly at niche audiences and often possessing a subcultural aura (comedy was famously declared 'the new 'rock'n'roll' in the early '90s). It includes case studies of Vic Reeves and Bob Mortimer and the sitcom writer Graham Linehan. It examines developments in sketch shows and the emergence of 'dark' and 'cringe' comedy, and considers the politics of 'offence' during a period in which Brass Eye, 'Sachsgate' and Frankie Boyle provoked different kinds of media outrage. Programmes discussed include Vic Reeves Big Night Out, Peep Show, Father Ted, The Mighty Boosh, The Fast Show and Psychoville. Cult British TV Comedy will be of interest to both students and fans of modern TV comedy.
Cult films --- Television comedies --- Comedies, Television --- Comedy programs --- Comedy programs, Television --- Comedy television programs --- Television comedy programs --- Television programs --- Cult classics --- Cult movies --- Motion pictures --- Cult television programs --- televisie --- televisieseries --- televisiereeksen --- comedy --- Groot-Brittannië --- twintigste eeuw --- eenentwintigste eeuw --- Reeves Vic --- Mortimer Bob --- Linehan Graham --- 791.46 --- Film and Media --- Television --- SOCIAL SCIENCE / Popular Culture --- Electronic, holographic & video art --- British Television. --- Cult TV. --- Post-alternative comedy. --- TV Comedy.
Choose an application
At the opening ceremony for the London 2012 Olympics, a global audience of nearly one billion viewers were treated to the unprecedented sight of James Bond meeting Queen Elizabeth II. Shortly after, the 'Queen' hurled herself out of a helicopter, her Union Jack parachute guiding her down to the Olympic Stadium. What it is about moments such as these that define both a particular idea of Britishness and a particular type of British film comedy? How has British cinema exploited parody as a means of negotiating its sense of identity? How does this function within a globalized marketplace and in the face of dominant Hollywood cinema?Beyond a Joke explores the myriad ways British film culture has used forms of parody, from the 1960s to the present day. It provides a contextual and textual analysis of a range of works that, while popular, have only rarely been the subject of serious academic attention - from Morecambe and Wise to Shaun of the Dead to the London 2012 Olympics' opening ceremony. Combining the methodologies both of film history and film theory, Beyond a Joke locates parody within specific industrial and cultural moments, while also looking in detail at the aesthetics of parody as a mode. Ultimately, such works are shown to be a form of culturally specific film or televisual product for exporting to the global market, in which 'Britishness', shaped in self-mocking and ironic terms, becomes the selling point. Written in an accessible style and illustrated throughout with a diverse range of examples, Beyond a Joke is the first book to explore parody within a specifically British context and makes an invaluable contribution to the scholarship on both British and global film culture.
Television comedies --- Comedies, Television --- Comedy programs --- Comedy programs, Television --- Comedy television programs --- Television comedy programs --- Television programs --- Parody films --- Television comedies. --- Parody films. --- History and criticism --- History and criticism. --- 1900-1999 --- Great Britain. --- Film genre parodies --- Film parodies --- Genre parodies (Motion pictures) --- Genre parody films --- Motion picture parodies --- Movie parodies --- Send-up films --- Spoof films --- Spoofs (Motion pictures) --- Takeoff films --- Comedy films --- Parodies --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales
Choose an application
Volumen dedicado al audiovisual iberoamericano que adopta enfoques tanto historicistas como filosóficos para abordar textos de cine, televisión e Internet.
Comedy films --- Television comedies --- Motion pictures --- Melodrama in motion pictures --- Television programs --- Melodrama on television --- Películas de comedia --- Comedias de televisión --- Películas --- Melodrama en el cine --- Programas de televisión --- Melodrama en televisión --- Melodrama in television --- Television --- Programs, Television --- Shows, Television --- Television shows --- TV shows --- Television broadcasting --- Electronic program guides (Television) --- Television scripts --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Comedies, Television --- Comedy programs --- Comedy programs, Television --- Comedy television programs --- Television comedy programs --- Comedy videos --- History and criticism --- Historia y crítica --- Latin America. --- Spain. --- Espagne --- Espainiako Erresuma --- España --- Espanha --- Espanja --- Espanya --- Estado Español --- Hispania --- Hiszpania --- Isupania --- Kingdom of Spain --- Regne d'Espanya --- Reiaume d'Espanha --- Reino de España --- Reino d'Espanya --- Reinu d'España --- Sefarad --- Sepharad --- Shpanie --- Shpanye --- Spanien --- Spanish State --- Supein --- Asociación Latinoamericana de Libre Comercio countries --- Neotropical region --- Neotropics --- New World tropics --- Spanish America --- Comedy films - Spain - History and criticism - Congresses --- Television comedies - Spain - History and criticism - Congresses --- Motion pictures - Spain - Congresses --- Motion pictures - Latin America - Congresses --- Melodrama in motion pictures - Congresses --- Television programs - Latin America - Congresses --- Melodrama on television - Congresses
Listing 1 - 9 of 9 |
Sort by
|