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Eerste monografie in het Nederlands over Alessandro Scarlatti. Alessandro Scarlatti (1660-1725) was op het vlak van de vocale muziek een van de productiefste en veelzijdigste componisten van zijn tijd. Ten onrechte staat hij nog steeds in de schaduw van zijn zoon Domenico (1685-1757), wiens naam vooral verbonden is aan meer dan vijfhonderd sonates voor klavier. In de overgang van de 17de naar de 18de eeuw kan Alessandro Scarlatti evenwel gerekend worden tot de meest geïnspireerde componisten binnen de genres opera, oratorium en cantate. Lyriek en dramatiek komen in zijn werk op exemplarische wijze tot een synthese.
Composers --- Scarlatti, Alessandro, --- Skarlatti, Alessandro, --- Skarlatis, A., --- Scarlatti, Alesandro, --- Scarlatti, A. --- Scarlatti, Allessandro, --- Scarlatti, Pietro Alessandro,
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Opera --- Scarlatti, Alessandro, --- Criticism and interpretation --- 526 --- Monografieën componisten en uitvoerders --- Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- History and criticism --- Skarlatti, Alessandro, --- Skarlatis, A., --- Scarlatti, Alesandro, --- Scarlatti, A. --- Scarlatti, Allessandro, --- Scarlatti, Pietro Alessandro, --- Criticism and interpretation. --- Scarlatti, Alessandro --- Music --- Italy --- 17th century --- 18th century --- Opera - 17th century --- Opera - 18th century --- Scarlatti, Alessandro, - 1660-1725 - Criticism and interpretation --- Scarlatti, Alessandro, - 1660-1725
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Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith reevaluates significant aspects of the Arcadian reform aesthetic and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith's interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures.
Opera --- Symbolism in opera. --- Philosophy and aesthetics. --- Pollarolo, Carlo Francesco, --- Scarlatti, Alessandro, --- 1690. --- 17th century. --- aesthetic. --- alessandro scarlatti. --- arcadian reform. --- carlo francesco pollarolo. --- character. --- crossroads. --- debates. --- early modern period. --- enlightenment. --- gender. --- genre. --- interpreters. --- italian. --- italy. --- la forza della virtu. --- la statira. --- literary background. --- modern scholars. --- ocularcentric. --- opera criticism. --- opera. --- philosophical background. --- rome. --- text and music. --- visual symbolism. --- Symbolism in opera --- Philosophy and aesthetics
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