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Sonnier, Keith,

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In this innovative take on early video art, Ina Blom considers the widespread notion that analog video was endowed with lifelike memory and agency. Reversing standard accounts of artistic uses of video, she follows the reflexive unfolding of a technology that seemed to deploy artists and artistic frameworks in the creation of new technical and social realities. She documents, among other things, video's emergence through the framework of painting, its identification with biological life, its exploration of the outer limits of technical and mental time control, and its construction of new realms of labor and collaboration. Enlisting a distinctly media-archaeological approach, Blom's new book—her second from Sternberg Press—is a brilliant look at the relationship between video memory and social ontology.

kunst --- kunsttheorie --- video --- videokunst --- video-installaties --- Benning Sadie --- Piene Otto --- Tambellini Aldo --- Crutchfield James P --- Gillette Frank --- Ryan Paul --- Campus Peter --- Viola Bill --- Paik Nam June --- Vasulka Woody --- Vasulka Steina --- Sonnier Keith --- Muntadas Antoni --- Graham Dan --- Birnbaum Dana --- vom Bruch Klaus --- Benglis Lynda --- Morris Robert --- 791.5 --- Video art --- Intersubjectivity. --- Art, Modern --- History.

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"From the mid-1960s to the mid-1970s, projected installations helped to create a new language of art-making. By transforming traditionally static viewing spaces into active participatory fields, experiments with the moving image in those decades dramatically expanded the parameters of modern art, producing some of the most significant moving image installations in modern art history. Since that time, the projected image has become a prominent feature of contemporary art-making, and the incorporation of large-scale moving images by artists into installations now has a rich history. But due to the ephemeral nature of the original art works, many classic installations, while remembered, have not been widely seen." "Into the Light" accompanies the Whitney Museum of American Art's re-creation of nineteen landmark film, video, and slide installations from this prescient era. The exhibition is the largest of its kind to date, and the first to explore the history of projected installations. Many of these moving image installations have been restored especially for the exhibition, and are presented for the first time since their initial showings. Together, they reveal the ways in which traditional definitions of cinema, sculpture, and optical perception were overturned in the 1960s and early 1970s, as artists created hybrid environments that incorporated video, film, slides, performance, drawing, holography, and the participation of the viewer to explore new ideas of physical and psychological space."--Jacket.

Chrissie Iles --- kunst --- twintigste eeuw --- Verenigde Staten --- Zummer Thomas --- videokunst --- video --- Whitman Robert --- Warhol Andy --- Ono Yoko --- Anastasi William --- Morris Robert --- Nauman Bruce --- Lucier Mary --- Sonnier Keith --- Graham Dan --- McCall Anthony --- Oppenheim Dennis --- Acconci Vito --- Snow Michael --- Korot Beryl --- Hill Gary --- Sharits Paul --- Jonas Joan --- Campus Peter --- Forti Simone --- 7.038 --- Art, American --- Installations (Art) --- Video art --- Art vidéo --- Art, American. --- Ausstellung. --- Geschichte 1964-1977. --- Installaties (beeldende kunst). --- Installation --- Installations (Art). --- Installations (art) --- Kunst. --- Licht. --- New York (NY, 2001). --- Video art. --- Videokunst. --- Catalogues d'exposition --- Acconci, Vito, --- Graham, Dan, --- Jonas, Joan, --- Lucier, Mary, --- Morris, Robert, --- Nauman, Bruce, --- Ono, Yoko, --- Oppenheim, Dennis, --- Sonnier, Keith, --- Warhol, Andy, --- 1900-1999. --- USA. --- United States. --- Art --- Film --- History --- multimedia works --- art [fine art] --- art history --- video art --- performance art --- motion pictures [visual works] --- multi-channel video installations --- Snow, Michael --- Oppenheim, Dennis --- Warhol, Andy --- Ono, Yoko --- Anastasi, William --- Forti, Simone --- Morris, Robert --- Korot, Beryl --- Lucier, Mary --- McCall, Anthony --- Sharits, Paul --- Whitman, Robert --- Jonas, Joan --- Sonnier, Keith --- Acconci, Vito --- Graham, Dan --- Nauman, Bruce --- Hill, Gary --- Campus, Peter --- anno 1950-1959 --- anno 1960-1969 --- United States --- art [discipline] --- United States of America

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Acconci, Vito ; Anselmo, Giovanni ; Arman ; Baldessari, John ; Baselitz, Georg ; Becher, Bernd et Hilla ; Bickerton, Ashley ; Bochner, Mel ; Boltanski, Christian ; Bömmels, Peter ; Broodthaers, Marcel ; Calzolari, Pier Paolo ; Christo ; Dine, Jim ; Dokoupil, Jiri Georg ; Dunham, Carroll ; Fischli, Peter ; Weiss, David ; Flavin, Dan ; Gilbert and George ; Halley, Peter ; Höckelmann, Antonius ; Immendorf, Jörg ; etc.

Art --- anno 1900-1999 --- kunst --- kunstverzamelingen --- kunstgaleries --- Acconci Vito --- Anselmo Giovanni --- Arman --- Baldessari John --- Baselitz Georg --- Becher Bernd & Hilla --- Becher Bernd --- Becher Hilla --- Bickerton Ashley --- Bochner Mel --- Boltanski Christian --- Bömmels Peter --- Broodthaers Marcel --- Calzolari Pier Paolo --- Christo --- Dino --- Dokoupil Jiri Georg --- Dunham Carroll --- Fischli Peter --- Weiss David --- Flavin Dan --- Gilbert & George --- Goldberg Michael --- Halley Peter --- Höckelmann Antonius --- Immendorf Jörg --- Johns Jasper --- Judd Donald --- Kiefer Anselm --- Koons Jeff --- Kounelles Jannis --- Lemieux Annette --- LeVa barry --- LeWitt Sol --- Lichtenstein Roy --- McCracken John --- Manzoni Piero --- Merz Mario --- Morris robert --- Nauman Bruce --- Oehlen Albert --- Oldenburg Claes --- Paolini Giulio --- Pistoletto Michelangelo --- Penck A.R. --- Poirier Anne --- Poirier Patrick --- Rauschenberg Robert --- Rosenquist James --- Sarkis --- Schifano Mario --- Serra Richard --- Sonnier Keith --- Spoerri Daniel --- Steinbach Haim --- Twombly Cy --- Vaisman Meyer --- Warhol Andy --- Wegman William --- Wesselmann Tom --- Winters Terry --- Yarber Robert --- Zorio Gilberto --- 7.078 --- 7.038 --- Penck A.R --- Art, Modern --- Sonnabend, Ileana --- Sonnabend, Michael --- Art collections --- 1900-1999

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art [fine art] --- Art --- Piene, Otto --- Distel, Herbert --- Baer, Jo --- Haacke, Hans --- Burgin, Victor --- Vautier, Ben --- Bayrle, Thomas --- Bonato, Victor --- Serra, Richard --- Christo --- Spoerri, Daniel --- Beuys, Joseph --- Ulrichs, Timm --- Mack, Heinz --- Rückriem, Ulrich --- anno 1900-1999 --- kunst --- communicatie --- schilderkunst --- beeldhouwkunst --- mixed media --- Baer Jo --- Barry Robert --- Brüder Baschet --- Bayrle Thomas --- Bonato Victor --- Boyle Mark --- Burgin Victor --- Claus Jürgen --- Cote Alan --- Demattio Bruno --- Dietrich Hansjoachim --- Distel Herbert --- Dorn Anne --- Dressler Otto --- EIAG --- Ferrari Luc --- Fongi Y. --- Gaul Winfred --- Gerz Jochen --- Goeritz Mathias --- Haacke Hans --- Hajek Otto Herbert --- Hamilton Richard --- Haus-Rucker-Co --- Heilmeyer Jens --- Hingstmartin --- Kahlen Wolf --- Kosuth Joseph --- Kriwet Ferdinand --- Le Va Barry --- Levine Les --- Lüscher Ingeborg --- Luther Adolf --- Mack Heinz --- Nederlands Dans Theater --- Neuenhausen Siegfried --- Nutall Jeff --- Paik Nam June --- Piene Otto --- Rainer Arnulf --- Reusch Erich --- Rinke Klaus --- Roehr Peter --- Ruthenbeck Reiner --- Schauffelen Konrad Balder --- Schult HA --- Schwartz Martin --- Segal George --- Serra Richard --- Sonnier Keith --- Spindel Ferdinand --- Spoerri Daniel --- Staeck Klaus --- Takis --- Tsai Wen-Ying --- Uecker Günther --- Ulrichs Timm --- Vautier Ben --- Visser Carel --- Vostell Wolf --- Walther Franz Erhard --- Weh Renate --- Weseler Günter --- 7.01 --- Fongi Y --- Baer, Josephine Gail --- kunstfilosofie. --- hedendaagse kunst. --- art [discipline]