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Book
ISBN: 9788873364498 8873364497 9782906461840 2906461849 9789177041214 9177041216 9782757205235 Year: 2011 Publisher: Malmö Malmö Konsthall
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73.07 --- 73.039 --- Beeldhouwkunst ; installaties ; 21ste eeuw ; 2000-2011 ; P.M. Tayou --- Tayou, Pascale Marthine °1967 (°Yaoundé, Kameroen, Afrika) --- Beeldhouwkunst ; beeldhouwers A - Z --- Beeldhouwkunst ; 2000 - 2050 --- Tayou, Pascale Marthine, --- Exhibitions --- Combas, Robert, --- Tayou, Pascale Marthine
Book
ISBN: 9788873363798 Year: 2009 Publisher: Pistoia Gli Ori
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Book
ISBN: 9781908617255 9783863357177 3863357175 190861725X Year: 2015 Publisher: London Brussels Serpentine Galleries Koenig Books BOZAR
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sculpting --- Sculpture --- installations [visual works] --- Tayou, Pascale Marthine --- kunst --- 7.071 TAYOU --- Afrika --- postkolonialisme --- tekenkunst --- installaties --- Kameroen --- eenentwintigste eeuw --- Tayou Pascale Marthine --- drawings [visual works] --- slavery --- light art --- political art --- assemblages [archaeological artifacts] --- globalization --- sculpture [visual works] --- assemblages [sculpture] --- dekolonisatie
Book
ISBN: 9075679165 9789075679168 Year: 2004 Publisher: Gent Stedelijk Museum voor Actuele Kunst
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Pascale Marthine Tayou --- Tayou, Pascale Marthine --- Afrika --- Kameroen --- Art, Cameroonian --- 7.07 --- 73.07 --- Beeldende kunst ; installaties ; 1995-2004 ; P.M. Tayou --- Tayou, Pascale Marthine °1967 (°Yaoundé, Kameroen, Afrika) --- Postkoloniale kunst --- Tentoonstellingscatalogi ; Gent ; S.M.A.K. Stedelijk Museum voor Actuele Kunst --- Art, Cameroon --- Cameroonian art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- Tayou, Pascale Marthine, --- Exhibitions --- Art --- drawings [visual works] --- installations [visual works]
Book
ISBN: 9789074694346 Year: 2019 Publisher: Oostende Mu.ZEE
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Tornado is Pascale Marthine Tayou’s solo exhibition in Mu.ZEE. It is the conclusion of an intense collaboration that began in early 2018 with a ‘prologue’ entitled Ik ben Gentenaar. During this time – and in anticipation of the exhibition – an artwork was added at regular intervals to the collection presentations in Mu.ZEE. Tayou challenged the museum not to play it safe but to start working with him from day one. In this sense, Mu.ZEE functions as a laboratory, where a number of ideas can be tested spatially and reactions are quick. Under the guise of injecting movement into something rigid, the artist refers to activating what he calls the ‘frustrated’ museum space. The concept not only applies to the physical space as an exhibition gallery, but also for the mental space that is needed to build a bridge to our society. ‘The museum should engage in self-observation, should get out of itself. Society needs a space … that constantly questions itself and that will analyse, in almost real time, social changes and human movements.’ The traditional exhibition route is pushed aside, and the emphasis shifted towards being on the road. Movement is important and goes against the rusty museum systems. An intense collaboration with Pascale Marthine Tayou is akin to building on the path that Mu.ZEE has been treading for several years. The museum has consciously opted for long-term projects with artists working on social themes. Indirectly, these exhibition projects give oxygen to the museum debate on decolonisation, the decanonisation of the collections and the role of the museum in the 21st century. The prologue Ik ben Gentenaar comprises five proverbial ‘chapters’, which in the exhibition Tornado are rewritten and supplemented with an explosion of images, words, stories and emotions. Abundance is not strange to Pascale Marthine Tayou. He pursues aesthetic discoveries in which form, colour and light serve as raw materials for new sculptures, photographs, drawings, installations and paintings. Tornado brings a limited selection of existing artworks from the artist’s rich oeuvre into dialogue with mainly new creations and site-specific installations. Pascale Marthine Tayou (b. 1966, Nkongsamba, Cameroon) has been active for almost thirty years and his current preoccupations are not all that different from what initially inspired him to become a ‘maker’ and travel the world. ‘There is a tornado raging in my head!’ The exhibition is like a whirlwind of sincere emotions, stories of yesterday and today, that inspire us to do things differently tomorrow. Tornado is a portrait of the countless souls wandering around in search of a safe existence. It stands for ‘being on the road’ as a way of life and also reflects the fear of dealing with it as a society. ‘It is the portrait of the wind that blew when I last came to Ostend. Like the other elements of nature – such as rain or sun – the wind is driven by the seasons and tempers our ego. Modesty adorns us, no matter how great we think we are, we will always be ‘smaller’ than nature.’ Tornado does not evade any subject – migration, gender equality, identity and origin, evolutions within nationalist thinking, colonial wounds and their place in the individual and collective memory, peace, fear and violence, but most crucially of all, the importance of knowledge and the transference of the ancient power it holds. Tayou does not shy away from these themes, but nor does he politicise them. He observes, is critical and above all curious in his quest for the universally human, for that which unites us all. The artist weaves forgotten histories and raked-up memories with a contemporary imagination. He constantly balances on a boundary between negative and positive energy. Nothing is what it seems, let alone unambiguous. A cobblestone symbolises revolt – ‘sous les pavés, la plage’ [Under the paving stones, there is a beach!] – but also serves to build a new road. The duality that lies in his visual language breaks open the conversation. In this way, he challenges our stereotypical image of ‘the Other’. ‘Fixing the past to the present on the canvas of the future’. Browsing through the past is useful as long as we don’t stick to the same old clichéd images. Under the guise of wanting to maintain a certain lightness in thinking about current social problems, Pascale Marthine Tayou prefers to make ‘human’ rather than political statements. The artist does not create so as to honour art, but in order to celebrate life. ‘And yes, can’t we use a bit of humour?’
Art --- installations [visual works] --- museum administration --- migration [function] --- humor --- color [perceived attribute] --- site-specific works --- identity --- installation artists --- assemblage artists --- gender [sociological concept] --- African [general, continental cultures] --- Tayou, Pascale Marthine --- kunst --- 7.071 TAYOU --- postkolonialisme --- kunst en politiek --- eenentwintigste eeuw --- assemblage --- beeldhouwkunst --- installaties --- Tayou Pascale Martine --- België --- Kameroen --- Exhibitions --- social criticism
Book
ISBN: 9789081185356 Year: 2013 Publisher: Antwerpen Middelheimmuseum
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video art --- parks [recreation areas] --- Film --- multimediakunst --- utopias --- Iconography --- Art --- gardens [open spaces] --- sculpting --- Sculpture --- art [fine art] --- multimedia works --- beeldhouwkunst --- psychology --- installatiekunst --- Höller, Carsten --- Tayou, Pascale Marthine --- Cardiff, Janet --- Cale, John --- Beeck, op de, Hans --- Vranken, Leon --- Miller, George Bures --- Bures Miller, George --- Altmejd, David --- anno 2000-2099 --- kunst --- eenentwintigste eeuw --- Middelheim --- installaties --- openbare ruimte --- kunst en openbare ruimte --- Altmejd David --- Cale John --- Cardiff Janet --- Bures Miller George --- Höller Carsten --- Op de Beeck Hans --- Tayou Pascale Marthine --- Vranken Leon --- 73.039 --- 73 <493> --- Beeldhouwkunst ; sculpturale installaties ; 21ste eeuw --- Tentoonstellingscatalogi ; Antwerpen ; Middelheimmuseum --- Cardiff, Janet & George Bures Miller --- Op de Beeck, Hans --- Vranken, Leo --- Beelden buiten --- Beeldhouwkunst. Sculptuur--België --- Beeldhouwkunst ; 2000 - 2050 --- Exhibitions --- 73 <493> Beeldhouwkunst. Sculptuur--België --- Beeck, Op de, Hans --- 21st century --- Outdoor sculpture --- Belgium --- sculpture [visual works] --- installations [visual works] --- installaties. --- sculptuur. --- hedendaagse kunst. --- art [discipline] --- parks [public recreation areas]
Book
ISBN: 9789038215228 Year: 2009 Publisher: Gent Academia Press
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Artists --- Art and society. --- Art, Modern --- 7.01 --- Kunsttheorie ; onderzoek van hedendaagse kunst --- Kunstenaarsprofielen --- De Cordier, Louis --- Pistoletto, Michelangelo --- Boltanski, Christian --- Morimura, Yasumasa --- Kimura, Mayumi --- Sherman, Cindy --- Rainer, Arnulf --- Biokunst ; Joe Davis en TC&A --- Tayou, Pascale Marthine --- Denmark --- Vezzoli, Francesco --- Graffiti-kunst --- Kunst ; theorie, filosofie, esthetica --- Art and society --- Contemporary art --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects
Book
ISBN: 2930387157 9782930387154 Year: 2005 Publisher: Liège : Espace 251 Nord,
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Art, African --- Art africain --- Exhibitions --- Expositions --- Africa --- Afrique dans l'art --- In art --- Guns, Patrick --- Delmotte, Messieurs --- El Baz, Mohamed --- Alvim, Fernando --- Brice, Lisa --- Luntumbue, Toma Muteba --- Muyle, Johan --- Moke --- Magema, Michèle --- Vári, Minnette --- Curlet, François --- Hassan, Kay --- Bouabdellah, Zoulikha --- Bouschet, Gast --- Cazal, Philippe --- Mwangi, Ingrid --- Peinado, Bruno --- Toguo, Barthélémy --- Bidjocka, Bili --- Fatmi, Mounir --- Toscani, Oliviero --- Scurti, Franck --- Poiré, Emmanuel --- GROUPOV --- Artists --- kunst --- Vári Minette --- Toscani Oliviero --- Toguo Barthélémy --- Tayou Pascale Marthine --- Shonibare Yinka --- Scurtie Frank --- Smaba Chéri --- Rigobert fabien --- Peinado Bruno --- Oguibe Olu --- Mwangi Ingrid --- Muyle Johan --- Mthethwa Zwelethu --- McQueen Steve --- MOKÉ --- Magema Michèle --- Luntumbue Toma Mutuba --- Lizène Jacques --- Kingelez Isek Bodys --- Kentridge William --- Jaar Alfredo --- Hassan Kay --- Hammons David --- Guns Patrick --- Gheerardijn Jean-Marie --- Geers Kendell --- Gaba Meschac --- François Michel --- Fatmi Mounir --- El Baz Mohammed --- Messieurs Delmotte --- Curlet François --- Cunningham Chris --- Cazal Philippe --- Brice Lisa --- Bouschet Gast --- Bruly Bouabré Frédéric --- Bouabdellah Zoulikha --- BODO --- Bijl Guillaume --- bidjocka Bili --- Alvim Fernando --- 7.039 --- 7.038/039 --- Afrika --- eenentwintgste eeuw --- twintigste eeuw --- African art --- Art, Sub-Saharan African --- Sub-Saharan African art --- Persons --- Iconography --- Art --- art [fine art] --- McQueen, Steve --- Tayou, Pascale Marthine --- Samba, Cheri --- Kingelez, Bodys Isek --- Gaba, Meschac --- François, Michel --- Bruly Bouabré, Frédéric --- Lizène, Jacques --- Hammons, David --- Kentridge, William --- Rigobert, Fabien --- Jaar, Alfredo --- Bijl, Guillaume --- Cunningham, Chris --- Gheerardijn, Jean-Marie --- Shonibare, Yinka --- Mthethwa, Zwelethu --- Geers, Kendell --- Oguibe, Olu --- Art africain. --- Afrique --- Dans l'art --- Baz, El, Mohamed --- Dans l'art. --- art [discipline]
Book
ISBN: 9782072892486 2072892481 9782357441262 Year: 2021 Publisher: Paris : Musée du quai Branly-Jacques Chirac : Gallimard,
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Catalogue de l'exposition "Ex Africa" qui vise à montrer et à faire comprendre les relations qui existent aujourd'hui et depuis la fin du XXe siècle entre les arts contemporains et les arts africains anciens. Il s'agit d'en finir avec la notion de primitivisme telle qu'elle était énoncée en 1984 dans l'exposition "Primitivism" au MoMA et de montrer que les idées et les formes propres à ces arts sont aujourd'hui plus vivantes que jamais. Exposition au musée du quai Branly.
kunst --- twintigste eeuw --- eenentwintigste eeuw --- Vergier Françoise --- Tshindele Pathy --- Tayou Pascale Marthine --- Scurti Franck --- Sarkis --- Pouyandeh Nazanin --- ORLAN --- Mihindou Myriam --- Messager Annette --- Mercier Théo --- De Medeiros Emo --- Mabunda Gonçalo --- Lebel jean-Jacques --- Lavier Bertrand --- Hazoumè Romuald --- Hammons David --- 7.039 --- Friedmann Gloria --- Edmonds john --- Dossou Kifouli --- Di Rosa Hervé --- Dakpogan Calixte --- Clavé Antoni --- Chéri Samba --- Chapman Jake and Dinos --- Camara Seyni Awa --- Brown James --- Basquiat Jean-Michel --- Bandoma Steve --- Alun Be --- Alberola Jean-Michel --- Agbodjelou Leonce Raphael --- Penck A.R. --- postkolonialisme --- kolonialisme --- Afrika --- Exhibitions --- Art --- Influence. --- Penck, A. R. --- Agbodjelou, Leonce Raphael --- Be, Alun --- Alberola, Jean-Michel --- Bandoma, Steve --- Basquiat, Jean-Michel --- Brown, James --- Attia, Kader --- Camara, Seyni Awa. --- Lebel, Jean-Jacques --- Samba, Chéri --- Clavé, Antoni --- Chapman, Jake --- Chapman, Dinos --- Dakpogan, Calixte --- Di Rosa, Hervé --- Dossou, Kifouli --- Edmonds, John --- Medeiros de, Emo --- Friedmann, Gloria --- Hammons, David --- Hazoumé, Romuald --- Lavier, Bertrand --- Mabunda, Gonçalo --- Mercier, Théo --- Messager, Annette --- Mihindou, Myriam --- Orlan --- Pouyandeh, Nazanin --- Scurti, Franck --- Tayou, Pascale Marthine --- Tshindele, Pathy --- Vergier, Françoise --- Penck A.R --- Art, African --- Art africain
Book
ISBN: 907735901X Year: 2003 Publisher: Bruxelles : Africalia,
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Bachiri, Brahim ; Benohoud, Hicham ; Bidjocka, Bili ; Bouabré, Frédéric Bruly ; Carlos, Isaac ; Damag, Gaston ; D.O.F. ; Donkor, Godfried ; Anatsui, El ; Jaar, Alfredo ; et al.
Art --- Africa --- Art, African --- Film posters --- Photography --- Art africain --- Affiches de cinéma --- Photographie --- Exhibitions. --- History --- Expositions --- Histoire --- Redactie = Rédaction Toma Muteba Luntumbue ; Teksten = Textes Youssouf Tata Cissé, Johannes Fabian, Toma Muteba Luntumbue, Tobias Wendl --- kunst --- Afrika --- twintigste eeuw --- eenentwintigste eeuw --- fotografie --- Beeldende kunst ; Afrika ; 1980-2003 --- schilderkunst --- installaties --- Fotografie ; videokunst ; installaties --- portret --- Tentoonstellingscatalogi ; Brussel ; Paleis voor Schone Kunsten --- Thema's in de kunst ; Afrika --- portretfotografie --- Africalia --- collages --- Bachiri Brahim --- Film ; horrorfilms ; Ghana en Nigeria --- Benohoud Hicham --- Affiches ; filmaffiches ; Africa --- Bidjocka Bili --- 7.038 --- (069) --- Bruly Bouabré Frédéric --- 77.04 --- Carlos Isaac --- Damag Gaston --- D.O.F. --- Donkor Godfried --- Anatsui El --- Jaar Alfredo --- Kentridge William --- Kingelez Bodys Isek --- Konaté Abdoulaye --- Marzouk Mona --- Mwangi Ingrid --- Nkanga Otobong --- Ntakiyica Aimé --- Olé Antonio --- Piper Keith --- Rose Tracey --- Tayou Pascale Marthine --- Tuggar Fatimah --- Vári Minnette --- Williamson Sue --- film --- horror --- affiches --- 7.039 --- Kunstgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- Fotografie ; artistieke fotografie --- Affiches de cinéma --- D.O.F
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