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In this sensitive reading of Chaucer's Troilus and Criseyde, Winthrop Wetherbee redefines the nature of Chaucer's poetic vision. Using as a starting point Chaucer's profound admiration for the achievement of Dante and the classical poets, Wetherbee sees the Troilus as much more than a courtly treatment of an event in ancient history-it is, he asserts, a major statement about the poetic tradition from which it emerges. Wetherbee demonstrates the evolution of the poet-narrator of the Troilus, who begins as a poet of romance, bound by the characters' limited worldview, but who in the end becomes a poet capable of realizing the tragic and ultimately the spiritual implications of his story.

Chaucer, Geoffrey, --- Love in literature. --- Cressida (Fictitious character) --- Trojan War --- Troilus (Legendary character) in literature. --- Literature and the war. --- Knowledge --- Literature. --- Sources. --- Criseyde (Fictitious character) --- Chaucer, Jeffrey, --- Chʻiao-sou, Chieh-fu-lei, --- Chieh-fu-lei Chʻiao-sou, --- Choser, Dzheffri, --- Choser, Zheoffreĭ, --- Cosvr, Jvoffrvi, --- Tishūsar, Zhiyūfrī, --- classical literature --- Vergil --- Dante Alighieri --- Troilus and Criseyde --- Statius --- medieval literature --- (alternate spelling of "Vergil" Ovid --- Geoffrey Chaucer --- Roman de la rose --- CHAUCER (GEOFFREY), d. 1400 --- TROILUS AND CRISEYDE

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Conservative thinkers of the early Middle Ages conceived of sensual gratification as a demonic snare contrived to debase the higher faculties of humanity, and they identified pagan writing as one of the primary conduits of decadence. Two aspects of the pagan legacy were treated with particular distrust: fiction, conceived as a devious contrivance that falsified God's order; and rhetorical opulence, viewed as a vain extravagance. Writing that offered these dangerous allurements came to be known as "hermaphroditic" and, by the later Middle Ages, to be equated with homosexuality. At the margins of these developments, however, some authors began to validate fiction as a medium for truth and a source of legitimate enjoyment, while others began to explore and defend the pleasures of opulent rhetoric. Here David Rollo examines two such texts-Alain de Lille's De planctu Naturae and Guillaume de Lorris and Jean de Meun's Roman de la Rose-arguing that their authors, in acknowledging the liberating potential of their irregular written orientations, brought about a nuanced reappraisal of homosexuality. Rollo concludes with a consideration of the influence of the latter on Chaucer's Pardoner's Prologue and Tale.

Paraphilias in literature. --- Intersexuality in literature. --- Homosexuality in literature. --- Literature, Medieval --- Latin literature, Medieval and modern --- Hermaphroditism in literature --- Sexual deviation in literature --- Sexual perversion in literature --- History and criticism. --- Martianus Capella. --- William, --- Guillaume, --- Jean, --- Alanus, --- Chopinel, Jean, --- Clopinel, Jean, --- De Meun, Jean, --- Jean Chopinel de Meun, --- Jean Clopinel de Meun, --- Jean de Meun, --- Jehan, --- Meun, Jean de, --- Clopinel, J. --- Criticism and interpretation. --- hermaphroditic, hermaphrodite, fiction, fictional, middle ages, medieval, time period, era, history, historical, conservative, sensual, sensuality, sexuality, sex, gratification, religion, religious studies, faith, belief, morals, purity, human nature, sin, sinful, taboo, pagan, extravagance, opulence, rhetorical, god, homosexuality, roman de la rose, literature, literary, chaucer, pardoners tale.