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Television broadcasting --- Television programs --- 791.46 --- Horace Newcomb --- soaps --- televisie --- TV-series --- westerns --- Social aspects --- Mass communications --- Television play --- United States --- United States of America
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Prime-Time Families provides a wide-ranging new look at television entertainment in the past four decades. Working within the interdisciplinary framework of cultural studies, Ella Taylor analyzes television as a constellation of social practices. Part popular culture analysis, part sociology, and part American history, Prime-Time Families is a rich and insightful work the sheds light on the way television shapes our lives.
Television and families --- Television series --- Series, Television --- Television serials --- Television programs --- abc. --- academic. --- advertising. --- american history. --- comedy series. --- cultural analysis. --- cultural history. --- entertainment history. --- entertainment. --- feminism. --- game shows. --- history of television. --- mary tyler moore show. --- mash. --- pop culture. --- prime time tv. --- scholarly. --- social change. --- social studies. --- sociology. --- television producers. --- television. --- tv series. --- tv shows. --- us history. --- workplace comedy.
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Serialized storytelling provides intriguing opportunities for critical representations of age and aging. In contrast to the finite character of films, television narratives can unfold across hundreds of episodes and multiple seasons. Contemporary viewing practices and new media technologies have resulted in complex television narratives, in which experimental temporalities and revisions of narrative linearity and chronological time have become key features. As the first of its kind, this volume investigates how TV series as a powerful cultural medium shape representations of age and aging, such as in »Orange Is The New Black«, »The Wire« or »Desperate Housewives«, to understand what it means to live in time. »Die Darstellung des menschlichen Alterungsprozesses sowie von alten Menschen in den Narrativen des Mainstream-Fernsehens ist häufig unkonventionell - gleichzeitig jedoch wird diese Neuartigkeit immer noch mit stereotypen Elementen aufgeweicht. Es ist ein großer Verdienst dieser Publikation, dass in den elf durchweg sehr guten Aufsätzen beide Aspekte differenziert herausgearbeitet werden.« Vincent Fröhlich, MEDIENwissenschaft, 4 (2016) »The book can thus be read as a first step in this direction, and it clearly outlines the desiderata to be dealt with in future studies.« Andreas Hudelist, www.theaterforschung.de, 08.04.2016 Besprochen in: tv diskurs, 1 (2017), Lothar Mikos
Older people on television. --- Television and older people. --- Television series --- Series, Television --- Television serials --- Television programs --- Older people and television --- Television and the aged --- Older people --- Aged in television --- Aged on television --- Television --- Social aspects. --- TV Series; Old Age; Age; Aging; Temporality; Aging Studies; Television; Media Aesthetics; Media Studies; Cultural Studies --- Age. --- Aging Studies. --- Aging. --- Cultural Studies. --- Media Aesthetics. --- Media Studies. --- Old Age. --- Television. --- Temporality.
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This book offers an analysis of a range of different British and American television series from the 1950s to the present day. Three broad categories are used to organize the analysis: "human nature" ("Bonanza", "The Untouchables", "The Invaders", "Star Trek"); "pop" ("The Prisoner", "The Avengers", "The Man from UNCLE", "Mission: Impossible") and the police series ("Hawaii 5.O", "Starsky and Hutch", "Kojak", "Miami Vice"). The emphasis is on the discussion of underlying ideological strategy and the text seeks to establish television criticism as a form of interpretative explanation whilst coming to terms with the historical determination of each series. The book is aimed at students and teachers in the field of cultural, media and communication studies, as well as avid followers of television series.
Culture [Popular ] --- Culture de rue --- Culture des banlieues populaires --- Culture des classes populaires --- Culture des quartiers populaires --- Culture du peuple --- Culture ouvrière --- Culture populaire --- Cultures populaires --- Mass culture --- Politics and television --- Politiek en televisie --- Politique et télévision --- Pop culture --- Popcultuur --- Populaire cultuur --- Popular arts --- Popular culture --- Televisie en politiek --- Television and politics --- Television broadcasting--Political aspects --- Télévision et politique --- Volkscultuur --- Television series --- Séries télévisées --- History and criticism --- Histoire et critique --- Television serials --- #SBIB:309H521 --- #SBIB:309H1522 --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Radio- en/of televisieprogramma’s met een ideologische en spiegelfunctie --- Popular culture. --- Television and politics. --- Television serials. --- Télévision et politique --- Séries télévisées --- Series, Television --- Television programs --- Television broadcasting --- Political science --- Culture, Popular --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Political aspects --- 095 --- televisie --- televisieprogramma's --- TV-series --- cultuurkritiek --- ideologie --- Televisie
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An original and beautifully written book on changing perspectives in the art of theater. Through a study of nine plays-Oedipus Rex, Bérénice, Tristan und Isolde, Hamlet, Ghosts, The Cherry Orchard, Six Characters in Search of an Author, Noah, Murder in the Cathedral-the author shows how all playwrights seek to "hold the mirror up to nature" and how in this respect the art of drama is always the same, varying only with the philosophical and aesthetic concepts of each age. The Idea of a Theater will delight both readers with a special interest in drama and those who read drama as a source of insight into man's nature and man's changing ideas of himself. Originally published in 1949.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Drama --- Criticism --- History and criticism. --- Acting. --- Anagoge. --- Anecdote. --- Aristotelianism. --- Awareness. --- Before the Revolution. --- Brothel. --- Caricature. --- City Of. --- Classicism. --- Cyclorama (theater). --- Dithyramb. --- Dolce Stil Novo. --- Drama. --- Dramatization. --- Dramaturgy. --- Drawing room. --- Episode. --- Escapism. --- Farce. --- Fine art. --- Fortinbras. --- Genre. --- Gilbert Murray. --- Gilbert and Sullivan. --- Good and evil. --- Hamlet's Father. --- Hamlet. --- Harold Clurman. --- Heartbreak House. --- High Spirits (musical). --- Hubris. --- Illustration. --- Imagery. --- Improvisation. --- In Society. --- In This World. --- In the Life. --- Infatuation. --- Irony. --- Jacques Copeau. --- Jean Cocteau. --- Jeux. --- Kilroy was here. --- Laertes (Hamlet). --- Life Itself. --- Literature. --- Louis Jouvet. --- Luigi Pirandello. --- Macduff (Macbeth). --- Major Barbara. --- Melodrama. --- Metaphysical poets. --- Mimesis. --- Modernity. --- Molière. --- Murder in the Cathedral. --- Narrative thread. --- Narrative. --- Of Human Action. --- Omnipotence. --- Oscar Wilde. --- Parody. --- Plautus. --- Play (theatre). --- Playwright. --- Poetic realism. --- Poetry. --- Polonius. --- Primitivism. --- Purgatorio. --- Realism (arts). --- Reductio ad absurdum. --- Restoration comedy. --- Revenge play. --- Rhetorical device. --- Rosencrantz and Guildenstern (play). --- Rosencrantz and Guildenstern. --- Scaramouche. --- Sensibility. --- Shakespearean tragedy. --- Six Characters in Search of an Author. --- Sophistication. --- Sophocles. --- Sound effect. --- Struggle (TV series). --- Suspension of disbelief. --- Terence. --- The Comic. --- The Infernal Machine (play). --- The Realist. --- The Spirit of the Age. --- The Various. --- The Very Idea. --- Theatre. --- Theatricality. --- Tragedy. --- Valet. --- Ventriloquism. --- William Shakespeare.
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In Last Looks, Last Books, the eminent critic Helen Vendler examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death alike. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness. In The Rock, Wallace Stevens writes simultaneous narratives of winter and spring; in Ariel, Sylvia Plath sustains melodrama in cool formality; and in Day by Day, Robert Lowell subtracts from plenitude. In Geography III, Elizabeth Bishop is both caught and freed, while James Merrill, in A Scattering of Salts, creates a series of self-portraits as he dies, representing himself by such things as a Christmas tree, human tissue on a laboratory slide, and the evening/morning star. The solution for one poet will not serve for another; each must invent a bridge from an old style to a new one. Casting a last look at life as they contemplate death, these modern writers enrich the resources of lyric poetry.
Death in literature. --- American poetry --- History and criticism. --- Stevens, Wallace --- Criticism and interpretation --- Plath, Sylvia --- Lowell, Robert Traill Spence, Jr. --- Bishop, Elizabeth --- Merrill, James Ingram --- 20th century --- History and criticism --- Death in literature --- Adjective. --- After Apple-Picking. --- Allusion. --- Amputation. --- Ars Poetica (Horace). --- Asymmetry. --- Because I could not stop for Death. --- Bevel. --- Binocular vision. --- Bluebeard's Castle. --- Burial. --- Calcium carbonate. --- Carbon monoxide. --- Caspar David Friedrich. --- Coffin. --- Couplet. --- Death and Life. --- Death drive. --- Death. --- Deathbed. --- Desiccation. --- Diction. --- Disjecta membra. --- Dramatis Personae. --- Elizabeth Bishop. --- Emblem. --- Emily Dickinson. --- Emptiness. --- Executive director. --- Ezra Pound. --- Fairy tale. --- Fine art. --- Grandparent. --- Hexameter. --- Human extinction. --- Impermanence. --- In Death. --- In the Flesh (TV series). --- Incineration. --- Irony. --- James Merrill. --- John Donne. --- John Keats. --- Lady Lazarus. --- Lament. --- Last Poems. --- Lecture. --- Life Studies. --- Lycidas. --- Macabre. --- Melodrama. --- Metaphor. --- Microtome. --- Misery (novel). --- Mourning. --- Narcissism. --- Narrative. --- National Gallery of Art. --- National Humanities Center. --- Ottava rima. --- Otto Plath. --- Pentameter. --- Phone sex. --- Pity. --- Plath. --- Platitude. --- Poetry. --- Princeton University Press. --- Psychotherapy. --- Rhyme scheme. --- Rhyme. --- Rigor mortis. --- Robert Lowell. --- Sadness. --- Sestet. --- She Died. --- Skirt. --- Slowness (novel). --- Soliloquy. --- Sonnet. --- Stanza. --- Subtraction. --- Suffering. --- Suicide attempt. --- Sylvia Plath. --- Ted Hughes. --- Tercet. --- Terza rima. --- The Other Hand. --- The Snapper (novel). --- Trepanning. --- Tyvek. --- Villanelle. --- Vocation (poem). --- W. B. Yeats. --- W. H. Auden. --- Wallace Stevens. --- Wasting. --- William Shakespeare. --- Writing.
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Why, during the last two hundred years, when critical achievement in the field of tragedy has been outstanding, has there been little creative practice? David Lenson examines the work of various writers not ordinarily placed in the tragic tradition-among them, Kleist, Goethe, Melville, Yeats, and Faulkner-and suggests that the tradition of tragedy does continue in genres other than drama, that is, in the novel and even in lyric poetry.The notion of tragedy's migration from one genre to others indicates, however, rather sweeping modifications in the theory of tragedy. Achilles' Choice proposes a structural model for tragic criticism that synthesizes the almost scientific theories predominant since World War II with the irrationalist theories they replaced.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Drama --- Tragedy --- Tragedy. --- Criticism --- History and criticism. --- Absalom. --- Act of Violence. --- Aeschylus. --- Afterword. --- Ahab. --- Analogy. --- Anecdote. --- Anthropomorphism. --- Antinomy. --- Antithesis. --- Apollonian and Dionysian. --- Arthur Schopenhauer. --- Boredom. --- Brute fact. --- Clytemnestra. --- Counterculture. --- Criticism. --- D. H. Lawrence. --- Deal with the Devil. --- Dialectic. --- Dialectician. --- Dichotomy. --- Die Welt. --- Dionysian Mysteries. --- Dithyramb. --- Dudley Fitts. --- Electra complex. --- Emblem. --- Epic poetry. --- Equivalents. --- F. L. Lucas. --- Fairy. --- Falsity. --- Faust. --- Fiction. --- Francis Fergusson. --- Genre. --- George Steiner. --- Good and evil. --- Greek chorus. --- Greek mythology. --- Greek tragedy. --- Hamartia. --- Hedonism. --- Humour. --- Hymn to Proserpine. --- Hypocrisy. --- Ideology. --- Individuation. --- Irony. --- Irresistible force paradox. --- Jacques Derrida. --- Literature. --- Long Day's Journey into Night. --- Lurch (The Addams Family). --- Lyric poetry. --- Michael Robartes and the Dancer. --- Moby-Dick. --- Monomania. --- Mourning Becomes Electra. --- Name-dropping. --- Nihilism. --- Novella. --- On the Eve. --- On the Mountain. --- Only Words (book). --- Oreste. --- Outrageous Fortune (TV series). --- Paradox. --- Parody. --- Pessimism. --- Philosopher. --- Philosophy of Friedrich Nietzsche. --- Philosophy. --- Picaresque novel. --- Playwright. --- Poetry. --- Prose. --- Pylades. --- Rainer Maria Rilke. --- Romanticism. --- Rosencrantz and Guildenstern. --- Slavery. --- Soliloquy. --- Sophistication. --- Stanza. --- Symptom. --- The Birth of Tragedy. --- The Case of Wagner. --- The Countess Cathleen. --- The Giver. --- The Other Hand. --- Theodore Dreiser. --- Tragic hero. --- Uncle Vanya. --- W. B. Yeats. --- Walter Kaufmann (philosopher). --- William Shakespeare. --- Writing.
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"Wartime Kiss is a personal meditation on the haunting power of American photographs and films from World War II and the later 1940s. Starting with a powerful reinterpretation of one of the most famous photos of all time, Alfred Eisenstaedt's image of a sailor kissing a nurse in Times Square on V-J Day, Alexander Nemerov goes on to examine an idiosyncratic collection of mostly obscure or unknown images and movie episodes--from a photo of Jimmy Stewart and Olivia de Havilland lying on a picnic blanket in the Santa Barbara hills to scenes from such films as Twelve O'Clock High and Hold Back the Dawn. Erotically charged and bearing traces of trauma even when they seem far removed from the war, these photos and scenes seem to hold out the promise of a palpable and emotional connection to those years. Through a series of fascinating stories, Nemerov reveals the surprising background of these bits of film and discovers unexpected connections between the war and Hollywood, from an obsession with aviation to Anne Frank's love of the movies. Beautifully written and illustrated, Wartime Kiss vividly evokes a world in which Margaret Bourke-White could follow a heroic assignment photographing a B-17 bombing mission over Tunis with a job in Hollywood documenting the filming of a war movie. Ultimately this is a book about history as a sensuous experience, a work as mysterious, indescribable, and affecting as a novel by W. G. Sebald"--
ART / History / General. --- HISTORY / Modern / 20th Century. --- PHOTOGRAPHY / History. --- ART / American / General. --- Nineteen forties. --- Collective memory. --- Art and history. --- World War, 1939-1945 --- Historiography and photography. --- 1940s --- 40s (Twentieth century decade) --- Forties (Twentieth century decade) --- Twentieth century --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- History and art --- History --- History in art --- World War, 1939-1945, in motion pictures --- Photography and historiography --- Photography --- Motion pictures and the war. --- Photography. --- Art and history --- Collective memory --- Historiography and photography --- Nineteen forties --- 77.01 --- 791.43.01 --- Amerikaanse film ; 1936-1948 ; Wereldoorlog II --- Fotografie ; theorie ; beschouwing --- Kunsttheorie ; collectief geheugen --- Thema's in de film ; de oorlog --- Motion pictures and the war --- Fotografie ; theorie, filosofie, esthetica --- Filmkunst ; theorie, filosofie, esthetica --- Aircraft. --- Alfred Eisenstaedt. --- Andrew Marvell. --- Anecdote. --- Ann Carter. --- Anne Frank. --- Archibald MacLeish. --- Arsenic and Old Lace (play). --- Bertolt Brecht. --- Boeing B-17 Flying Fortress. --- Bomb bay. --- Bomb. --- Bosley Crowther. --- Cary Grant. --- Combat Mission. --- Command Decision (play). --- Confetti. --- Consolidated B-24 Liberator. --- Darryl F. Zanuck. --- Dick Powell. --- Donna Reed. --- Down on His Luck. --- Dr. Strangelove. --- Eddie Muller. --- Eloquence. --- Enola Gay. --- Erskine Caldwell. --- Fan magazine. --- Footage. --- G. (novel). --- Geoffrey de Havilland. --- Getty Images. --- Government Girl. --- Graflex. --- Gregory Peck. --- Henry Fonda. --- Hold Back the Dawn. --- Howard Hawks. --- Howard Hughes. --- I Wanted Wings. --- In the Woods. --- Instant. --- Intercom. --- Jack Warner (actor). --- James Agee. --- Jennifer Jones. --- Joan Fontaine. --- John Hersey. --- John Steinbeck. --- John Swope (photographer). --- Joseph Cornell. --- Lady, Be Good (musical). --- Lightness. --- Linhof. --- Los Angeles Times. --- Margaret Bourke-White. --- Margaret Herrick Library. --- Marx Brothers. --- Max Reinhardt. --- Meal. --- Memphis Belle (aircraft). --- Michelangelo Antonioni. --- Mickey Rooney. --- Mr. --- Nickname. --- North Africa. --- Olivia de Havilland. --- Patchwork. --- Paulette Goddard. --- Phonograph. --- Potion. --- Princess O'Rourke. --- Princeton University Press. --- Priscilla Lane. --- Report from the Aleutians. --- Roland Barthes. --- Rosie the Riveter. --- Seminar. --- Stanley Kubrick. --- Stardom. --- Swoon (artist). --- Sy Bartlett. --- Tamara Toumanova. --- The Adventures of Robin Hood (TV series). --- The Circus Animals' Desertion. --- The Curse of the Cat People. --- The Dark Corner. --- The New York Times. --- To His Coy Mistress. --- Toby Jug. --- Tom Conway. --- Toner. --- Top Gun. --- Twelve O'Clock High. --- Veronica Lake. --- William Wyler. --- Wing and a Prayer. --- Wings of the Navy. --- Writing.
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